Chopin and Sand (1838)Museum Celda de Frédéric Chopin y George Sand
After the first few months of their love affair in Paris, George Sand and Chopin decided to go on a trip to Mallorca in October 1838. They spent the summer together away from prying eyes and made frequent visits to the painter Delacroix's studio.
George Sand (1838) by Auguste CharpentierMuseum Celda de Frédéric Chopin y George Sand
George Sand had long yearned to visit Europe to escape the winter chill. Her son Maurice had recently suffered from lung problems. As arrangements for the trip began to take shape, Chopin decided he would join them.
Steamboat (1938) by Antonio FurióMuseum Celda de Frédéric Chopin y George Sand
On October 31, they arrived in the South of France to embark on Le Phenicien, a steamboat headed for Barcelona.
Advertisement of the Fonda Cuatro Naciones (19th Century)Museum Celda de Frédéric Chopin y George Sand
In Barcelona, they stayed in the Fonda de las Cuatro Naciones on the busy La Rambla thoroughfare in the center.
Map of Majorca (19th Century)Museum Celda de Frédéric Chopin y George Sand
After a few days in Catalonia's capital, they set sail for the island of Mallorca in a steamboat traveling between Barcelona and Palma. They were joined by George Sand's children, Maurice and Solange, as well as a maid they had hired in Paris.
Panoramic view of Palma (1842) by Adolphe Jean Baptiste BayotMuseum Celda de Frédéric Chopin y George Sand
Upon arrival in Palma, they were hard pressed to find somewhere to stay. The inn near the port seemed very noisy. The city, on the other hand, was a more attractive and exotic option. Chopin was taken by the abundant spring-like display of gardens and courtyards.
La Granja (1840) by Antonio FurióMuseum Celda de Frédéric Chopin y George Sand
While they looked for somewhere more suitable to stay, they took their first meander through Palma and went on excursions near the city. The Marquis of la Romana invited them to his palace, La Granja, bathed in lush nature.
Hermitage of Valldemossa (ca. 1838)Museum Celda de Frédéric Chopin y George Sand
On November 14, they visited the village of Valldemossa. Winding round the mountains, they arrived at a hermitage far from the road. The views of the rugged coastline were spectacular. George Sand was so inspired by this moment that she included it in her second novel.
View of the Charterhouse by Antonio FurióMuseum Celda de Frédéric Chopin y George Sand
The same day they visited Valldemossa Charterhouse, a monastery that had been expropriated by the Carthusians a few years previously. It now belonged to the Kingdom of Spain's constitutional government. The spacious cells and extensive garden were up for rent.
Corridor of the Valldemossa CharterhouseMuseum Celda de Frédéric Chopin y George Sand
George Sand decided there and then that she would rent out one of the cells. It was cell three, which is now cell four. Thrilled with her decision, she wrote to her friend Charlotte Marliani in Paris.
Son VentMuseum Celda de Frédéric Chopin y George Sand
They stayed in a country house a few miles away from Palma until December 10. They enjoyed typical spring-like days, but the first storms, winds, and chills soon took them by surprise.
Chopin (c.1851-1862) by Maximilian FajansMuseum Celda de Frédéric Chopin y George Sand
Chopin's health began to suffer in a house unprepared for the harsh winter. Doctors began to suspect he may have tuberculosis, a disease believed to be contagious by the Spanish authorities. The owner of the house insisted they were evicted.
Plan of Palma (1831)Museum Celda de Frédéric Chopin y George Sand
The French consul in Palma welcomed them into his home for a few days while they made arrangements to move to Valldemossa Charterhouse.
Charterhouse of Valldemossa (1840) by J.B.LaurensMuseum Celda de Frédéric Chopin y George Sand
On December 15, 1838, they left Palma to move to the old Carthusian monastery. A three-hour carriage ride through the mountains brought them to an enormous building, uninhabited at the time.
Entrance of the Chopin CellMuseum Celda de Frédéric Chopin y George Sand
The cell looked the same as when they had first seen it. Three bedrooms with a garden offering panoramic views of the mountains.
Detail of the interior of the church of the Valldemossa Carthusian monastery (1840) by Francisco Javier ParcerisaMuseum Celda de Frédéric Chopin y George Sand
The monumental complex of the Royal Valldemossa Charterhouse dates back to the beginning of the 14th century when it was a royal residence for the kings of Mallorca. The Carthusian monks' monastery was founded in 1399. The original cells and chapels were built on the remnants of an old fortress.
Panoramic view of the Valldemossa CharterhouseMuseum Celda de Frédéric Chopin y George Sand
During the first few days, Chopin continued to hope that his piano sent from Paris would arrive so that he could work. George Sand, meanwhile, managed to finish writing the last chapters of her book, Spiridion.
Interior of the cellMuseum Celda de Frédéric Chopin y George Sand
At long last, on January 9, 1839, his piano finally arrived at Valldemossa.
Chopin's letter to Camille Pleyel (January 22, 1839) by Frédéric ChopinMuseum Celda de Frédéric Chopin y George Sand
On January 22, 1839, he wrote to his publisher to let him know that he had finished the first 24 Preludes on the piano sent from Paris and that he was working on a polonaise, a scherzo, and a ballade.
Porto Pi (c.1838) by AnónimoMuseum Celda de Frédéric Chopin y George Sand
Their trip to Mallorca was interrupted by a deterioration in Chopin's health. On February 13, 1839, they left on the steamboat for Barcelona, to continue on to Marseille. The only souvenir they left behind in Mallorca was the piano, which still remains on the island today.