From Liniers to the World

By Pérez Celis - Museo Virtual

Fundación Pérez Celis

"The art is probably the only activity that makes the human being permanent, because while the technology evolutions at the same time is getting outdated. The permanence is this special something that nobody can determine, the artist produces his work and it is the time that determines if the work is permanent in its intimate contents". Pérez Celis

Interview by Nexus, From the collection of: Pérez Celis - Museo Virtual
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Violenta como el ciclón, suave como una rosa, Pérez Celis, 1956, From the collection of: Pérez Celis - Museo Virtual
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Exhibition La Calle en Manchas Exhibition La Calle en Manchas, 1958, From the collection of: Pérez Celis - Museo Virtual
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Exhibition La Calle en Manchas, From the collection of: Pérez Celis - Museo Virtual
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First Show of Argentine Center of Modern engravers, 1958, From the collection of: Pérez Celis - Museo Virtual
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El Nacional Newpaper on the Argentinean Engravers competition, Elena F. Poggi, 1958, From the collection of: Pérez Celis - Museo Virtual
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La Prensa Newspaper Prize Kapelusz Editors, 1958, From the collection of: Pérez Celis - Museo Virtual
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Montevideo, Pérez Celis, 1958, From the collection of: Pérez Celis - Museo Virtual
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Movimiento Arte No Figurativo Show Movimiento Arte No Figurativo Show, 1960, From the collection of: Pérez Celis - Museo Virtual
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Movimiento Arte No Figurativo Show, From the collection of: Pérez Celis - Museo Virtual
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Acción Newspaper Plastic arts, Garrido Vidal, 1960, From the collection of: Pérez Celis - Museo Virtual
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El pez mágico, Pérez Celis, 1960, From the collection of: Pérez Celis - Museo Virtual
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Collection Museum of Modern Art Buenos Aires

El pez mágico. Oil on canvas. Buenos Aires, 1960

First International Show of Modern Art to be held in Argentina First International Show of Modern Art to be held in Argentina, 1960, From the collection of: Pérez Celis - Museo Virtual
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First International Show of Modern Art to be held in Argentina Perez Celis Curriculum Vitae, From the collection of: Pérez Celis - Museo Virtual
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Rey América, Pérez Celis, 1961, From the collection of: Pérez Celis - Museo Virtual
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Collection National Museum of Fine Arts Argentina

Rey América. Oil on canvas. Buenos Aires, 1961

Histonium Review "Light, shape, amazement", 1961, From the collection of: Pérez Celis - Museo Virtual
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Indoamerica, Pérez Celis, 1960, From the collection of: Pérez Celis - Museo Virtual
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La Nación Newspaper, Manuel Mujica Láinez, 1961, From the collection of: Pérez Celis - Museo Virtual
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La Prensa Newspaper, Hugo Parpagnoli, 1961, From the collection of: Pérez Celis - Museo Virtual
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Work without title, Pérez Celis, 1962, From the collection of: Pérez Celis - Museo Virtual
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El ahogado de Tristán Solarte, Pérez Celis, 1962, From the collection of: Pérez Celis - Museo Virtual
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Pérez Celis Mural Fuerza América, César Sonderegher y dirección Nicolás Rubio, 1962, From the collection of: Pérez Celis - Museo Virtual
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Histonium Review "Light, shape, amazement", J. A. García Martínez, 1962, From the collection of: Pérez Celis - Museo Virtual
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Exaltación, Pérez Celis, 1963, From the collection of: Pérez Celis - Museo Virtual
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Abstracción, Pérez Celis, 1963, From the collection of: Pérez Celis - Museo Virtual
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Graphic design Graphic design, 1964, From the collection of: Pérez Celis - Museo Virtual
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Graphic design Boletin Publicitario Review, 1964, From the collection of: Pérez Celis - Museo Virtual
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Graphic design Boletin Publicitario Review, 1964, From the collection of: Pérez Celis - Museo Virtual
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Newspaper Correo, 1964, From the collection of: Pérez Celis - Museo Virtual
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Institute of Contemporary Art Catalogue Institute of Contemporary Art Catalogue, 1964, From the collection of: Pérez Celis - Museo Virtual
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Institute of Contemporary Art Catalogue, Rafel Squirru, From the collection of: Pérez Celis - Museo Virtual
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Institute of Contemporary Art Catalogue, From the collection of: Pérez Celis - Museo Virtual
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Museum of Contemporary Art, Lima

Encuentro con el fantasma, Pérez Celis, 1965, From the collection of: Pérez Celis - Museo Virtual
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Nuestro fantasma, Pérez Celis, 1965, From the collection of: Pérez Celis - Museo Virtual
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Exhibition of artistic rugs, Carlos Maria Caron, 1965, From the collection of: Pérez Celis - Museo Virtual
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El sol negro, Pérez Celis, 1966, From the collection of: Pérez Celis - Museo Virtual
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Collection MoMA, New York

Sol Negro. Serigraph 4/7 on paper. Buenos Aires, 1966

Submundos anteriores, Pérez Celis, 1966, From the collection of: Pérez Celis - Museo Virtual
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Press clip, 1967, From the collection of: Pérez Celis - Museo Virtual
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Manos al Sol, Pérez Celis, 1967, From the collection of: Pérez Celis - Museo Virtual
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Cruz América, Pérez Celis, 1967, From the collection of: Pérez Celis - Museo Virtual
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Pampa Roja, Pérez Celis, 1968, From the collection of: Pérez Celis - Museo Virtual
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Paisaje Ideal, Pérez Celis, 1968, From the collection of: Pérez Celis - Museo Virtual
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Misión propria Contruccion -Transformación, Pérez Celis, 1970, From the collection of: Pérez Celis - Museo Virtual
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Estilo Review, Fernando de María, 1968, From the collection of: Pérez Celis - Museo Virtual
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Siete Días Review Siete Días Review, 1971, From the collection of: Pérez Celis - Museo Virtual
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Siete Días Review, Roque Escobar, From the collection of: Pérez Celis - Museo Virtual
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Siete Días Review, Roque Escobar, From the collection of: Pérez Celis - Museo Virtual
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Siete Días Review, Roque Escobar, From the collection of: Pérez Celis - Museo Virtual
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Destino Pájaro, Pérez Celis, 1973, From the collection of: Pérez Celis - Museo Virtual
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Mercado Review, 1972, From the collection of: Pérez Celis - Museo Virtual
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Pérez Celis with Sol Nuestro en Tierra Colorada, 1972, From the collection of: Pérez Celis - Museo Virtual
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Collection Bunge & Born Foundation

El Sol Nuestro en Tierra Colorada. Acrylic on canvas. Buenos Aires, 1972

La Nación Newspaper, Rafael Squirru, 1973, From the collection of: Pérez Celis - Museo Virtual
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Pérez Celis visual sonority Pérez Celis visual sonority, 1973, From the collection of: Pérez Celis - Museo Virtual
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Pérez Celis visual sonority, From the collection of: Pérez Celis - Museo Virtual
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Gente Magazine, 1972, From the collection of: Pérez Celis - Museo Virtual
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Pérez Celis with Todos juntos la multiplicación, 1972, From the collection of: Pérez Celis - Museo Virtual
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National Bank of Argentina. Santiago del Estero Branch

Todos juntos la multiplicación. Installation of metal and wood Santiago del Estero, 1972

Muerte en la catedral, Pérez Celis, 1973, From the collection of: Pérez Celis - Museo Virtual
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El Sol Newspaper, 1974, From the collection of: Pérez Celis - Museo Virtual
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El Nacional Newspaper, Roberto Guevarra, 1974, From the collection of: Pérez Celis - Museo Virtual
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Porcelana Hartford Porcelana Hartford, 1976, From the collection of: Pérez Celis - Museo Virtual
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Porcelana Hartford Arte Artesanía Industrial Catalogue, From the collection of: Pérez Celis - Museo Virtual
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Porcelana Hartford Arte Artesanía Industrial Catalogue, From the collection of: Pérez Celis - Museo Virtual
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Ecos del tiempo, Pérez Celis, 1977, From the collection of: Pérez Celis - Museo Virtual
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Viasar Review Venezuela, From the collection of: Pérez Celis - Museo Virtual
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Viasar Review Venezuela Viasar Review Venezuela, 1977, From the collection of: Pérez Celis - Museo Virtual
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Pérez Celis with De la ciudad perdida, 1978, From the collection of: Pérez Celis - Museo Virtual
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El Nacional Newspaper, 1977, From the collection of: Pérez Celis - Museo Virtual
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Pérez Celis, Pinturas Catalogue, 1978, From the collection of: Pérez Celis - Museo Virtual
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Museo de Bellas Artes de Caracas Show, 1978, From the collection of: Pérez Celis - Museo Virtual
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Museum of Fine Arts,Caracas

Pérez Celis in Caracas, Marcel Epstein, 1978, From the collection of: Pérez Celis - Museo Virtual
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Jueves cultural News paper, 1978, From the collection of: Pérez Celis - Museo Virtual
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Crónicas de apertura, Pérez Celis, 1979, From the collection of: Pérez Celis - Museo Virtual
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Fuerzas De Origen, Pérez Celis, 1979, From the collection of: Pérez Celis - Museo Virtual
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Ezeiza Airport Stained glass, Pérez Celis, 1980, From the collection of: Pérez Celis - Museo Virtual
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Siete Días Review, 1980, From the collection of: Pérez Celis - Museo Virtual
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Abriendo caminos, Pérez Celis, 1981, From the collection of: Pérez Celis - Museo Virtual
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Zonas Azules, Pérez Celis, 1981, From the collection of: Pérez Celis - Museo Virtual
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Horadar Las Fuerzas, Pérez Celis, 1981, From the collection of: Pérez Celis - Museo Virtual
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Espacio roto, Pérez Celis, 1981, From the collection of: Pérez Celis - Museo Virtual
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El tiempo y sus rupturas, Pérez Celis, 1981, From the collection of: Pérez Celis - Museo Virtual
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Painting without title, Pérez Celis, 1981, From the collection of: Pérez Celis - Museo Virtual
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Controlar nuestra energía, Pérez Celis, 1981, From the collection of: Pérez Celis - Museo Virtual
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Espacio Místico, Pérez Celis, 1981, From the collection of: Pérez Celis - Museo Virtual
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Pérez Celis Studio in Paris 16 Messagerie Street, 1982, From the collection of: Pérez Celis - Museo Virtual
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Studio in Paris

Press clip, 1981, From the collection of: Pérez Celis - Museo Virtual
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Los Andes Newspaper, Antonio Requeni, 1981, From the collection of: Pérez Celis - Museo Virtual
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Bulletin de L'AGMF Review, 1982, From the collection of: Pérez Celis - Museo Virtual
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Abrir Muros, Pérez Celis, 1982, From the collection of: Pérez Celis - Museo Virtual
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Paris Match Review, Pérez Celis, 1982, From the collection of: Pérez Celis - Museo Virtual
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El tiempo se estira, Pérez Celis, 1983, From the collection of: Pérez Celis - Museo Virtual
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La Vie, Pérez Celis, 1983, From the collection of: Pérez Celis - Museo Virtual
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Atravesando planos II, Pérez Celis, 1984, From the collection of: Pérez Celis - Museo Virtual
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Listin Diario Newspaper, 1984, From the collection of: Pérez Celis - Museo Virtual
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Listin Diario Newspaper, Marianne de Tolentino, 1984, From the collection of: Pérez Celis - Museo Virtual
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Distinction Orden El Sol del Peru, Comenadador, 1985, From the collection of: Pérez Celis - Museo Virtual
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Programme of Misa Criolla in Lincoln Center, 1985, From the collection of: Pérez Celis - Museo Virtual
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Lincoln Center

La presencia. Oil on canvas. New York, 1985

La presencia, Pérez Celis, 1985, From the collection of: Pérez Celis - Museo Virtual
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Hombre del Mundo Review Hombre del Mundo Review, Oscar R. Orgallez, 1985, From the collection of: Pérez Celis - Museo Virtual
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Hombre del Mundo Review, Oscar R. Orgalles, From the collection of: Pérez Celis - Museo Virtual
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Hombre del Mundo Review, Oscar R. Orgalles, From the collection of: Pérez Celis - Museo Virtual
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Pasaje del tiempo, Pérez Celis, 1985, From the collection of: Pérez Celis - Museo Virtual
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Contrastes Visuales. Catalogue Secretaria de Cultura de la Nación, Pérez Celis, 1986, From the collection of: Pérez Celis - Museo Virtual
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Collection Bunge & Born Foundation

Desprendimiento. Mixed media on canvas. Buenos Aires, 1986

El Periodista Newspaper, Pérez Celis, 1986, From the collection of: Pérez Celis - Museo Virtual
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Metal expandido, Pérez Celis, 1987, From the collection of: Pérez Celis - Museo Virtual
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Zona Abierta, Pérez Celis, 1987, From the collection of: Pérez Celis - Museo Virtual
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Señales, Pérez Celis, 1987, From the collection of: Pérez Celis - Museo Virtual
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M&m Review, 1987, From the collection of: Pérez Celis - Museo Virtual
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Letter from New York Letter from New York, 1987, From the collection of: Pérez Celis - Museo Virtual
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Letter from New York, From the collection of: Pérez Celis - Museo Virtual
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Soho Studio

Arte Al Día Review, Horacio Gené, 1987, From the collection of: Pérez Celis - Museo Virtual
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La Gran Argentina, Pérez Celis, 1987, From the collection of: Pérez Celis - Museo Virtual
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Presencia transformadora Presencia transformadora, 1988, From the collection of: Pérez Celis - Museo Virtual
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Presencia transformadora, Pérez Celis, From the collection of: Pérez Celis - Museo Virtual
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"Patio de la Madera"

Presencia transformadora (in restoration). Polychrome metal. Rosario, Argentina, 1988

(Trazos) Sellados (Trazos) Sellados, 1988, From the collection of: Pérez Celis - Museo Virtual
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(Trazos) Sellados Pérez Celis painting (Trazos) Sellados, From the collection of: Pérez Celis - Museo Virtual
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Zen, Pérez Celis, 1988, From the collection of: Pérez Celis - Museo Virtual
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Registro Akasico, Pérez Celis, 1988, From the collection of: Pérez Celis - Museo Virtual
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Interno eterno, Pérez Celis, 1988, From the collection of: Pérez Celis - Museo Virtual
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Sur, Pérez Celis, 1988, From the collection of: Pérez Celis - Museo Virtual
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New York City Tribune, Anselmo Conde, 1988, From the collection of: Pérez Celis - Museo Virtual
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Pérez Celis book by Shapolsky Publisher, Frederik Ted Castle Peter Frank Rafael Squirru, 1988, From the collection of: Pérez Celis - Museo Virtual
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Collection "Anita Shapolsky Gallery", New York

Pérez Celis book by Shapolsky Publisher

El diario Newspaper, Yasmín Monsalve Reaño, 1988, From the collection of: Pérez Celis - Museo Virtual
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Nuestra sangre II, Pérez Celis, 1989, From the collection of: Pérez Celis - Museo Virtual
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Casa Rosada Museum (Presidency), Buenos Aires, Argentina

Nuestra sangre II. Oil on wood and canvas. Buenos Aires, 1989

The Review, 1989, From the collection of: Pérez Celis - Museo Virtual
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