Wa's Royal heritage
The Wa Naa Palace in Ghana's Upper West Region stands as a powerful symbol of Wa tradition and royalty. Its enduring presence reflects the Waala people's history and identity.
A Royal residence
Built in 1889, the Wa Naa Palace is the residence of the Waala king. It's a significant cultural landmark and symbol of the region's rich heritage.
Wa's threefold leadership
The Wa Naa is one of three traditional leaders in Wa, alongside the leader of the Wa indigenous people and the Muslim leader. This reflects the diverse community's rich history and governance structure.
A regional masterpiece
The Wa Naa Palace, dating back to the 19th century, features a striking design. Its walls are sun-dried mud bricks, upheld by unique Y-shaped wooden columns. This architectural style embodies the construction practices of the region.
Sudanese architecture style
The previous Waa Naa, Yamusa Pelpuo III, commissioned the palace built in the Sudanese architectural style. It is known for its pointed buttresses, two matching towers, and horizontal wooden beams that strengthen the structure.
The palace grounds hold a sacred significance, as the burial place of eight of the 34 Wa Naas, reflecting the community's deep respect for its rulers.
Palace Drums
These drums, found within the Wa Naa Palace, played a vital role in community life. Traditionally, they summoned people to the palace for announcements and gatherings.
A national memorial
The Wa Naa Palace is a significant memorial for Ghanaians, holding political, religious, and social importance for the local community and the nation as a whole. Its enduring presence reflects the Waala people's history and identity.
Waala heritage lives on
The Wa Naa Palace is not merely an architectural marvel or traditional site but a custodian of the Waala people's vibrant cultural heritage. Within its walls, traditions are upheld, stories are told, and ceremonies take place, preserving the essence of Waala's identity.
Photos: Isaac Gyamfi
Video: Reaga Right Production
Project manager: Kwabena Agyare Yeboah
Field assistant: Philip Soonti
Research, Text & Curatorial Support: Jemima Adansi and Abiodun Ayoola
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