On May 13, 1888, the Golden Law was signed, which decreed the formal abolition of slavery in Brazil. However, the conditions of “free labor” since that date have led many Black workers in Brazilian cities to ask, which “freedom” is this? This question gave rise to trajectories of struggle for full citizenship and against racism that crossed the next hundred years after that date.

Revista Ilustrada Cover (1984-01) by Acervo do Arquivo do Senado FederalGeledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne

Rádio Amefricana: here our story is told and sung!
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Beyond May 13

The May 13 became an ambiguous date in the years after 1888. Facing the paths opened by the formal abolition of slavery in Brazil, many abolitionists of the time already asked: What kind of “freedom” is this? Many of them, being Black and born free, faced a daily life in which the "prejudice of color" or "hatred of race" meant interdictions to such "freedom". This was not just a challenge for the newly freed. Work security, education, and housing did not seem to match with black women and men. With the universalization of “free labor”, discriminatory practices from the past have been updated. Throughout this exhibition, the Rádio Amefricana will bring narratives of these successive moments, presented along with songs performed by the samba singer and historian Cris Pereira.

As it is known, the Law of May 13 did not inaugurate freedom among Africans and their descendants in Brazil, it is necessary to recognize the efforts made before that date. The manumission conquered, negotiated, or received since the colonial period served as exemple for the 19th century. In 1881, at the Fortaleza Port, the Black jangadeiro (raftsman) Francisco José do Nascimento, known as Dragão do Mar, promoted a strike to prevent the boarding of enslaved people on the ships where the interprovincial traffic was promoted. This action was important for Ceará to be the first province to abolish slavery in the country, in 1884.

Luiz Gonzaga Pinto da Gama Portrait (1830 -1882) by Fonte: Acervo do Arquivo Nacional. Fundo Correio da Manhã. br_rjanrio_ph_0_fot_23005_001Geledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne

Another free Black man who dreamed and fought for freedom years before abolition was the rábula, journalist, and poet Luiz Gama (1830-1882). Rábula is how was called a non-graduated but licensed attorney. And that was how Gama became known for defending hundreds of causes of freedom in the courts of São Paulo. Because he was illegally enslaved in childhood by his own father, a white man, Gama ended up being led to realize the immense number of people in a situation similar to his own. They were victims of crimes and should be recognized as free under Brazilian law. When confronting advocates of slavery and other injustices, Luiz Gama collected numerous episodes of what we today denominate racism.

Retrato de José Carlos do Patrocínio (1853-1905). s/d. by Acervo: Arquivo Nacional. Fundo Correio da Manhã. br_rjanrio_ph_0_fot_38240_003Geledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne

Talents and virtues of a Black Worker
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José do Patrocínio (1853-1905) was another Black abolitionist whose trajectory helps us to understand the challenges experienced by the people to assert themselves in freedom. He was a pharmacist, journalist, and politician, who concentrated his actions in Rio de Janeiro. Attentive to endeavors to prolong the legality of slavery,he contributed to struggles for abolition throughout Brazil. Despite being a Republican, he supported the movement of the imperial government for the immediate end of the system of human labor’s exploitation. In the celebrations of abolition, he was greeted by many Black individuals and groups who recognized him as representing their best future projects. At the same time, he was defamed by many others, accused as the “last sold Black man”...At Rádio Amefricana, we can hear about a case of racism denounced a year after the abolition, by the newspaper Cidade do Rio, edited by Patrocínio.

Alberto Henschel Photography by Fundação Joaquim Nabuco.Geledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne

Are we part of the “free labor”?

During the imperial period, domestic work was one of the main occupations for women in urban centers in every region of Brazil. They were free, freed, and enslaved women. From the second half of the 19th century onwards, the dynamics and organization of this profession underwent changes that were directly related to the transformation of ideas of race and gender in the country. A process that were directly related to the concern of elites with the increase in the number of Black people living in freedom.

Newspaper Notice, Gazeta de Campinas,, Centro de Memória da Unicamp - CMU, 1889-09-25, From the collection of: Geledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne
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Until the beginning of the 19th century, the presence of Black women in kitchen work was more recurrent when compared to white women. The situation changed from the 1880s, when it is possible to observe that the number of ads despising the “colored” workers increased.

Newspaper Notice, Gazeta de Campinas, Centro de Memória da Unicamp - CMU, 1890-06-11, From the collection of: Geledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne
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Other professions in which Black women were numerous began to be pursued by hygienists. Some doctors believed that moral aspects and diseases such as syphilis could be transmitted during breastfeeding. For this reason, they recommended avoiding the “colored nannies”.

Farinha Láctea Advertising, Gazeta de Campinas, Centro de Memória da Unicamp - CMU, 1876-04-02, From the collection of: Geledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne
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The ideal breastfeeding became the one made primarily, by the mothers themselves. The second option was using artificial products and baby bottles or even directly from animals, such as goats. The wet nurses were indicated as the last alternative. In times of rearrangement of race and gender hierarchies, these conceptions associated the image of Black women with a type of inferior morality, degraded corporeality, and sexual deviations; a process that resonated on the trajectories of these workers in the labor market.

Vicente de Souza Photo Portrait. A Imprensa (1911-05-01) by Hemeroteca da Biblioteca NacionalGeledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne

Labor movements and the Black struggles for freedom

Black people were also in the first rows of Brazilian factory workers. In the 19th century, a considerable number of factories that existed in different regions of Brazil relied on the work of Black men and women either free, freed, or enslaved. The political performance of these people in the workers' movement was also a reality. Empowered by the abolitionist struggles, this was an important front in the fight against racism. In this context, Vicente de Souza was an abolitionist, republican and Black socialist. Although he was born in the city of Nazaré, Bahia in 1852 as a free man, it was in Rio de Janeiro, where he graduated as a doctor, that he stood out in the political struggles in defense of abolition, education, and workers' rights.

José Carlos do Patrocínio Photo Portrait (1880-1969). (1963) by Arquivo Nacional. Fundo Correio da Manhã. BR_RJANRIO_PH_0_FOT_14291_004Geledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne

The Revolt of the Whip, revolt against the racism

In 1910, more than two decades after the formal abolition of slavery, Black sailors stood up against the continuity of mistreatment and physical punishment that were common in the slave times and were still part of the Brazilian Navy's routine. Led by João Cândido, the “Almirante Negro” (The Black Admiral), the “Revolta da Chibata” (Revolt of the Whip) stopped the city of Rio de Janeiro until its demands been solved. However, many of those involved in the uprising were persecuted, arrested, killed, or sent to work in the Amazon. After the revolt, João Cândido was detained at the Hospital dos Alienados as a “madman”. In 1912, he was acquitted and released. Then he became a stevedore and a fish seller. Born free in 1880, in the city of Encruzilhada do Sul, he died in 1969, in Rio de Janeiro.

O papel do escravo na civilização brasileira. O Getulino, Campinas, (1923-08) by Centro de Memória da Unicamp - CMUGeledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne

Who hasn’t seen racism?
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The Black Working Class states itself

Black newspapers have been fundamental in the fight against racism endured by the Black Working Class since the 19th century. The newspaper Getulino was an emblematic example of the early 20th century. It was founded in the city of Campinas in 1923, owned by Andrade & Moraes, and directed by Lino Guedes and Gervásio de Moraes and lasted three years. In its September 9, 1923 edition, it denounced a fabric factory that prevented the presence of Black women workers in its assembly line and highlighted that the action was against abolitionist ideals. On November 11 of the same year, the newspaper recorded a police action in the city's tenements, from which Black women were being captured to serve as domestic servants. These episodes of exposing racism are reminiscent of those that, decades ago, individuals like Luís Gama and José do Patrocínio also reported in the press, remembered by Rádio Amefricana.

estimony by Ozeas Motta on the minimum wage and domestic workers. A Noite, Rio de Janeiro (1939-05-16) by Biblioteca NacionalGeledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne

Ain’t we workers?

In the context of the creation of the Consolidação das Leis Trabalhistas - CLT, the domestic work was excluded in the legislation enacted in 1943. In this process, many politicians were against the extension of the laws related to working hours, vacations, rest hours, and conditions of safety at work for this category. Ozeas Motta, at the time, representative of employers in the Labor Court of Justice, was one of the politicians who defended exclusion, with the argument that domestic work was not part of the idea of working under capitalism. At the time, this category had already established itself as a mostly Black profession.

Aspects of Manaus Port(AM)., Instituto Brasileiro de Geografia e Estatística - IBGE, From the collection of: Geledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne
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Throughout the Brazilian territory, the expansion of urban areas in the first decades of the 20th century occurred with the growth of the workforce operating in the service sector, ensuring the maintenance and supply of the cities.

Rapadura street seller in Recife (PE), Instituto Brasileiro de Geografia e Estatística - IBGE, 1957, From the collection of: Geledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne
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They were stevedores, dockers, merchants, greengrocers, shoeshiners... Just like in the 1857 Salvador porters’ strike, made by enslaved, freed and free men, the vast majority of these workers remained Black after abolition.

Driver’s class at CSN. (1940/1949) by Source: Arquivo do Centro de Memória do Sul Fluminense, CEMESF-UFF.Geledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne

The Black workers goes to the National Industry
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Developmentalism and racism

As the major bet on national developmental projects, industries were spaces that marked the contrast between a large number of Black workers and the few white individuals, almost always occupying positions of authority. Although denied as promoters of the country's development, Black workers can be seen in many of the photographic records produced throughout the 20th century. An example are the images of the construction of the Companhia Siderúrgica Nacional (CSN) in the city of Volta Redonda-RJ during the 1940s. At this episode of Rádio Amefricana, we present some reports made by workers from the period.

Workers at FEM, Memória do Sul Fluminense, CEMESF-UFF, 1950/1959, From the collection of: Geledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne
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Blacksmiths in the forge workshop, Arquivo do Centro de Memória do Sul Fluminense, CEMESF-UFF, From the collection of: Geledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne
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As tecelãs da Fonte Nova não dispõem de refeitório nem vestuário. O Momento, Salvador (1947-09-20) by Setor de Periódicos Raros - Biblioteca Central do Estado da Bahia.Geledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne

Workers Press and the Black Worker

Over the years, the Workers' Press began to report on the various professional categories. In the newspaper O Momento, which started to circulate in Salvador in 1945, descriptions of the precarious working conditions of Black laborers were constant. “Starvation wages” (sometimes delayed), exhaustive work regimes, or the lack of adequate clothing and facilities, which put the lives of workers at risk, were some of the problems they faced.

Os ferroviários debatem as suas reivindicações. O Momento, Salvador (1946-01-21) by Setor de Periódicos Raros - Biblioteca Central do Estado da Bahia.Geledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne

 The Black workers organize themselves and claim their rights!

In the face of unsanitary conditions, the collective organization was the natural way found by male and female workers from different productive sectors to claim dignified conditions. On January 18, 1946, the railroad workers from Bahia met in Salvador to define a series of complaints for their employers: the definitive hiring of those considered “supernumerary”, the refurbishment of the cafeterias, and the construction of adequate housing. In these tensions, the strategies of struggle were diverse, as well as the problems they faced.

Já possuem os piassaveiros uma arma de luta contra a exploração. O Momento, Salvador., 1946-05-03, From the collection of: Geledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne
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In May 1946, the workers of Bahia’s broom factories decided to organize themselves in an association to negotiate better working conditions. The category, mostly female, protested against low and overdue salaries and the dismissal of pregnant workers.

Lutam os tecelões por melhores salários. O Momento, Salvador, Setor de Periódicos Raros - Biblioteca Central do Estado da Bahia, 1947-01-10, From the collection of: Geledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne
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In May 1947, the Sindicato dos Tecelões de Salvador (Union of Weavers of Salvador) decided to appeal to the Labor Court in the face of companies’ refusal to guarantee them a salary increase.

Os portuários continuarão lutando dentro dos sindicatos. O Momento, Salvador, Setor de Periódicos Raros - Biblioteca Central do Estado da Bahia, 1948-01-14, From the collection of: Geledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne
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In January 1948, port workers began to demand the “Christmas bonus”, a right that in 1962 was extended to all categories as the “thirteenth salary”, by Law no. 4.090 / 62.

As tecelãs do Paraguaçu exigem a construção imediata de creches. O Momento. Salvador,, Setor de Periódicos Raros - Biblioteca Central do Estado da Bahia., 1949-01-07, From the collection of: Geledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne
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The struggle for daycare centers was common among female workers in Brazil. Historically considered the main caregivers, working mothers faced the difficult reality of the absence of daycare centers to keep their sons and daughters safe while working

Laudelina de Campos Melo and Clícia Ambrozio demand unionization in the category. Jornal de Notícias, São Paulo (1946-09-18) by Biblioteca NacionalGeledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne

Life and struggle of Laudelina de Campos Melo
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Domestic workers get organized!

At the same time, domestic workers were organizing themselves in other regions of the country to claim rights for the category. At the Congresso Sindical de Trabalhadores do Brasil (Brazil Unions’ Workers Congress), which took place on September 11, 1946 in São Paulo, Laudelina de Campos Melo, president of the Associação Beneficente das Domésticas de Santos, and Clícia Ambrozio, representative of domestic employees in the capital of São Paulo, claimed their right to unionize.The Rádio Amefricana tells us more details about Laudelina de Campos Melo's long history of struggle.

As empregadas domésticas no seu trabalho exaustivo. Momento Feminino, Rio de Janeiro., Biblioteca Nacional, 1947-09-26, From the collection of: Geledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne
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Vitória do povo brasileiro. O Momento, Salvador (1951-08-07) by Setor de Periódicos Raros - Biblioteca Central do Estado da BahiaGeledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne

Trajectories in moviment

The life of Maria Brandão Reis (1900-1974) was an example of how the workers' movement incorporated debates about racism and sexism into its structure. Leader of Comando 13 de Maio, in Salvador, she was also part of the Federação de Mulheres do Brasil (FMB). In 1947, Maria Brandão was awarded by the newspaper O Momento for her commitment to a campaign to rebuild the periodical. In 1950 she was one of the leaders of the “Campanha pela Paz” organized by the PCB in the city of Salvador. In the following year she was an important presence at the Congresso Nacional de Mulheres, in São Paulo.

As mulheres devem organizar-se para sairem da escravidão. O Momento. Salvador. (1946-05-05) by Setor de Periódicos Raro - Biblioteca Central do Estado da BahiaGeledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne

To claim their rights, Black militants sought to occupy elective positions in political parties, composed mostly of white men from national elites. Elected as Constituent Congressman by the state of Bahia in December 1945, Carlos Marighella (1911-1969) exercised his mandate by listening and defending the demands of the proletariat, being especially attentive to the specificity of the women worker experience. In Bahia, other Black workers ran for office in the same period. This was the case of Juvenal Souto Junior, Bernardete Santos, Celina Maria Monte, Cosme Ferreira, Jaime Maciel and Sebastião Nunes de Oliveira.

Marighella on meeting with port wokers. O Momento, Salvador (1943-05-03) by Setor de Periódicos Raros - Biblioteca Central do Estado da BahiaGeledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne

Celina Maria Monteiro.O Momento, Salvador., etor de Periódicos Raros - Biblioteca Central do Estado da Bahia, 1947-03-18, From the collection of: Geledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne
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The port worker Cosme Ferreira. O Momento, Salvador., Setor de Periódicos Raros - Biblioteca Central do Estado da Bahia, 1947-01-10, From the collection of: Geledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne
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Bernadete Santos. O Momento, Salvador., Setor de Periódicos Raros - Biblioteca Central do Estado da Bahia, 1947-01-16, From the collection of: Geledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne
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Carmosina Nogueira. O Momento, Salvador, Setor de Periódicos Raros - Biblioteca Central do Estado da Bahia, 1947-01-16, From the collection of: Geledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne
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Jaime Maciel. O Momento, Salvador., Setor de Periódicos Raros - Biblioteca Central do Estado da Bahia, 1947-01-10, From the collection of: Geledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne
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João Cardoso. O Momento, Salvador,, Setor de Periódicos Raros - Biblioteca Central do Estado da Bahia, 1947-01-13, From the collection of: Geledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne
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Juvenal Souto Junior. O Momento, Salvador, Setor de Periódicos Raros - Biblioteca Central do Estado da Bahia, 1947-01-13, From the collection of: Geledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne
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Sebastião Nunes de Oliveira. O Momento, Salvador, Setor de Periódicos Raros - Biblioteca Central do Estado da Bahia., 1947-01-10, From the collection of: Geledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne
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Finalization of Brasília Airport (Opened in 1957) by Arquivo Público do Distrito Federal - NOV-D-4-4-B-16' (864)Geledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne

Order and progress - The Black Worker builds Brasilia

The construction of Brasília was one of the largest displacements of workers in Brazil during the 20th century. Construction professionals from all over the country migrated to the Planalto Central to raise the new federal capital, which was publicized at the time as an unprecedented modernist landscape in the world. But the novelty inherited from colonial and imperial Brazil the labor relations that kept the Black male and female workers mostly in subordinate positions. This nourished the idea that Black people’s existence was justified only by their usefulness for the heavy duty.

Brasília Airport employee between (1950/1960) by Arquivo Público do Distrito Federal. NOV-D-4-4-C-3 (3070)Geledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne

Service of Workers Identification of who worked in the building of Brasília. (1950) by Arquivo Público do Distrito Federal. NOV-d-4-4-c-3 (3340)Geledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne

A wood and marble city

In the urban project by Lúcio Costa to Brasília, the city was planned for 500,000 inhabitants. This project ignored the fact that its builders would need to settle down after the end of construction. This became a demand also of workers who would occupy less specialized positions, such as janitors, maids, gardeners, secretaries, security guards, nurses, etc. When faced with this inequality from the first moment, many of the city builders established themselves in extremely precarious structures, made from the construction waste. When we remember the knowledge accumulated by masons and construction masters who migrated from all over Brazil, which made possible the imposing buildings of the National Congress, the contrast with the regions where Black workers lived seems even bigger.

Construction of Museu Histórico de Brasília (1960) by Arquivo Público do Distrito Federal. NOV-D-4-4-B-2 (396)Geledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne

First year of activities of the Escola Industrial deTaguatinga. (1961) by Arquivo Público do Distrito Federal. NOV-D-4-4-B-27 (2128)Geledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne

Occupying schools

After the city inauguration in 1960, the broad establishment of the Black working class of the Distrito Federal in the satellite cities allowed new projects of future to be formed in communities that were formed around common family trajectories. In this context, education was, on the one hand, an instrument of the state to try to contain and train a new generation of subordinated workers, but, on the other, it was transformed by many families into a strategy to expand their horizons and occupy spaces inaccessible to the majority of the Brazilian population.

27Black female worker studying at nocturnal school for adults (EJA) (1964/1967) by Arquivo Público do Distrito Federal. scs-ff-5-4-b-1 (825)Geledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne

Workers building an underground passage in Brasília (1969/1974) by Arquivo Público do Distrito Federal. SCS-HF-7-2-B-11 (37923)Geledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne

And what about meritocracy?
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The persistence of inequality

After the Civil-Military Coup, civil construction continued to be an important employer of Black men and women in the federal capital, revealing how the persistence of inequality was part of the modernity project that founded the city. In this context, the Radio Amefricana presents us some records from the efforts of the dictatorial state and its supporters to control Brasilia’s domestic workers and even to avoid them access to formal education.

Workers building Portuguese pavement sidewalks at the W3 Avenue (1969/1974) by Arquivo Público do Distrito Federal. SCS-HF-7-2-B-7 (49334)Geledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne

Seminar on racial discrimination in the labor market (1984) by Arquivo Edgard Leuenroth (AEL) - UnicampGeledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne

For a real racial democracy
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Struggle for Democracy
The Brazilian redemocratization and the reorganization of social movements are two intertwined processes. One of its milestones is the founding of the Movimento Negro Unificado - MNU (Unified Black Movement) in 1978. During this period, it is possible to observe the wide dialogue between workers' movements, anti-racist, anti-sexist movements and the fight against homophobia in the construction of the idea of citizenship that should be refounded. Among these dialogues, the São Paulo Sindicato dos Metalúrgicos held, in 1984, a seminar on racial discrimination in the labor market. Our radio remembers the importance of Black intellectual Lélia Gonzalez in the struggle for democracy in Brazil. In the same period, the author created the category Amefricanidade, to address the common experiences and relations of solidarity among Black people in the Americas.

Dona Laudelina at the VI Congresso Nacional das Trabalhadoras Domésticas (6th National Congress of Domestic Maids) (1989-01) by Arquivo Edgard Leuenroth (AEL) - Unicamp.Geledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne

The debate between work and racism continued strong in the domestic workers movement. Dona Laudelina, who in 1946 defended the right to unionize domestic workers in the Workers' Congress, passed through the entire military dictatorship maintaining her struggle, which led to the regulation of the profession in 2015.

Poster of Sindicato dos Metalúrgicos de São Paulo for May 1 Celebrations (1988) by PACC / UFRJ. Pasta Relações Raciais, coleção Centenário da AboliçãoGeledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne

Across the country, the anti-racist struggle, led by organizations and individuals linked to the Black Movement, got stronger in the 1980s. This process gets its peak precisely at the Centenary of Abolition, when the attempts to celebrate the date in a celebratory way were confronted by the denunciation of racism that led to an intense mobilization for a stronger effort to overcome inequalities. Under the influence of activists from the Black Movement, the Sindicato dos Metalúrgicos was one of the many entities that stood in favor of combating racism.

Poster of the Marcha Contra a Farsa da Abolição Luiz Carlos Gá. Carlos Gá (1988) by PACC / UFRJ. Pasta Relações Raciais, coleção Centenário da aboliçãoGeledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne

Operário (Worker), by Paulo Colina
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In 1988, the Marcha Contra a Farsa da Abolição (March against the Fakery of Abolition) was held in Rio de Janeiro. In the poster, designer Luiz Carlos Gá exposes the perversity of the May 13 idea by juxtaposing the reproduction of a lithography by Johann Moritz Rugendas, made in the early imperial period, and an image made by photojournalist Luis Morier in 1982 and published in Jornal do Brasil with the caption: "All blacks, in line, rope around their necks, detainees walk to the trap. Like slaves". Between the two contexts, “nothing has changed”, says the poster. Finally he invites for the change, which would start on the next May 11. We conclude this episode of Radio Amefricana with the poem Operário (Worker) by Paulo Colina (1982). With this poetic record of the writer and activist who started to work in São Paulo in the late 1970s, we can see how the issue of decent work was in the mouth of those who struggled against racism during the process of democratization.

CULTNE - "Sem" Anos da Abolição - OportunidadeGeledés Instituto da Mulher Negra | Rede de Historiadores Negros | Acervo Cultne

Credits: Story

This panel is part of the project of virtual exhibition Our Histories: lives, struggles and knowledges of Black People, made in a paternship between Rede de Historiadoras Negras e Historiadores Negros, Geledés – Instituto da Mulher Negra and Acervo Cultne.

Collective curatorship: Ana Flávia Magalhães Pinto, Bethânia Pereira, Bruno Pinheiro, Carlos Silva Júnior, Elson Rabelo, Fernanda Oliveira da Silva, Francisco Phelipe Cunha Paz, Idalina Maria Almeida de Freitas, Iracélli da Cruz Alves, Jonatas Roque Ribeiro, Leonardo Angelo da Silva, Lucimar Felisberto dos Santos, Marcus Vinicius de Oliveira e Maria Cláudia Cardoso Ferreira.

Curatorship and Research:Ana Flávia Magalhães Pinto, Bethânia Pereira, Bruno Pinheiro, Elson Rabelo, Iracélli da Cruz Alves, Leonardo Angelo da Silva, Marcus Vinicius de Oliveira e Taina Aparecida Silva Santos.

Text:Ana Flávia Magalhães Pinto, Bruno Pinheiro, Iracélli da Cruz Alves e Taina Aparecida Silva Santos.

Audio scripting:Ana Flávia Magalhães Pinto, Bethânia Pereira e Leonardo Angelo da Silva.

Audio editing:Leonardo Angelo da Silva.

Production: Ana Flávia Magalhães Pinto, Bruno Pinheiro, Elson Rabelo, Iracélli da Cruz Alves, Leonardo Angelo da Silva, Marcus Vinicius de Oliveira, Taina Aparecida Silva Santos.

Translation: Bethânia Pereira, Bruno Pinheiro.

Tecnichal review:Ana Flávia Magalhães Pinto, Bruno Pinheiro.

Management: Natália de Sena Carneiro

Special thanks:Arquivo do Instituto Brasileiro de Geografia e Estatística, Arquivo do Programa Avançado em Cultura Contemporânea da UFRJ, Arquivo Edgard Leuenroth-Unicamp, Arquivo Fotográfico da Companhia Siderúrgica Nacional, Biblioteca Pública do Estado da Bahia, Centro de Memória da Unicamp, Centro de Memória do Sul Fluminense-UFF, Museu de Arte da Bahia, Rosangela Gomes.

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.

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