The Inventive Work of Shigeru Ban

Sherman Contemporary Art Foundation shines a spotlight on Shigeru Ban’s pioneering and resourceful designs, and his dedication to humanitarian efforts around the world.

The inventive work of Shigeru Ban VI (2017) by Shigeru Ban ArchitectsSherman Centre for Culture & Ideas

Shigeru Ban's shelters

Temporary architecture, in disaster zones, is Shigeru Ban’s calling card. For over 20 years the 2014 winner of the Pritzker Prize, architecture’s Nobel, has best been known for his humanitarian work. From Rwanda to Japan to Nepal he has turned cheap, locally sourced materials - sometimes even debris - into disaster-relief housing that “house both the body and spirit”.

The inventive work of Shigeru Ban VIII (2017) by Shigeru Ban ArchitectsSherman Centre for Culture & Ideas

In 2017, for the first time, Sherman Contemporary Art Foundation's interior and exterior spaces featured the work of a single practitioner.

Installed in the Courtyard Garden were two of Shigeru Ban’s signature disaster relief shelters; one of his first from Kobe (1995) positioned in comparison to his latest disaster relief design for the Ecuador earthquake (2016).

The inventive work of Shigeru Ban II (2017) by Shigeru Ban ArchitectsSherman Centre for Culture & Ideas

Equador (2016)

On April 16, Ecuador was hit by an earthquake with a magnitude of 7.8. The death toll rose to 663 and 28,775 people were displaced from their homes. Shigeru Ban Architects planned to start by providing 20 relief shelters to the community, with the overall goal being to build 100 shelters in total. The shelters were built by local volunteers consisting of architectural students and architects. 

The inventive work of Shigeru Ban X (2017) by Shigeru Ban ArchitectsSherman Centre for Culture & Ideas

The inventive work of Shigeru Ban XVIII (2017) by Shigeru Ban ArchitectsSherman Centre for Culture & Ideas

The inventive work of Shigeru Ban XVI (2017) by Shigeru Ban ArchitectsSherman Centre for Culture & Ideas

The inventive work of Shigeru Ban XII (2017) by Shigeru Ban ArchitectsSherman Centre for Culture & Ideas

Kobe (1995)

In 1995, the coast of Japan was hit by a 6.9 magnitude earthquake, with the major port city of Kobe as its epicentre. Over 6,000 people were killed, and 200,000 lost their homes. Shigeru Ban responded to the urgent need for temporary relief shelters by designing the Kobe paper log house, which housed thousands of displaced residents. 

The inventive work of Shigeru Ban XV (2017) by Shigeru Ban ArchitectsSherman Centre for Culture & Ideas

The inventive work of Shigeru Ban XXII (2017) by Shigeru Ban ArchitectsSherman Centre for Culture & Ideas

The inventive work of Shigeru Ban V (2017) by Shigeru Ban ArchitectsSherman Centre for Culture & Ideas

The inventive work of Shigeru Ban VII (2017) by Shigeru Ban ArchitectsSherman Centre for Culture & Ideas

The inventive work of Shigeru Ban XIV (2017) by Shigeru Ban ArchitectsSherman Centre for Culture & Ideas

Shigeru Ban's Models

SCAF's interior gallery presentation highlighted key ‘stepping stones’ from Shigeru Ban Architects’ oeuvre, including a 1:15 scale model of the 2000 Japan Pavilion in Hannover, Germany, a 1:15 scale model of the 2011 Paper Partition System and model joint details from a range of projects. 

The inventive work of Shigeru Ban XVII (2017) by Shigeru Ban ArchitectsSherman Centre for Culture & Ideas

An immersive version of the 2013 Cardboard Cathedral, Christchurch, New Zealand featured as the centrepiece.

The inventive work of Shigeru Ban XI (2017) by Shigeru Ban ArchitectsSherman Centre for Culture & Ideas

The inventive work of Shigeru Ban XIII (2017) by Shigeru Ban ArchitectsSherman Centre for Culture & Ideas

The 1:15 scale model of the 2000 Japan Pavilion in Hannover, Germany

The inventive work of Shigeru Ban IV (2017) by Shigeru Ban ArchitectsSherman Centre for Culture & Ideas

Credits: Story

Brett Boardman
Sherman Contemporary Art Foundation
Shigeru Ban

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.

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