Cottage among Trees, John Constable, 1776–1837, British, ca. 1795, From the collection of: Yale Center for British Art
Helmingham: The Silent Pool, John Constable, 1776–1837, British, ca. 1800, From the collection of: Yale Center for British Art
A Church in the Trees, Attributed to John Constable, 1776–1837, British, ca. 1800, From the collection of: Yale Center for British Art
Lane near Dedham, John Constable, 1776–1837, British, 1802, From the collection of: Yale Center for British Art
Trentham Park, Formerly attributed to John Constable, 1776–1837, British, unknown artist, ca. 1801, From the collection of: Yale Center for British Art
Dedham Vale, John Constable, 1776–1837, British, 1802, From the collection of: Yale Center for British Art
Two Ships at Anchor, John Constable, 1776–1837, British, 1803, From the collection of: Yale Center for British Art
Four East Indiamen at Archor, John Constable, 1776–1837, British, 1803, From the collection of: Yale Center for British Art
Mr. Hobson of Markfield and Family, John Constable, 1776–1837, British, ca. 1806, From the collection of: Yale Center for British Art
Landscape at East Bergholt, John Constable, 1776–1837, British, ca. 1805, From the collection of: Yale Center for British Art
Trees in a Meadow, John Constable, 1776–1837, British, ca. 1805, From the collection of: Yale Center for British Art
Borrowdale: Evening after a Fine Day, 1 October 1806, John Constable, 1776–1837, British, 1806, From the collection of: Yale Center for British Art
Leatherhead Church, Near Epsom, from the Northeast, John Constable, 1776–1837, British, 1806, From the collection of: Yale Center for British Art
East Bergholt Church, Looking Out the South Archway of the Ruined Tower, John Constable, 1776–1837, British, 1806, From the collection of: Yale Center for British Art
A Country Girl in the Lake District, John Constable, 1776–1837, British, 1806, From the collection of: Yale Center for British Art
Golding Constable's Black Riding-Horse, John Constable, 1776–1837, British, between 1805 and 1810, From the collection of: Yale Center for British Art
Lower Cascade, Rydal, John Constable, 1806, From the collection of: Lakeland Arts - Abbot Hall Art Gallery and Museum
An Autumnal Landscape at East Bergholt, John Constable, 1776–1837, British, between 1805 and 1808, From the collection of: Yale Center for British Art
Two Studies of Dedham Church from the East, John Constable, 1776–1837, British, between 1806 and 1808, From the collection of: Yale Center for British Art
Male Nude, John Constable, 1776–1837, British, 1808, From the collection of: Yale Center for British Art
Two Figures by a River, John Constable, 1776–1837, British, between 1807 and 1809, From the collection of: Yale Center for British Art
Golding Constable's House, East Bergholt: the Artist's birthplace, John Constable, 1776–1837, British, ca. 1809, From the collection of: Yale Center for British Art
Ruin of St. Botolph's Priory, Colchester, John Constable, 1776–1837, British, ca. 1809, From the collection of: Yale Center for British Art
Mary Freer, John Constable, 1776–1837, British, 1809, From the collection of: Yale Center for British Art
Barge below Flatford Lock, John Constable, 1776–1837, British, ca. 1810, From the collection of: Yale Center for British Art
East Bergholt Church, John Constable, 1776–1837, British, 1809, From the collection of: Yale Center for British Art
Flatford Mill, John Constable, 1776–1837, British, between 1810 and 1811, From the collection of: Yale Center for British Art
Flatford Mill, Attributed to John Constable, 1776–1837, British, between 1810 and 1811, From the collection of: Yale Center for British Art
Flatford Lock, John Constable, 1776–1837, British, between 1810 and 1811, From the collection of: Yale Center for British Art
A Shepherd in a Landscape looking across Dedham Vale towards Langham, John Constable, 1776–1837, British, ca. 1811, From the collection of: Yale Center for British Art
Fen Lane, East Bergholt, John Constable, 1776–1837, British, ca. 1811, From the collection of: Yale Center for British Art
Coombe Wood, John Constable, 1776–1837, British, 1812, From the collection of: Yale Center for British Art
The Lane from East Bergholt to Flatford, Constable, John, 1812, From the collection of: Museo Lázaro Galdiano
Mary Constable Reading, John Constable, 1776–1837, British, 1812, From the collection of: Yale Center for British Art
East Bergholt, John Constable, 1776–1837, British, ca. 1813, From the collection of: Yale Center for British Art
Coastal Scene with Cliffs, John Constable, 1776–1837, British, ca. 1814, From the collection of: Yale Center for British Art
View Towards the Rectory, East Bergholt, John Constable, 1776–1837, British, 1813, From the collection of: Yale Center for British Art
Brighton Beach Looking West, John Constable, 1776–1837, British, undated, From the collection of: Yale Center for British Art
A View on the Orwell, circle of John Linnell, 1792–1882, British, attributed to John Constable, 1776–1837, British, undated, From the collection of: Yale Center for British Art
Suffolk Landscape, John Constable, 1776–1837, British, undated, From the collection of: Yale Center for British Art
Wormingford Church, attributed to John Constable, 1776–1837, British, between 1813 and 1815, From the collection of: Yale Center for British Art
West Lodge, East Bergholt, John Constable, 1776–1837, British, between 1813 and 1816, From the collection of: Yale Center for British Art
Miniature: Portrait of Abram Constable, brother of the artist, Attributed to John Constable, 1776–1837, British, early 19th century, From the collection of: Yale Center for British Art
Study of an Ash Tree, John Constable, 1776–1837, British, between 1801 and 1803 or between 1810 and 1830, From the collection of: Yale Center for British Art
Flowers in a Pitcher, John Constable, 1776–1837, British, undated, From the collection of: Yale Center for British Art
English Landscape, John Constable, undated, From the collection of: The Phillips Collection
The Quarters behind Alresford Hall, John Constable, 1816, From the collection of: National Gallery of Victoria
Osmington Village, John Constable, 1776–1837, British, 1816 to 1817, From the collection of: Yale Center for British Art
A Cornfield, John Constable, ?1817, From the collection of: Tate Britain
Wivenhoe Park, Essex, John Constable, 1816, From the collection of: National Gallery of Art, Washington DC
Somerset House Terrace from Waterloo Bridge, John Constable, 1776–1837, British, ca. 1819, From the collection of: Yale Center for British Art
Fulham Church from across the River, John Constable, 1776–1837, British, 1818, From the collection of: Yale Center for British Art
Shipping on the Thames, John Constable, 1776–1837, British, ca. 1818, From the collection of: Yale Center for British Art
Stratford Mill, John Constable, 1776–1837, British, 1819 to 1820, From the collection of: Yale Center for British Art
Dedham Lock, John Constable, 1776–1837, British, between 1819 and 1820, From the collection of: Yale Center for British Art
Waterloo Bridge, John Constable (English, b.1776, d.1837), ca. 1820, From the collection of: Cincinnati Art Museum
Hampstead Heath, John Constable, 1776–1837, British, 1820, From the collection of: Yale Center for British Art
Harwich: The Low Lighthouse and Beacon Hill, perhaps with assistance from John Dunthorne, 1798–1832, British, John Constable, 1776–1837, British, ca. 1820, From the collection of: Yale Center for British Art
Sketch for "The Haywain", John Constable, 1776–1837, British, ca. 1820, From the collection of: Yale Center for British Art
Malvern Hall, Warwickshire, John Constable, 1776–1837, British, 1820 to 1821, From the collection of: Yale Center for British Art
Rushes by a pool, John Constable, 1776–1837, British, ca. 1821, From the collection of: Yale Center for British Art
Cloud Study, John Constable, 1776–1837, British, ca. 1821, From the collection of: Yale Center for British Art
Harnham Gate, Salisbury, John Constable, 1776–1837, British, between 1820 and 1821, From the collection of: Yale Center for British Art
A Cloud Study, Sunset, John Constable, 1776–1837, British, ca. 1821, From the collection of: Yale Center for British Art
Cloud Study, John Constable, 1776–1837, British, ca. 1821, From the collection of: Yale Center for British Art
Cloud Study, John Constable, 1776–1837, British, ca. 1821, From the collection of: Yale Center for British Art
A View on Hampstead Heath, Early Morning, Attributed to John Constable, 1776–1837, British, ca. 1821, From the collection of: Yale Center for British Art
Undergrowth, John Constable, 1776–1837, British, ca. 1815, From the collection of: Yale Center for British Art
Cloud Study, John Constable, 1776–1837, British, ca. 1821, From the collection of: Yale Center for British Art
Cloud Study with Trees, John Constable, 1776–1837, British, 1821, From the collection of: Yale Center for British Art
Cloud Study, John Constable, 1776–1837, British, 1821, From the collection of: Yale Center for British Art
Cloud Study, John Constable, 1776–1837, British, 1821, From the collection of: Yale Center for British Art
Hampstead Heath Looking Towards Harrow, John Constable, 1776–1837, British, 1821, From the collection of: Yale Center for British Art
Hampstead Heath looking towards Harrow, John Constable, 1776–1837, British, 1821 to 1822, From the collection of: Yale Center for British Art
Cloud Study, John Constable, 1776–1837, British, 1821, From the collection of: Yale Center for British Art
The Grove, or the Admiral's House in Hampstead, John Constable, 1821/1822, From the collection of: Alte Nationalgalerie, Staatliche Museen zu Berlin
Cloud Study, Early Morning, Looking East from Hampstead, John Constable, 1776–1837, British, 1821, From the collection of: Yale Center for British Art
Hampstead Heath, with a Bonfire, John Constable, 1776–1837, British, ca. 1822, From the collection of: Yale Center for British Art
Cloud Study, John Constable, 1776–1837, British, 1822, From the collection of: Yale Center for British Art
Landscape with a goatherd and goats (after Claude), John Constable, 1823, From the collection of: Art Gallery of New South Wales
Cloud Study, John Constable, 1776–1837, British, 1822, From the collection of: Yale Center for British Art
The Celebration of the General Peace of 1814 in East Bergholt, John Constable, 1814, From the collection of: Museum of Fine Arts, Budapest
Bardon Hill, Coleorton Hall, John Constable, 1776–1837, British, ca. 1823, From the collection of: Yale Center for British Art
Sketch for "A Boat Passing a Lock", John Constable, English, 1776 - 1837, 1822-1824, From the collection of: Philadelphia Museum of Art
Summer - Evening Landscape, Attributed to John Constable, 1776–1837, British, ca. 1825, From the collection of: Yale Center for British Art
Study of A boat passing a lock, John Constable, (c. 1823-1826), From the collection of: National Gallery of Victoria
Ploughing Scene in Suffolk, John Constable, 1776–1837, British, 1824 to 1825, From the collection of: Yale Center for British Art
Study of a Cloudy Sky, John Constable, 1776–1837, British, ca. 1825, From the collection of: Yale Center for British Art
Fire in London, Seen from Hampstead, Attributed to John Constable, 1776–1837, British, ca. 1826, From the collection of: Yale Center for British Art
A View from Hampstead Heath (?), John Constable, 1776–1837, British, ca. 1825, From the collection of: Yale Center for British Art
Hove Beach, John Constable, 1776–1837, British, 1824 to 1828, From the collection of: Yale Center for British Art
Trees and Deer, after Claude Lorraine, 1600–1682, French, John Constable, 1776–1837, British, 1825, From the collection of: Yale Center for British Art
Parham Mill, Gillingham, John Constable, 1776–1837, British, ca. 1826, From the collection of: Yale Center for British Art
Salisbury Cathedral from the Bishop's Garden, John Constable, 1826, From the collection of: The Frick Collection
Study of Hollyhocks, Attributed to John Constable, 1776–1837, British, ca. 1826, From the collection of: Yale Center for British Art
Landscape with Windmill, attributed to John Constable, 1776–1837, British, between 1825 and 1830, From the collection of: Yale Center for British Art
The Vale of Dedham, John Constable, 1828, From the collection of: National Galleries Scotland: National
Sky Study with Rainbow, John Constable, 1776–1837, British, 1827, From the collection of: Yale Center for British Art
Hampstead Heath, John Constable, 1776–1837, British, 1825 to 1830, From the collection of: Yale Center for British Art
Hadleigh Castle, John Constable, 1776–1837, British, 1828 to 1829, From the collection of: Yale Center for British Art
Stormy Sea, Brighton, John Constable, 1776–1837, British, ca. 1828, From the collection of: Yale Center for British Art
A Bridge near Salisbury Court, Perhaps Milford Bridge, John Constable, 1776–1837, British, ca. 1829, From the collection of: Yale Center for British Art
Hadleigh Castle, The Mouth of the Thames--Morning after a Stormy Night, John Constable, 1776–1837, British, 1829, From the collection of: Yale Center for British Art
Salisbury Cathedral From the Meadows, John Constable, 1776–1837, British, 1829, From the collection of: Yale Center for British Art
Old Sarum at Noon, John Constable, 1776–1837, British, 1829, From the collection of: Yale Center for British Art
Salisbury Plain from Old Sarum, John Constable, 1776–1837, British, 1829, From the collection of: Yale Center for British Art
Half-size Sketch for The Opening of Waterloo Bridge (“Whitehall Stairs, June 18, 1817”), John Constable, 1776–1837, British, 1829 to 1831, From the collection of: Yale Center for British Art
The Thames above Waterloo Bridge, Joseph Mallord William Turner, Around 1830, From the collection of: Tate Britain
The Dell at Helmingham Park, John Constable, 1830, From the collection of: The Nelson-Atkins Museum of Art
Landscape with Windmills near Haarlem, after Jacob van Ruisdael, Constable, John, 1830, From the collection of: Dulwich Picture Gallery
Dawn, John Constable, 1776–1837, British, between 1831 and 1832, From the collection of: Yale Center for British Art
Dedham Vale from Langham, John Constable, 1776–1837, British, between 1830 and 1831, From the collection of: Yale Center for British Art
A View at Hampstead with Stormy Weather, John Constable, 1776–1837, British, ca. 1830, From the collection of: Yale Center for British Art
Sir Richard Steele's Cottage, Hampstead, John Constable, 1776–1837, British, 1831 to 1832, From the collection of: Yale Center for British Art
Study for Cottage in Cornfield, East Bergholt, attributed to John Constable, 1776–1837, British, ca. 1833, From the collection of: Yale Center for British Art
Stoke Poges Church, John Constable, 1776–1837, British, 1834, From the collection of: Yale Center for British Art
On the River Stour, John Constable, circa 1834-37, From the collection of: The Phillips Collection
View near Arundel, John Constable, 1776–1837, British, between 1834 and 1835, From the collection of: Yale Center for British Art
Stonehenge, John Constable, 1835 (painted) - 1835, From the collection of: The Victoria and Albert Museum
Cenotaph to the Memory of Sir Joshua Reynolds, John Constable, 1833-6, From the collection of: The National Gallery, London
Stonehenge at Sunset, after John Constable, 1776–1837, British, unknown artist, 1836, From the collection of: Yale Center for British Art
A Recollection of the New R.A., John Constable, 1776–1837, British, 1837, From the collection of: Yale Center for British Art
Wooded Slope with a Receding Road, John Constable, 1776–1837, British, ca. 1850, From the collection of: Yale Center for British Art
Credits: All media
This user gallery has been created by an independent third party and may not represent the views of the institutions whose collections include the featured works or of Google Arts & Culture.
National Galleries Scotland: National
The Phillips Collection
Tate Britain
Alte Nationalgalerie, Staatliche Museen zu Berlin
Art Gallery of New South Wales
The Frick Collection
Museum of Fine Arts, Budapest
National Gallery of Victoria
Yale Center for British Art
The Victoria and Albert Museum
Museo Lázaro Galdiano
National Gallery of Art, Washington DC
The Nelson-Atkins Museum of Art
Cincinnati Art Museum
Philadelphia Museum of Art
Dulwich Picture Gallery
Lakeland Arts - Abbot Hall Art Gallery and Museum
The National Gallery, London