CRIA - Centro de Referência em Informação Ambiental
Rejan R. Guedes-Bruni & Gabriel Paes da Silva Sales
Frigates in Rio de Janeiro (1851) by Antoine Alexandre Auguste FrémyOriginal Source: BNDigital
Martius and Rio de Janeiro
The botanist von Martius arrived in Rio de Janeiro in July 1817, finding the city in full expansion, with water and firewood essential for the city dwellers to establish themselves.
Clearing of a forest (1820-1825) by Johann Moritz RugendasOriginal Source: Wikimedia Commons
Population growth
For three centuries, the city was created with the filling of mangroves and swamps, encircled by its hills, and inseparable from the Rio landscape. The move of the Portuguese royal family to Brazil in 1808 caused the city’s population to increase by 15,000 people in a few days.
Water carriers (1835) by Johann Moritz RugendasOriginal Source: Wikimedia Commons
Scarcity of resources
The abrupt population growth increased the demand for food, water supply, energy (firewood and coal), and timber for construction, exhausting natural resources. All this came from one place: the dense forests of Rio de Janeiro.
Panorama of Rio de Janeiro taken from the hill of the Castle (1830/1830) by Émile Taunay, FélixInstituto Moreira Salles
Urban expansion
In the 19th century, the urban space, then limited to the Morro do Castelo, São Bento, da Conceição, and Santo Antônio, expanded intensely and in a disorderly manner towards the south and north. The Land Law of 1850 was the first initiative for the organization of private property in Brazil.
Flora Brasiliensis: Vol. I, Part I, Fasc. See Urban Plate 26 (1906)CRIA - Centro de Referência em Informação Ambiental
The occupation of the Tijuca Massif
Urban expansion occupied the flanks and slopes of the Tijuca Massif, either via Laranjeiras and Santa Teresa, or in the swampy areas of Estácio and Tijuca, until it reached the mid-slope in Alto da Boa Vista, where coffee cultivation dominated the landscape and overlapped the original forest.
Outline of the "Gavea", Tijuca (1855) by Marguerite TollemacheOriginal Source: Wikimedia Commons
Coffee and the city
Coffee seeds arrived in Brazil around 1600, and a second introduction may have occurred in 1727. Some believe that coffee occupied several areas of the city of Rio de Janeiro at the end of the 18th century. The earliest record of its export is from 1808.
Coffee harvest (1835) by Johann Moritz RugendasOriginal Source: Wikimedia Commons
The impacts of coffee farming
Coffee cultivation was the main factor in the destruction of the forests of the Tijuca Massif in the first half of the 1800s. Its cultivation, by felling and burning forests, without safeguarding the soil and its springs, impacted the landscape, biodiversity, and the water supply to the city.
View of a virgin forest reduced to charcoal (1830) by Félix-Émile TaunayOriginal Source: Wikimedia Commons
The remaining forests
Throughout the 1800s, alongside the destruction process, the remaining forests of the Tijuca Massif preserved testimonies of natural life that were collected and represented by numerous naturalists and artists aiming to unveil natural beauty and interpret the New World.
Flora Brasiliensis: Vol. I, Part I, Fasc. See Urban Plate 19 (1906)CRIA - Centro de Referência em Informação Ambiental
Naturalists and the Tijuca Massif
Among the first naturalists to collect plants in the Tijuca Massif, the following stand out: Glaziou, Ule, Schwacke, Burchell, Riedel, Ball, Gardner, Lindman, and Guillemin. The most documented locations were: Corcovado, Tijuca, and Gávea.
The enchantment inspired by the tropical forest is clear from the imagery of the massif, portrayed by Thomas Ender, an artist of the Austrian Mission, as well as by Félix-Émile Taunay, Rugendas, and Maria Graham. The forest surrounding Cascatinha Taunay and its embaubas are the most depicted.
Tijuca Forest and Pedra da Gávea in the background (1875) by Marc FerrezOriginal Source: Brasiliana Fotográfica
History and memory
The massif, as much as the forest, is a space of history and memory. It shows natural processes of vegetation, as well as those of human agency in response to society’s demands over time. It is a milestone in the recovery of deforested areas in the country.
Major Manoel Gomes Archer (1936) by Magalhães CorrêaOriginal Source: CORRÊA, A. M. O Sertão Carioca. Rio de Janeiro: Imprensa Nacional, 1936
The oldest reforestation in Brazil
This is the oldest and most emblematic reforestation initiative in Brazil. Its first administrator, Manoel Gomes Archer, a former coffee grower, held the position for two periods: 1862-1874 and 1890-1891. Besides him, Baron d’Escragnolle and Glaziou also held this role.
Reforested trees
Between 1862 and 1894, more than 155,000 hardwood trees were planted, mainly native species, resulting in a total reforested area of about 330 hectares. Urucurana, canjerana, cedar, tapinhoã and palm trees stand out as the most planted species.
View of Almirante, Tijuca Forest (2018) by Gabriel SalesOriginal Source: Particular
Living testimonies of the reforestation project
Even today, it is possible to find living testimonies of this project in the area, as exemplified by the many individual cedars in lines: counting their growth rings has proven them to be up to 150 years old, and therefore the seedlings planted in the reforestation project.
Research and writing: Rejan R. Guedes-Bruni (Puc-Rio, Biology) & Gabriel Paes da Silva Sales (Puc-Rio, Geography)
Assembly: Fernando B. Matos (CRIA)
Review: Fernando B. Matos (CRIA); Luiza de Paula (CRIA/UFMG); Renato De Giovanni (CRIA)
References: Flora Brasiliensis (http://florabrasiliensis.cria.org.br/opus);
Fridman, F. and Haesbaert, R. (orgs). Escritos sobre espaço e história. Rio de Janeiro. Editora Garamond. 2014.
Sales, G. P. S. ; Guedes-Bruni, R. Um Quebra-Cabeça Verde: Montando as Peças do Reflorestamento Empreendido na Floresta da Tijuca. Fronteiras: Journal of Social, Technological and Environmental Science. 2018.
Additional information: http://florabrasiliensis.cria.org.br/stories
Acknowledgments: To the authors of all images used in the story.
*Every effort has been made to credit the images, audio, and video and correctly recount the episodes narrated in the exhibitions. If you find errors and/or omissions, please email contato@cria.org.br
You are all set!
Your first Culture Weekly will arrive this week.