I would like to end with a colored painting by Caravaggio, not that he was the final say in Renaissance, but because of his use of blacks and colors. The use of shadows are at an extreme here, with blacks completely framing the painting. In the Sacrifice of Isaac, one cannot even see the table that he lays upon. The bald bearded man takes the largest space in the painting, almost 3/4 of the whole left. Despite this dreaded scene, we are contrasted with a beautiful sunset on the top right. A painting portrayed to be captured in the golden hour, we can also see a miniature castle on the right, of course, we know that this technique has been around as early as 1420, if not earlier, and in fact, in deeper detail. So enjoy, I know I did not include a whole 50 years of Renaissance delight, but with exploration, you will see that the early pioneers knew much more than one would expect, that yes, Da Vinci, Raphael, and Michalangelo did not come up with these ideas. Thank you for partaking and visiting my gallery. - Daniel :)