CRIA - Centro de Referência em Informação Ambiental
Karen Macknow Lisboa
Astrocanyum gynacanthum, Bactris pertinata, Bactris hinta (1830) by Carl Friedrich Philipp von MartiusOriginal Source: Wikimedia Commons
Regions rich in natural diversity, like Brazil, were true paradises for naturalists, who were motivated to discover and collect new species with the aim of enhancing studies of the mineral, plant, and animal world.
Plant Forms of Tropical America (1823) by Johann Baptist von Spix, Carl Friedrich Philipp von MartiusOriginal Source: Wikimedia Commons
With the support of local helpers who knew the environment and the surroundings, they assembled a huge collection of natural objects. There were 6,500 plant species, forming a herbarium of 20,000 pressed specimens, as well as hundreds of living plants, which they took to Europe.
Animal Forms of Tropical America (1823) by Johann Baptist von Spix, Carl Friedrich Philipp von MartiusOriginal Source: Wikimedia Commons
The fauna comprised 85 species of mammals, 350 of birds, 130 of amphibians, 116 of fish, 2,700 of insects, 50 of arachnids, and 50 of crustaceans. Plus mineralogical and paleontological pieces. A good part of the collection was successively sent in boxes to Munich, of which none were lost.
Also inspired by the ideas of romanticism, Spix and Martius believed that observation and deeper understanding of nature depended not only on discovering new species and classifying objects in the natural system, but also on the sentiment of the naturalist.
Alexander von Humboldt and Aimé Bonpland at the foot of the Chimborazo volcano (1806) by Friedrich Georg WeitschOriginal Source: Wikimedia Commons
Under the influence of the philosophy of nature and the poet Goethe, they sought to unite science and poetry. They were inspired by the naturalist Alexander von Humboldt, who chose the American tropics as a privileged place for the “ancient communion of nature with the spiritual life of man”.
For Humboldt, the “picture of nature,” that is, its description in words or representation in pictorial images, should reproduce in the reader “the pleasure that the sensitive mind felt in the contemplation of the natural world” and simultaneously transmit knowledge.
Besides being a subject of study, being in the nature of the tropics brought pleasure and enchantment. “Everything acts with a very special magic in the soul of the sentimental man reborn by the spectacle of the delightful country,” wrote Spix and Martius when taking their first walks through the Atlantic forest.
Research and writing: Karen Macknow Lisboa (University of São Paulo)
Assembly: Fernando B. Matos (CRIA)
Review: Fernando B. Matos (CRIA), Renato De Giovanni (CRIA)
References: Flora Brasiliensis (http://florabrasiliensis.cria.org.br/opus), Travels in Brazil (https://www2.senado.leg.br/bdsf/handle/id/573991)
Additional information: http://florabrasiliensis.cria.org.br/stories
Acknowledgments: To the curators who provided images for this story
*Every effort has been made to credit the images, audio, and video and correctly recount the episodes narrated in the exhibitions. If you find errors and/or omissions, please email contato@cria.org.br
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