Abstracionismo, movimento que começou no começo do século xx, com seu precursor Kandinsky. Seu estilo ganhou estranhamento, devido a inovação na pintura, traziam em seus quadros cheios de cores e traços, mais do que simples imagens e cenas retratadas para expor eventos reais. Queriam expor seus sentimentos, mostrar suas emoções, sua agressividade, por meio dos traços e cores. Queriam que o público, tenta-se aflorar sua percepção, formando suas próprias interpretações perante o quadro, não queriam dar cenas próprias.
The Sheep, Franz Marc, 1913 - 1914, From the collection of: Museum Boijmans Van Beuningen
The Dream, Franz Marc, 1912, From the collection of: Museo Nacional Thyssen-Bornemisza
Deer in the Forest I, Franz Marc, 1913, From the collection of: The Phillips Collection
Der Blaue Reiter (The Blue Rider), Franz Marc and Wassily Kandinsky, published by R. Piper & Co., 1912, From the collection of: Museum of Fine Arts, Boston
White Zig Zags, Wassily Kandinsky, 1922 - 1922, From the collection of: Ca' Pesaro - Galleria Internazionale d'Arte Moderna
Composition, Wassily Kandinsky, 1922/1922, From the collection of: Virginia Museum of Fine Arts
Black Spot, Wassily Kandinsky, 1921, From the collection of: Kunsthaus Zürich
Rot in Spitzform, Vasilij Vasil'evič Kandinskij, 1925, From the collection of: Mart, Museum of modern and contemporary art of Trento and Rovereto
Sketch 160A, Wassily Kandinsky, 1912, From the collection of: The Museum of Fine Arts, Houston
Tableau (yellow, black, blue, red and grey), Piet Mondrian, 1929, From the collection of: Museu Coleção Berardo
Composition with Grid #1, Piet Mondrian, 1918, From the collection of: The Museum of Fine Arts, Houston
Lozenge Composition with Yellow, Black, Blue, Red, and Gray, Piet Mondrian (Dutch, 1872–1944), 1921, From the collection of: The Art Institute of Chicago
Sem título, Cícero Dias, 1953, From the collection of: The Adolpho Leirner Collection of Brazilian Constructive Art at The Museum of Fine Arts, Houston
Meridianos, Cícero Dias, 1953, From the collection of: The Adolpho Leirner Collection of Brazilian Constructive Art at The Museum of Fine Arts, Houston
Composição, Cícero Dias, 1954, From the collection of: The Adolpho Leirner Collection of Brazilian Constructive Art at The Museum of Fine Arts, Houston
Sem título, Cícero Dias, 1955, From the collection of: The Adolpho Leirner Collection of Brazilian Constructive Art at The Museum of Fine Arts, Houston
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Museum of Fine Arts, Boston
Virginia Museum of Fine Arts
Kunsthaus Zürich
Ca' Pesaro - Galleria Internazionale d'Arte Moderna
Mart, Museum of modern and contemporary art of Trento and Rovereto
The Museum of Fine Arts, Houston
Museo Nacional Thyssen-Bornemisza
The Art Institute of Chicago
Museu Coleção Berardo
The Adolpho Leirner Collection of Brazilian Constructive Art at The Museum of Fine Arts, Houston
The Phillips Collection
Museum Boijmans Van Beuningen