Broadcasting

By INA grm

Broadcasting ideas and knowledge, and highlighting the repertoire have always been at the heart of the INA grm's activities, through the publication of records and other works, the production of radio shows, and the supervision of various professional training courses and educational activities.

50 ans d'acousmatique (2012) by François BayleINA grm

To maximize the value of its repertoire, both past and present, the INA grm runs a campaign to publish its discography...

Œuvres électroniques (2018) by Eliane RadigueINA grm

... in the form of retrospective boxed sets of great composers and the release of collections of vinyl records in partnership with Editions MEGO: Recollection GRM and Portraits GRM.

GRM Works (2015) by Beatriz FerreyraINA grm

Shutting Down Here (2020) by Jim O'RourkeINA grm

Spectres II, Résonances (2020) by collectiveINA grm

As a continuation of the theoretical research begun by Pierre Schaeffer with "À la recherche d’une musique concrète" and "Traité des objets musicaux," the GRM publishes or co-publishes works of theoretical reflections, such as the journal SPECTRES, in collaboration with Shelter Press.

L'Expérimentale (2020) by François BonnetINA grm

The GRM emerged in the heyday of the radio, and since the first "concert of noise" in 1948, it has never stopped broadcasting its music over the airwaves.
These days, the GRM produces the show "L’Expérimentale" on France Musique, on which it presents documentaries, interviews, record selections and recordings of concerts from the Multiphonies seasons.

GRM Tools workshop (2019) by Jean-Baptiste GarciaINA grm

Every year at the INA, members of the GRM organize professional training courses in sound design using the GRM Tools. In addition, as part of its season of concerts, the INA grm organizes workshops that provide a hands-on introduction to the Acousmonium.

Musical Creation and Sound Art Master Degree (2010) by René PichetINA grm

The Master's degree in Music Creation and Sound Arts, designed in partnership with the Université Gustave Eiffel, provides high-level training for specialists in the creation of music, sound, and multimedia: applied music composers (cinema, theater, dance), radio broadcasters, sound set designers, interactive sound designers (video games, installations), and sound design team managers.

Sound Hunters by Dominique Saint-MartinINA grm

 The GRM offers teachers an array of digital resources allowing students to "listen, see, understand" electroacoustic music and sound creation technologies.

Online Course (2018) by Dominique Saint-MartinINA grm

MOOC: "music beyond digital"
Participants are invited to produce musical moments, share them, listen to, and comment on their peers' productions through seven themed sessions on getting started with electroacoustic music.

CREAMUS (2014) by Dominique Saint-MartinINA grm

CREAMUS, the INA grm's educational space:
first-person accounts of practicing music creation in schools, on web radio, at conferences, etc.

Credits: Story

INA grm - Groupe de Recherches Musicales

Direction : François J. Bonnet
Administration : Jessica Ciesco
Coordination, assistant de programmation : Jules Négrier
Chargé de production : Jean-Baptiste Garcia
Direction technique : Philippe Dao, Emmanuel Richier
Développement GRM Tools : Emmanuel Favreau, Matthias Puech
Développement GRM Player : Adrien Lefèvre
Chefs de projets R&D : Nicolas Debade, Dominique Saint-Martin
Réalisateur radiophonique : Alexandre Bazin
Formations professionnelles, numérisation : Diego Losa

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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