Romanticism and Neoclassicism: Passion versus Reason

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This user gallery has been created by an independent third party and may not represent the views of the institutions whose collections include the featured works or of Google Arts & Culture.

Stonehenge, John Constable, 1835 (painted) - 1835, From the collection of: The Victoria and Albert Museum
The Shepherd's Dream, 1786, John Henry Fuseli, 1786, From the collection of: Albertina Museum
Christ Disappearing at Emmaus, Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on), 1792, From the collection of: Yale Center for British Art
The Spring, Jean Auguste Dominique Ingres, 1820 - 1856, From the collection of: Musée d’Orsay, Paris
Monk by the Sea, Caspar David Friedrich, 1808/1810, From the collection of: Alte Nationalgalerie, Staatliche Museen zu Berlin
The Sleep of Reason Produces Monsters, Francisco de Goya y Lucientes, 1799, From the collection of: Museum of Fine Arts, Budapest
Bonaparte Crossing the Grand Saint-Bernard Pass, Jacques Louis David, 19th century, From the collection of: Palace of Versailles
(Main View), From the collection of: The J. Paul Getty Museum
Dining room from Lansdowne House, Joseph Rose|John Gilbert|John Devall & Co.|Robert Adam, 1766–69, From the collection of: The Metropolitan Museum of Art
Dido, Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on), 1781, From the collection of: Yale Center for British Art
Expulsion from the Garden of Eden, Thomas Cole, 1828, From the collection of: Museum of Fine Arts, Boston
Caligula's Palace and Bridge, Joseph Mallord William Turner, 1833, From the collection of: Tate Britain
Cupid and Psyche, Antonio Canova, 1808, From the collection of: The State Hermitage Museum
Three Graces, Antonio Canova, 1813 - 1816, From the collection of: The State Hermitage Museum
The Betrothal of Raphael and the Niece of Cardinal Bibbiena, Jean-Auguste-Dominique Ingres, 1813-14, From the collection of: The Walters Art Museum
Romantic Landscape, Thomas Cole, circa 1826, From the collection of: North Carolina Museum of Art
Harbor of Dieppe: Changement de Domicile, Joseph Mallord William Turner, exhibited 1825, but subsequently dated 1826, From the collection of: The Frick Collection
The Subsiding of the Waters of the Deluge, Thomas Cole, 1829, From the collection of: Smithsonian American Art Museum
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