This user gallery has been created by an independent third party and may not represent the views of the institutions whose collections include the featured works or of Google Arts & Culture.
Corinne Cain has hand-picked fifty of the finest artworks and artists among the vast collections of the Google Art Project!
Shower Below the Summit (Sanka hakuu), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei), Katsushika Hokusai (Japanese, 1760–1849), About 1830-32, From the collection of: The Art Institute of Chicago
Hokusai's rendition of Fujisan is second only to his depiction of the Great Wave, totally iconic!
Whistler's identification of the influence of Japanese woodblock prints on American art. 1853 was the year Japan was first visited by Admiral Matthew Perry, exposing the West to Japan through direct contact.
Munch's Vampire in some ways is more piercing than "The Scream" and certainly more brutal. Color saturation is intense as well to match its emotional richness.
Command of the human figure meshed with emotional thrust and utilization of patterning!
Both timeless and inextricably linked to the time in which they were created, Nadelman's work appeals to a very wide audience, no explanation is required.
At the Moulin Rouge, Henri de Toulouse-Lautrec (French, 1864-1901), 1892/95, From the collection of: The Art Institute of Chicago
This man could draw, individualizing each subject!
This painting demonstrates the painterly strength of Sargent as well as any of his "pretty ladies in gowns".
Vincent van Gogh painting sunflowers, Paul Gauguin, 1888, From the collection of: Van Gogh Museum
The tumultuous relationship between Paul and Vincent and their parallel explorations in paint were beautifully revealed in an exhibit in Holland in 2001 presenting the work of each artist when they shared time and space.
Oh! These Rumors!, Paul Klee, 1939, From the collection of: Fondation Beyeler
A world unto himself, Paul Klee gave us glimpses through his art--at once, humor and insight!
La Grande Jatte is an enormous, commanding statement in paint--unimmaginable, until you stand before it!
Cow's Skull with Calico Roses, Georgia O’Keeffe (American, 1887-1986), 1931, From the collection of: The Art Institute of Chicago
O'Keefe's best work had more to do with drawing than painting. Charcoal expressions at the O'Keefe Museum in Santa Fe make this perfectly clear.
Polychrome Jar with Rainbow, Macaw, and Floral Motifs, Ácoma, Ácoma Pueblo, New Mexico, 1880s, From the collection of: The Art Institute of Chicago
This jar (olla) being from Acoma has thin, graceful walls, enhanced by paint application emphasizing its beauteous form, on the cusp between historic and contemporary AI pottery.
Marc's career was criminally short, spanning just 36 years. Superior color infusion, beautiful content, what else he might have shared with us will remain a mystery.
The Angelus, Jean-François Millet, 1857 - 1859, From the collection of: Musée d’Orsay, Paris
Millet's paintings paid homage to the peasants, the working class. Their honest labor was depicted with a reverence rarely directed toward people of their station. The sky, the land, the surrounding area likewise echoed this sentiment.
The Ballet Class, Edgar Degas, 1871 - 1874, From the collection of: Musée d’Orsay, Paris
Ballet was likewise elevated through Degas' drawings and paintings, entirely unique to his portrayals.
Luncheon on the Grass, Edouard Manet, 1863, From the collection of: Musée d’Orsay, Paris
This composition by Manet is unlike any other painting due to the split attention of his sitters, the unlikely pairing of three clothed figures in close proximity to one nude woman.
A gifted woman painter who did not receive her full due.
Rooftops in the Snow (snow effect), Gustave Caillebotte, 1878, From the collection of: Musée d’Orsay, Paris
Not the iconic Caillbotte featuring Parisians carrying umbrellas beneath a grey sky, but a majestic picture by an artist heralded relatively late in time.
The Floor Planers, Gustave Caillebotte, 1875, From the collection of: Musée d’Orsay, Paris
Another demonstration of Caillebotte's superior draughtsmanship and unique choice of perspective.
Those lions looking out at us in this other worldly scene is pure Rousseau--its title "The Dream" is perfect !
Vision: vase of flowers, Odilon Redon, 1900, From the collection of: Van Gogh Museum
There is always something kind of odd about Redon's vision, even his floral still lifes are a little unsettling. His charcoal drawings of "creatures" go beyond offputting.
Benin bronzes are unlike any other heads in bronze, their execution as detailed as they are seems unlikely and yet they stare at you as utter proof, they are as exquisite as they seem to be.
Meiji moments in woodblock prints are peppered with bright color and drama. Chickanobu and Yoshitoshi were two leading Meiji woodblock print designers.
Voices of Springtime, Bert G. Phillips, Unknown, From the collection of: Philbrook Museum of Art
Bert Phillips and the other Taos founders ennobled the American Indian as sensitive citizens as opposed to portrayals previously as bloody savages. You sense Phillips' respect for this man and his horse.
Etched Blackware Plate with Avanyu (serpent) design, Tony Da, 1970, From the collection of: Philbrook Museum of Art
The word that comes to mind for Tony Da's creation in black clay is "elegant". His superior sense of design was balanced, never crowded or hesitant.
Erosion No. 2-Mother Earth Laid Bare, Alexandre Hogue, 1936, From the collection of: Philbrook Museum of Art
I need to read more about Alexandre Hogue the individual behind this unique landscape.
Degikup Basket, Louisa Keyser (Datsolalee), 1918, From the collection of: Philbrook Museum of Art
If you are going to spend over $100,000 for a basket, let it be one of Louise Keyser's creations. The form , the design, the execution is nearly unrivalled amongst Washoe basketmakers of the 20th century.
Couse was another Taos founder who chose to memorialize a culture not previously seen as worthy of appreciation to this degree. This is a masterful example of Couse's best work.
Officer and Laughing Girl, Johannes Vermeer, ca. 1657, From the collection of: The Frick Collection
Vermeer's interior scenes, a myriad of different textures, a play of light on faces--you always know a painting is his.
Mary Cassatt's Boating Party in many ways is more compelling than Renoir's. We sit slightly behind the man rowing the boat for a woman whose eyes are glued to the oarsman, as are her child's.
The Demon Omatsu Murders Shirosaburō in the Ford, Tsukioka Yoshitoshi, Japanese, 1839 - 1892, 1885, From the collection of: Philadelphia Museum of Art
More drama, a multitude of bright and subtle colors from Yoshitoshi, a master of Meiji woodblock print designs.
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This user gallery has been created by an independent third party and may not represent the views of the institutions whose collections include the featured works or of Google Arts & Culture.