An Interview with Kimie Nakano

In those early beginning stages did both you and Akram have similar ideas?

Both Akram and I had the same feelings and interests in two key factors of the war, the women in the factories and their men, the soldiers in the trenches. In fact both of us had selected the same photographs when we did some research, so in theory we were both at the same starting point.

How did you come up with ideas for the costumes?

Most of my inspiration came from looking through old photographs featuring the factory women making the weapons and the soldiers walking in the trenches. I was very interested in WW1 period costumes, like Coco Chanel, who changed the history of costume.

I think the women during the war effort must have been extremely strong, both physically and psychologically, but still maintained their feminine side after the working day was finally over. I found this fascinating how they could alter their personal appearance so much from their factory uniforms into going-out wear by changing into a skirt.

Tell us more about your research…

I did lots of research for WWI references across film, books, documentaries and historical museum archives, as well as the internet. I particularly focused on clothes before and after this period. The fabrics used were mainly cotton based mixed with linen, silk and real bandages.

From the referenced photographs I chose the aprons, trousers and scarves. The muddy colours were used to replicate an army feel. My original idea was that the stage floor would match exactly the colour of the ladies’ bottom skirt and men’s trousers.