By Kyoto Women's University, Lifestyle Design Laboratory
Kyoto Women's University, Lifestyle Design Laboratory
With its characteristically plain design but refined finish, the Kyoto wooden pail (Kyō-oke) is a common sight in traditional Kyoto life. Only wood with beautiful grain such as cedar, cypress and Japanese umbrella pine produced is used to make wooden containers with various shapes and sizes. With continued use over long years, the cedar wood will take on a deeper colour, while the bamboo hoop turns into a shiny amber colour, the silver an oxidized appearance and the copper a bronze colour.
Kyoto wooden pail: past and present
Before WWII there existed over 200 pail-making establishments in Kyoto alone. However, the number has dwindled to only several today. The wooden pails that were once used in the daily life are being replaced by plastic buckets, thus increasing their artisanal appeal.
Kondo Kyoto Wooden Pail Workshop (2018-12) by Taichi KondoKyoto Women's University, Lifestyle Design Laboratory
Production process
Here is the process of how the Kyoto wooden pail, in this case a washing bucket for a Japanese traditional bath, is made. First, wood is split using a sickle.
Rough cutting, Kyoto Wooden Pail (2018-12) by Taichi KondoKyoto Women's University, Lifestyle Design Laboratory
Rough Cutting
The split wood is roughly cut using inner and outer draw knives.
The sides are shaved to the desired finish using a shōjikidai, an upside-down planing block with the shaving blade facing up after the surface is sanded down with a plane.
Shaping the upper end
The upper end of the wood is planed to produce an inward slant.
Determining the slant
The degree of slant required for the side wood pieces to narrow from top to bottom is calculated.
Side angle adjustment
Using a shōjikigata (a piece of wood for checking the specific curve/angle required), the sides are planed down to ensure light does not pass between the wood blocks. The planing requires skilled hands as the result can vary according to which part of the blade the wood is passed over.
Selecting side blocks
Blocks with the same kind of wood grain are selected in order to present the beauty of the grain, as well as to prevent any distortion or contraction.
The circumference
A circumference bamboo strip is used to gather blocks that will make up the circumference of the bucket to be made.
Temporary assembling
The selected blocks are temporarily lined along temporary ring in such order that the grain of one block matches the next.
Applying glue
The temporary ring is removed before the blocks are given an application of glue and re-assembled using more temporary rings. A special tool to tighten the rings around the blocks is used by hitting it with a hammer.
Refining the upper end of the blocks
A plane for shaving the block ends is used to even out the upper block ends.
Uniform height
A line-marking gauge is used to draw a line marking the height of the pail along the lower block ends.
Shaving lower block ends
Excess parts of the lower block ends are sawn off along the marked line and shaved down using a plane.
Shaving the sides
The temporary rings are removed to allow the shaving of the sides. Three different types of planes are used to shave the top, middle and bottom part of the bucket according to the curve required.
Thickness of the wall
The thickness of the bucket is marked using the line-marking gauge.
Beveling
A soridai-kanna, a wooden plane with a convex base curved in the cutting direction is used to bevel the rim of the bucket and make the marked line easy to see.
Shaving of the inner side
A round plane is used to shave the inner side.
Determining the position of the hoops
The line-marking gauge is used to mark the positions where the hoops will go.
Determining the position of the bottom board
A cutting gauge is used to mark the line around the bucket where the bottom board will sit.
Dovetail groove
A dovetail groove is a deep groove with an upward slant to prevent the bottom board falling through. A spear-shaped plane is used to carve out this groove bit by bit.
Making the hoops
Copper wire is cut to the length that fits along the groove, with the ends smoothed out. The wire is then wound around a cylinder to shape the wire into a circle.
Welding the hoops, Kyoto Wooden Pail (2018-12) by Taichi KondoKyoto Women's University, Lifestyle Design Laboratory
Silver-solder is used to join the ends of the circle-shaped copper wire.
Make the hoop stronger, Kyoto Wooden Pail (2018-12) by Taichi KondoKyoto Women's University, Lifestyle Design Laboratory
The annealed part during soldering is hammered out and filed evenly.
Inserting the hoops
The finished hoops are inserted into the grooves. The bottom hoop is left loosely attached to allow for the insertion of the bottom board later.
Making the bottom board
The bottom board is planed to even out the surface.
Draw a circle, Kyoto Wooden Pail (2018-12) by Taichi KondoKyoto Women's University, Lifestyle Design Laboratory
A compass is used to draw a circle on the bottom board.
The bottom board is cut to the drawn circle using a band-sawing machine. The side of the bottom board is cut to the angle of the groove at this point. The bottom board is not cut into a perfect circle; it is cut into an slight oval shape to allow for the contraction of the wood depending on the direction of the wood grain.
The side of the bottom board is shaved using a spokeshave.
A metal rod called kigoroshibō is used to press the edge of the bottom board down to slightly reduce the size.
Fitting the bottom board
The artisan feels with his hand and listens to the sound as he fits the bottom board inside the bucket, making adequate adjustments with the spokeshave and the kigoroshibō until the bottom board fits well into the groove.
Once perfectly fitted into the groove, the remaining untightened hoop is tightened where marked.
Final finish
The washing bucket is placed on a flat surface board to check for any irregularities, which are then fixed accordingly.
Final finish, Kyoto Wooden Pail (2018-12) by Taichi KondoKyoto Women's University, Lifestyle Design Laboratory
The top and bottom rims are rounded off with a plane.
Sickles, Kyoto Wooden Pail (2018-12) by Photo: Shinya MaezakiKyoto Women's University, Lifestyle Design Laboratory
Sickles
These are used for cutting the side blocks.
Inner and outer draw knives
The inner draw knife is used to shave the inner part of the side blocks and the outer draw knife is used to shave the outer part. The artisan wears a stomach band and pushed against the block of wood used to clamp the side wood block in place.
Shōjikidai
This is an upside-down planing block with the upward-facing shaving blade set in the centre. The long shape allows for stable planing in one breath even for large wood boards.
Shōjikigata
Pattern pieces for ensuring that the side blocks join smoothly. Various types are used according to the size of the pail to be made. These pieces are originally created by the artisan to accurate measurements.
Planes
Various sizes are available and used according to the type and use of the pail to be made.
Line-marking gauges
There is the line-marking gauge and the cutting gauge. The former cuts into the wood, while the latter is used to mark a line on the wood. The blade of the line-marking gauge is rounded to prevent cutting into the wood.
Washing bucket
This type of washing bucket is made with a size that can be easily held with hot water inside in one hand by ladies. The wood tapers towards the top to avoid a bulky look but still maintain the endurance to use.
Single-handle bucket
This type of bucket is made with the refined, thin wood typical of Kyoto wooden pail. It comes with a strong, thick handle. Particular attention is also given to the beautiful surface finish.
Sake cup
This product made from thinned wood allows you to enjoy both the sake and the scent of the wood when sipping the sake. The Yoshino cedar wood used gives out a scent that particularly goes well with sake.
Okamochi
This is used for carrying food and enhancing the presentation of the food.
Speaker
The sound produced from the speaker at the top bounces off the reflective plate and spreads out. The bass sound reverberating inside the body of the speaker is emitted from the lower part.
Supported by:
・Taichi Kondo (Kondo Kyoto Wooden Pail Workshop)
Text by:
・Oiri Nao
・Tanaka Natsuki
・Toyoda Momo
Video provided by:
・ Kengo Takayama (A-PROJECTS)
Photography by:
・Dr. Maezaki Shinya, Professor, Kyoto Women's University
English Translation by:
・Eddy Y.L Chang
Project Director:
・Dr. Maezaki Shinya, Professor, Kyoto Women's University