Sweet Death

Sweet Death is a festival colorful, connoted in some respects from the apparent emptiness capable of dealing with a smile even death.

The exhibition reflects the lifestyle noir, mocking, luxurious tending to a sort of "spleen" baudeleriano that characterizes the language of its creator Daniel Radini Tedeschi.

Here present busts of starlets, artist Schmidlin, relate to their "last journey"

The installation "The butterflies of Belén", made up of 200 aluminum butterflies, it recalls the spirit of the entire event, for provocation and colors.

Sculptures by Elsie Wunderlich present man as guardian of the nature and position of inferiority before the greatness of the latter, only art can groped a symbiotic union.

..and still to a large canvas having to subject a scene from the film Death in Venice, painted admirably by Salvatore Ruggeri in his ironic realism.

The dream becomes reality. These are the basic elements of a work like "Indole" where a child is abandoned to the dream, the only place where you can give shape to their imagination and entertainment.

The latter is a kind of tombstone which shows the image of a sleeping child, where those little animals blacks seem to torment his pure soul.

To counter such a desolation impressive sculpture of Max Leiva, a man hooded and faceless lingers on the edge of a precipice. Giordano Bruno is his name it appears at the mercy between life and death.

All of a sudden the eye is caught by a festive installation of Magri, of a shocking pink, where eternal and then fallen idols are associated with Youth, Eternit and Fuhrer find consolation in the Art.

Instead, in the Blue Room it is the union between the kitchen and the Art.
Undisguised criticism is the whole front of the excesses.

It is this concept evoked by the second table in which we see only a piece of spaghetti into the pot three sad tomatoes. Before it a girl emaciated and gaunt.

Miky Mouse covers his eyes from what is inside the cube that supports it, or covering his eyes from the work that follows him....!?

Large light installation in the shape of inverted pyramid in which we find a series of playful bulbs of different colors and shapes. These are the metaphor of enlightenment because human ingenuity.

Large format photography and multiple meanings that of Carlo Marraffa in the red room, which portrays Columbidae intent to observe the gait of a car that has just crushed with its wheel their nest.

Ghosts lurk in the halls of the Rafts, the same presence that roam winter in the lagoon looking for a landing. Here are the souls of elmar Rojas in this painting.

Evocative atmosphere in the works of Monica Serra and Carlo Guidetti