Monuments at the Belgrade Fortress

Тhe complex of the Belgrade Fortress has been indivisible from the Kalemegdan Park since the 1870s. Particularly important features of the park are its public monuments.

The Victor monument (1928) by Archive PE "Belgrade Fortress" and Photographer: Ivan MeštrovićMinistry of Culture of the Republic of Serbia

Monument to the Victor

The Monument to the Victor was erected in 1928 in the Upper Bourg of the Belgrade Fortress, on the tenth anniversary of the breakthrough of the Salonika Front. The monument consists of a bronze male figure, the work of Ivan Meštrović, sculptor, and the plinth conceived as a Doric column with fluting, placed on a high cubic base. The sculpture itself was made in 1913 as the final motif of a monumental fountain, planned for the Terazije Plateau.

Monument to the Victor (1928) by Cultural Heritage Preservation Institute of BelgradeMinistry of Culture of the Republic of Serbia

Meštrović conceived the fountain as a monument to freedom and liberation from the five centuries long Ottoman rule. The final works were postponed because of the beginning of WWI, so that the figure was eventually erected on the Upper Bourg plateau and its  silhouette is visible from everywhere. The name of the monument has its origins in its dedication to the Salonika Front and the victory of the Serbian army in WWI. Its original title was The Harbinger of Victory.

The Victor monument (1928) by Archive PE "Belgrade Fortress" and Photographer: Ivan MeštrovićMinistry of Culture of the Republic of Serbia

Its pedestal is made of stone, while the sculpture representing a man with an pigeon is made of bronze (14 metres high). “Victor” was unveiled on the Upper Town’s plateau during October 7–8th, 1928 to commemorate the decennial of breaking through the Solun front.

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Monument of Gratitude to France (1930) by Archive PE "Belgrade Fortress" and Photographer: Ivan MeštrovićMinistry of Culture of the Republic of Serbia

Monument to Gratitude to France

The Gratitude to France monument, the work of Ivan Meštrović, sculptor, was erected at the end of the main path of the Kalemegdan Park on November 11, 1930, as a symbol of friendship and cooperation between Serbia and France in WW I. The monument was financed by the Friends of France Society and the Society of Former French Students.

Monument of Gratitude to France (1930) by Archive PE "Belgrade Fortress" and Photographer: Ivan MeštrovićMinistry of Culture of the Republic of Serbia

The monument consists of a female figure in bronze, a representation of France offering help to Serbia with martial enthusiasm, a high, simple marble plinth with two low reliefs chiseled in its lower part. The west side shows French and Serbian soldiers, while the east side bears a personification of Sorbonne as a young woman surrounded by students.

Monument to Gratitude to France, Kalemegdan (1930) by Cultural Heritage Preservation Institute of BelgradeMinistry of Culture of the Republic of Serbia

These reliefs in art deco style were made after Meštrović’s drawings by sculptors Frano Kršinić and Antun Augustinčić. The remaining two sides bear the following inscriptions: We love France as France loved us, and A la France. With this work Meštrović introduced a new concept of public monuments in our culture, memorials which are monumental and expressive, and openly transmit a particular idea.

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Fountain “Fisherman”, Archive PE "Belgrade Fortress", Photographer: Simeon Roksandić, second decade of the 20th century, From the collection of: Ministry of Culture of the Republic of Serbia
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Fountain “Fisherman”, Archive PE "Belgrade Fortress", Photographer: Simeon Roksandić, second decade of the 20th century, From the collection of: Ministry of Culture of the Republic of Serbia
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Fountain “Fisherman” -  This bronze sculpture, 150 cm high, represents a fisherman fighting with a snake. It is the work of sculptor Simeon Roksandic (1874–1943). It was unveiled at Kalemegdan during the second decade of the twentieth century.

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Fountain “Awakening” (1936) by Archive PE "Belgrade Fortress" and Photographer: Dragomir ArambašićMinistry of Culture of the Republic of Serbia

Fountain Awakening

Fountain “Awakening” is located in front of the “Cvijeta Zuzoric” Art Pavilion. It was made by sculptor Dragomir Arambasic in 1936.

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Scale Model of Despot Stefan Lazarevic Castle (2020) by Archive PE "Belgrade Fortress" and Photographer: Kolja MilutinovicMinistry of Culture of the Republic of Serbia

Scale Model of Despot Stefan Lazarevic Castle

The scale model of the castle of Despot Stefan Lazarevic, the work of the sculptor Kolja Milunovic, is placed approximately in the centre of the medieval castle. This part of the fortress underwent the greatest changes and the greatest destruction over time, especially at the end of the 17th century.

During the Turkish siege, a large explosion of gunpowder almost completely destroyed the ramparts and towers of the castle. By clearing these ruins, a mostly flat space was obtained, completely different than it was originally. Thanks to the scale model, it is easy to imagine the previous appearance of this part of the fortress. 

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Monument to Despot Stefan Lazarevic (1982) by Archive PE "Belgrade Fortress" and Photographer: Nebojsa MitricMinistry of Culture of the Republic of Serbia

Monument to Despot Stefan Lazarevic

The bronze figure of a man with a cloak is a monument paying tribute to the famous Serbian ruler, writer and builder Despot Stefan Lazarevic, during whose government Belgrade became the capital of Serbia for the first time.

Memorial Plaque Dedicated to the Defence against Turkey (1456) by Archive PE "Belgrade Fortress"Ministry of Culture of the Republic of Serbia

Memorial Plaque Dedicated to the Defence against Turkey

It was unveiled in 1986. It has inscriptions on both Serbian and Hungarian language. It was dedicated to the successful defence of the Castle of the Belgrade Fortress against the Turkish attack in the night between July 21st and 22nd, 1456. Even sultan Mehmed II was injured during this attack, so he ordered his army to retreat. As a result, Belgrade became “Antemurale Christianitatis”, i.e. the rampart of Christianity.

Tomb of National Heroes at Kalemegdan, Cultural Heritage Preservation Institute of Belgrade, 1948, From the collection of: Ministry of Culture of the Republic of Serbia
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Tomb of National Heroes at Kalemegdan, Archive PE "Belgrade Fortress", 1948, From the collection of: Ministry of Culture of the Republic of Serbia
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Tomb of National Heroes at Kalemegdan, Cultural Heritage Preservation Institute of Belgrade, 1948, From the collection of: Ministry of Culture of the Republic of Serbia
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Tomb of National Heroes at Kalemegdan, Cultural Heritage Preservation Institute of Belgrade, 1948, From the collection of: Ministry of Culture of the Republic of Serbia
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Tomb of National Heroes at Kalemegdan, Cultural Heritage Preservation Institute of Belgrade, 1948, From the collection of: Ministry of Culture of the Republic of Serbia
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Tomb of NationalHeroes at Kalemegdan was built between 1948 and 1950, underneath the bulwarks of the Fortress, on the Great Sava Promenade. The tomb was designed after Soviet models and its author was architect Bogdan Ignjatović. On the occasion of its ceremonial foundation in 1948, as an event of festive commemorations of March 27, relics of two national heroes – Ivo Lola Ribar and Ivan Milutinović – were moved there. The relics of Đuro Đaković were transferred to the tomb in 1949 and Moša Pijade was buried there in 1957. A monolithic white marble block rises beyond the tomb. It bears the bronze busts of the heroes, the works of sculptors Stevan Bodnarov and Slavoljub Stanković.



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Place where The City Keys were handed over to The Serbs, Kalemegdan (1867) by Cultural Heritage Preservation Institute of BelgradeMinistry of Culture of the Republic of Serbia

Place where The City Keys were handed over to The Serbs

The memorial of the symbolic delivery of city keys was erected at the place when on April 6/19, 1867 the firman of Sultan Abdul Asis was read. By the edict the fortresses of Belgrade, Šabac, Smederevo and Kladovo were handed over to Prince Mihailo Obrenović and the Serbian people. According to historic sources, the place is situated on the right side of the main Kalemegdan avenue. This event marked the new stage in the development of the Princedom of Serbia that led to state independence.

Place where The City Keys were handed over to The Serbs, Kalemegdan (1867) by Cultural Heritage Preservation Institute of BelgradeMinistry of Culture of the Republic of Serbia

The monument was erected in 1967, on the occasion of the centennial of the historic event. It is a stone block on which sculptor Mihailo Paunović carved a relief with representations of the delivery of the keys, after the drawing by Adam Stefanović, a  contemporary to the event. The relief shows the Ottoman pasha handing over the keys to the Fortress to Prince Mihailo, with the Clock tower in the background and the minaret of the mosque which then stood in the Upper Town of Kalemegdan.

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Music Pavilion (2004) by Archive PE "Belgrade Fortress" and Photographer: Dušan StojancevicMinistry of Culture of the Republic of Serbia

Music Pavilion

It's nearby the Fisherman's Fountain. The construction of the pavilion was financed by the City of Belgrade. The project was developed by the Institute for the Protection of Cultural Monuments of the City of Belgrade (architects Aleksandra Sevic and Ljiljana Kontic). It was inaugurated on 16 August, with a concert by the Police Orchestra. The tradition of beautiful sound in Kalemegdan Park continued. JP "Belgrade Fortress" organizes concerts of promenade music every weekend during the summer months in the summer months in the pavilion.

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Credits: Story

PE "Belgrade Fortress"
Institute for the Protection of Cultural Monuments of Serbia - Belgrade
Cultural Heritage Preservation Institute of Belgrade

The narration was provided by Relja Seratlić, Complex Revitalization Sector Manager of the PE "Belgrade Fortress" and  Cultural Heritage Preservation Institute of Belgrade.

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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