Apr 30, 2019

1990 -1997

Pérez Celis - Museo Virtual

The warrior, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual

It is important to be oneself and not let yourself be hypnotized by fashion or fame. You have to give the best of yourself in this competitive world. Giving the best without comparing to others is the only possible way not to obscure your own creative capacity.
Pérez Celis 1990.

Artes y Antigüedades Review, Roberto Guevarra, 1990, From the collection of: Pérez Celis - Museo Virtual
From the collection of: Pérez Celis - Museo Virtual
From the collection of: Pérez Celis - Museo Virtual
From the collection of: Pérez Celis - Museo Virtual
Oscuros poderes, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
Newspaper Listin Diario, 1990, From the collection of: Pérez Celis - Museo Virtual
Totémico volcánico, Pérez Celis, 1991, From the collection of: Pérez Celis - Museo Virtual
The argentine painters that are successful abroad, Diana Castelar, 1990, From the collection of: Pérez Celis - Museo Virtual
From the collection of: Pérez Celis - Museo Virtual
Volcanic time, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
Measuring the flow of time, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
Travesia I, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual

When I paint I don't think of the result, neither in competing with other artists, nor in pleasing the public. If I do this I would cease to put all my attention, passion and love into what I am doing. I don't think an artist can explain his work or the work needs to be explained.
Pérez Celis 1990.

Yellow and white, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
Adoración ceremonial, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual

Collection Polly Ferman,
New York, USA.

Recuerdo pampeano, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
Pérez Celis with the rug Collection Louis de Poortere, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual

Carpet for Collection Louis De Poortere.
Louis De Poortere

Especie desaparecida, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
The Beginnings, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
Signo cautivo II, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
Sincronizar el tiempo, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
Hoy Newspaper, Agustin Martin C., 1990, From the collection of: Pérez Celis - Museo Virtual
Al otro lado del tiempo, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
The great day, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
Gaceta Iberoamericana, 1990, From the collection of: Pérez Celis - Museo Virtual
Ángel poderoso, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
Listin Diario Newspaper, Gaston Diehl, 1990, From the collection of: Pérez Celis - Museo Virtual
Mariposa loca, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
Collection, Edificio Central Park
Mariposa loca. Oil on canvas. 122 x 167 cm / 48 x 66 in. New York, USA. 1990.
Anterior al fuego, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
Vanquisher, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
Emergent, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
Black Sun, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
Traced territory I, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
Totémico volcánico, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
Touring Sto. Domingo, newspaper, Domingo González, 1990, From the collection of: Pérez Celis - Museo Virtual
Lístin diario Newspaper, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
Volcanic Vertical, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
Life & Fitness Review, 1990, From the collection of: Pérez Celis - Museo Virtual
Archive file, 1990, From the collection of: Pérez Celis - Museo Virtual

Pérez Celis invited by IBM to the Annual Convention in Puerto Rico, along with Jorge Amado and Carlos Fuentes, representing Latin American art. 1990.

Sol Negro emergente, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual

You can paint a circle, a splash, an apple or a landscape and transmit the essence and heritage of the Latin American spirit, which differentiates us from a French, German or North American artist.

The Latin American artist has in addition the great possibility to add the essence of his own culture to those that have been incorporated from Europe or the United States. This enables our enrichment and becomes something different and personal.
Pérez Celis, Puerto Rico 1990.

Catalogue Show in Elite Fine Art Gallery, 1990, From the collection of: Pérez Celis - Museo Virtual
Agua escondida, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
El Caribe Newspaper, Laura Gil, 1990, From the collection of: Pérez Celis - Museo Virtual
Catalogue exhibition Casas de Bastidas, Marianne de Tolentino, 1990, From the collection of: Pérez Celis - Museo Virtual
From the collection of: Pérez Celis - Museo Virtual
Casa de Bastidas
Exhibition, Dominican Republic, Sto. Domingo. 1990.
El último viaje de Ulise, Pérez Celis, 1990/1991, From the collection of: Pérez Celis - Museo Virtual
La Razón del Occidente, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual

In fact, one of the most evident notes of Pérez Celis pictorial production since he arrived to New York is the velocity with which his interests, themes and plastic approximations change. The freedom finally found in this city lets him change all the time without having to renounce to himself. Thus, the temperamental dynamism at the beginnings of the eighties leads without conflicts to the quietness of paintings that explore the solid existence of certain symbols as the religious symbols ( the David Star and The cross in La razón de Occidente, 1990).
Rodrigo Alonso, Without net.

Luces Milenarias, Pérez Celis, 1995, From the collection of: Pérez Celis - Museo Virtual
Zen, Pérez Celis, 1988, From the collection of: Pérez Celis - Museo Virtual
Catalogue Show Two Worlds at Anita Shapolsky Gallery, 1990, From the collection of: Pérez Celis - Museo Virtual
The Washington Times, Alice Thorson, 1990, From the collection of: Pérez Celis - Museo Virtual
Mail Guard, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
Collection Smithsonian Institute, American Art Archives
Mail Guard. Metal sculpture. 190 x 99 x 88 cm / 75 x 39 x 35 in. USA, New York. 1990.
Archive file, 1991, From the collection of: Pérez Celis - Museo Virtual
Guerra Santa, Pérez Celis, 1990/1991, From the collection of: Pérez Celis - Museo Virtual
Pérez Celis Creed, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
Midiendo el fluir del tiempo, Pérez Celis, 1990, From the collection of: Pérez Celis - Museo Virtual
Hispanic Review, Estados Unidos, New York, From the collection of: Pérez Celis - Museo Virtual
From the collection of: Pérez Celis - Museo Virtual
From the collection of: Pérez Celis - Museo Virtual
De fuentes sagradas - Mensajes, Pérez Celis, 1991, From the collection of: Pérez Celis - Museo Virtual
Tempus White, Pérez Celis, 1991, From the collection of: Pérez Celis - Museo Virtual
Encuentro de dos mundos, Pérez Celis, 1991, From the collection of: Pérez Celis - Museo Virtual
Umbilical, Pérez Celis, 1991, From the collection of: Pérez Celis - Museo Virtual
El Gráfico Newspaper, 1991, From the collection of: Pérez Celis - Museo Virtual
Catalog shows Contemporary Plastic Gallery, 1991, From the collection of: Pérez Celis - Museo Virtual
Vuelo a Venus - Panama, Pérez Celis, 1991, From the collection of: Pérez Celis - Museo Virtual
The Americas Collection Private and Corporate Fine arts dealers
Vuelos a Venus - Serigraph
Sepulcro en Ginebra, Pérez Celis, 1991, From the collection of: Pérez Celis - Museo Virtual
Europe Art Review, Berta Sichel, 1991, From the collection of: Pérez Celis - Museo Virtual
From the collection of: Pérez Celis - Museo Virtual
Nuestra Sangre Colección, Casa Rosada. Casa de Gobierno, Buenos Aires, Argentina. 
From the collection of: Pérez Celis - Museo Virtual
Herencia de una visión, Pérez Celis, 1991, From the collection of: Pérez Celis - Museo Virtual
¿Victoria de quién?, Pérez Celis, 1991, From the collection of: Pérez Celis - Museo Virtual
Collection Terra Bank, Miami
¿Victoria de quién?. Polychrome metal. 220 x 110 x 136 cm / 86 x 43 x 45 in. USA, New York. 1991.
Paisaje japonés, Pérez Celis, 1991, From the collection of: Pérez Celis - Museo Virtual
La gran ceremonia, Pérez Celis, 1991, From the collection of: Pérez Celis - Museo Virtual
Código Maya, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
Catalogue Galería Sanyo, 1991, From the collection of: Pérez Celis - Museo Virtual
From the collection of: Pérez Celis - Museo Virtual
From the collection of: Pérez Celis - Museo Virtual
From the collection of: Pérez Celis - Museo Virtual
From the collection of: Pérez Celis - Museo Virtual
From the collection of: Pérez Celis - Museo Virtual
Invitation Show in Sanyo Gallery, 1991, From the collection of: Pérez Celis - Museo Virtual
Archive file, 1991, From the collection of: Pérez Celis - Museo Virtual
Espacios nuevos, Pérez Celis, 1991, From the collection of: Pérez Celis - Museo Virtual
La Nación Newspaper, Enrique Tovar, 1991, From the collection of: Pérez Celis - Museo Virtual
In the country of the simple men, Pérez Celis, 1991, From the collection of: Pérez Celis - Museo Virtual
Artist' Studio, 1991, From the collection of: Pérez Celis - Museo Virtual
Pérez Celis Studio
United States, New York.
Vuelo liberador, Pérez Celis, 1991, From the collection of: Pérez Celis - Museo Virtual
Liberar la presencia, Pérez Celis, 1991, From the collection of: Pérez Celis - Museo Virtual
White Phoenix, Pérez Celis, 1991, From the collection of: Pérez Celis - Museo Virtual
Plate Theory (Continentes en movimiento), Pérez Celis, 1991, From the collection of: Pérez Celis - Museo Virtual
Collection Mercedes Benz Factory Japan
Plate Theory (Continents in movement ) Mural, oil on canvas. 193 x 320 cm /76 x 128 in. Japan, Tokyo. 1991.
La Gaceta Newspaper, Rodolfo Windhausen, 1991, From the collection of: Pérez Celis - Museo Virtual
Encerrar mensajes, Pérez Celis, 1991, From the collection of: Pérez Celis - Museo Virtual
El País Cultural, Mónica Flores Correa, 1991, From the collection of: Pérez Celis - Museo Virtual
Aguas del cenote, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
Red essence, Pérez Celis, 1992/1993, From the collection of: Pérez Celis - Museo Virtual
" Concéntricas memorias " técnica mixta sobre tela 178 x 138 cm / 60 x 54 inches, 1997, From the collection of: Pérez Celis - Museo Virtual
1997.27 Germinal, 1997, From the collection of: Pérez Celis - Museo Virtual
Text Pérez Celis, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
Point of departure, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
Utopía, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
Utopía II, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
Eco-logico alternativo, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
Eco-lógico Rescate, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
Eco-lógico Green, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
Eco-lógico Tesion, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
Eco-Sistema Blue, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
Eco-sistema Red II, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
Eco-tiempo Blue, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
Man-Dragon, Pérez Celis, 1992/1993, From the collection of: Pérez Celis - Museo Virtual
Condor, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
Presencia Maya - Mariposa, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
Collection Foundation Federico Klemm
Presencia Maya - Mariposa. Oil on canvas. 122 x 274 cm /48 x 108 in. USA, New York. 1992.
Región Visible (I), Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
Leyenda del maíz, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
Newspaper article Passion and Liberty, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
LP Cover Jean Manuel Serrat, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
Centro de Arte Euroamericano show poster, 1992, From the collection of: Pérez Celis - Museo Virtual
El Comercio Newspaper, 1992, From the collection of: Pérez Celis - Museo Virtual
Catalogue Show in Expresiones Gallery, Abil Peralta Aguero, 1992, From the collection of: Pérez Celis - Museo Virtual
Traced territory, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
Traced territory, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual

Pérez Celis, today master of the lights and fantastic greys of New York, is and will remain what the unforgettable Martha Traba, great critic of art who left before the time, wrote before dying on the personality of Pérez Celis: "The peculiarity of Pérez Celis is that he paints a geometry with" swing "cheerful and charming, but at the same time with depth, with hidden situations, with symbols to decipher and also - why not? with the cursed word for a painter, poetry.
Abil Peralta Agüero. Latin American Art. 1992.

Occult laws, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
Occult laws, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
Mayan presence, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
Mayan presence, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
Extreme South, Pérez Celis, 1992, From the collection of: Pérez Celis - Museo Virtual
Show Museo de Arte Moderno Benjamín Carrión, M.Barrágan Dumet, 1992, From the collection of: Pérez Celis - Museo Virtual
Show Museo de Arte Moderno Benjamín Carrión, Abil Peralta Aguero, From the collection of: Pérez Celis - Museo Virtual
Casa de la Cultura ecuatoriana - Benjamín Carrión
Exhibition. Ecuador, Quito. 1992.
Vanidades Continental Review, From the collection of: Pérez Celis - Museo Virtual
El Nuevo Herald Newspaper, Armando Alvarez Bravo, 1993, From the collection of: Pérez Celis - Museo Virtual
From the collection of: Pérez Celis - Museo Virtual
Tributo al fuego, Pérez Celis, 1993, From the collection of: Pérez Celis - Museo Virtual
Movimiento percutor, Pérez Celis, 1993, From the collection of: Pérez Celis - Museo Virtual

Pérez Celis throws water on a canvas already painted with a motif. Without letting the water dry on the canvas, throws blue paint and gives brushstrokes to cover much of the background.” This is a technique that I discovered one day when I spilled water and paint on the floor and saw the effect that caused when running on the wood. A painter always finds something new in a mistake that has an unexpected effect. One has to be alert.”
Pérez Celis Interview Newspaper El Cronista, 1992

Personas Review, 1993, From the collection of: Pérez Celis - Museo Virtual
From the collection of: Pérez Celis - Museo Virtual
Espíritu ritual II, Pérez Celis, 1993, From the collection of: Pérez Celis - Museo Virtual
Active memory, Pérez Celis, From the collection of: Pérez Celis - Museo Virtual
Thru the eyes of the heart, From the collection of: Pérez Celis - Museo Virtual
Ritmo ecológico, Pérez Celis, 1993, From the collection of: Pérez Celis - Museo Virtual
El libro de la memoria, Pérez Celis, 1993, From the collection of: Pérez Celis - Museo Virtual
De antiguas escrituras, Pérez Celis, 1993, From the collection of: Pérez Celis - Museo Virtual
La capital Newspaper, Fernando Farina, 1993, From the collection of: Pérez Celis - Museo Virtual
Convergencias y Divergencias, Pérez Celis, 1993, From the collection of: Pérez Celis - Museo Virtual
Tenebrae Lux, Pérez Celis, 1993, From the collection of: Pérez Celis - Museo Virtual
La Nación Newspaper, Rafael Squirru, 1993, From the collection of: Pérez Celis - Museo Virtual
Tributo, Pérez Celis, 1993, From the collection of: Pérez Celis - Museo Virtual
La fuente del tiempo, Pérez Celis, 1993, From the collection of: Pérez Celis - Museo Virtual
Unicenter Review, Luján Cambariere, 1993, From the collection of: Pérez Celis - Museo Virtual
Leyenda del vuelo, Pérez Celis, 1993, From the collection of: Pérez Celis - Museo Virtual
Vegetal origen, Pérez Celis, 1993, From the collection of: Pérez Celis - Museo Virtual
LEA Magazine, 1993, From the collection of: Pérez Celis - Museo Virtual
Eduardo Mercedes Daconte, From the collection of: Pérez Celis - Museo Virtual
Trama radiante, Pérez Celis, 1993, From the collection of: Pérez Celis - Museo Virtual
Artículo de archivo, 1993, From the collection of: Pérez Celis - Museo Virtual
From the collection of: Pérez Celis - Museo Virtual
Catalogue Exhibition, Museum of Modern Art of Mendoza, 1993, From the collection of: Pérez Celis - Museo Virtual

Logo of the Museum designed by Pérez Celis

Museum of Modern Art Mendoza, Argentina
Exhibition Works of New York Mendoza, Argentina. 1992
Blue star, Pérez Celis, 1993, From the collection of: Pérez Celis - Museo Virtual
De antiguas memorias, Pérez Celis, 1993, From the collection of: Pérez Celis - Museo Virtual
Integra natura, Pérez Celis, 1993, From the collection of: Pérez Celis - Museo Virtual
Puerta sagrada, Pérez Celis, 1993, From the collection of: Pérez Celis - Museo Virtual
La fuga del tiempo, Pérez Celis, 1994, From the collection of: Pérez Celis - Museo Virtual
Memoria del Sur, Pérez Celis, 1994, From the collection of: Pérez Celis - Museo Virtual
Libro testigo, Pérez Celis, 1993, From the collection of: Pérez Celis - Museo Virtual
En el fondo de la memoria, Pérez Celis, 1993, From the collection of: Pérez Celis - Museo Virtual
Metanoia radiante, Pérez Celis, From the collection of: Pérez Celis - Museo Virtual
Los Orantes, Pérez Celis, 1994, From the collection of: Pérez Celis - Museo Virtual
El disco de Odin (serie J.L.Borges), Pérez Celis, 1994, From the collection of: Pérez Celis - Museo Virtual
Pérez Celis whith Piazzolando, Pérez Celis, 1995, From the collection of: Pérez Celis - Museo Virtual
Collection Museum Amalia Lacroze De Fortabat
Piazzolando. Mixed media on canvas. 191 x 162 cm / 75 x 64 in. Buenos Aires, Argentina. 1995.
Historia de la noche (serie J.L.Borges), Pérez Celis, 1995, From the collection of: Pérez Celis - Museo Virtual
" El libro de las noches, técnica mixta sobre tela 120 x 120 cm / 47 x 47 inches, 1995, From the collection of: Pérez Celis - Museo Virtual
Tapa, 1999, From the collection of: Pérez Celis - Museo Virtual
Encuentro de la luz, Pérez Celis, 1994, From the collection of: Pérez Celis - Museo Virtual
Las leyes de la opulencia, 1996, From the collection of: Pérez Celis - Museo Virtual
Nazca, Pérez Celis, 1994, From the collection of: Pérez Celis - Museo Virtual
Collection, Museo Municipal de Bellas Artes Juan B.Castanino. Rosario, Argentina
Nazca. Mixed media on canvas. 180 x 200 cm / 71 x 79 in. Buenos Aires, Argentina. 1994.
Newspaper file, Orlando Barone, 1994, From the collection of: Pérez Celis - Museo Virtual
El Gran Libro, 1994, From the collection of: Pérez Celis - Museo Virtual

"I probably felt that just as I was painting something so dramatic, as death I had to paint something as exciting as life by the side." El Gran libro is an entity, life and death.
Pérez Celis in an Interview about the 96 skulls.

Pérez Celis, From the collection of: Pérez Celis - Museo Virtual
Working El gran libro, Pérez Celis, 1994, From the collection of: Pérez Celis - Museo Virtual
From the collection of: Pérez Celis - Museo Virtual
Pérez Celis, From the collection of: Pérez Celis - Museo Virtual

Each one of the few friends who saw the painting felt or interpreted different things: "Dante The Divine Comedy, the Bible, Heart of Darkness, The missing peoples. I never thought of anything conscious about the missing ones, beyond the respect that they deserve. Nor did I think of Dante or Joseph Conrad.
Just one night I couldn’t sleep with them in mind, I did a minimal sketch and began to paint day and night for fifteen days in a row. So focused, that I forgot to eat and lost four kilos.
Pérez Celis in an interview about the 96 skulls.

Collection Faculty of Architecture, Design and Urban Planning (FADU), University of Buenos Aires.
El gran libro. Mixed media on canvas. 800 x 600 cm / 314 x 236 in. Buenos Aires, Argentina. 1994.
Picture of performance in Biblioteca Nacional, 1994, From the collection of: Pérez Celis - Museo Virtual

Performance "El grand libro" during the Exhibition in National Public Library 300,000 visitors

From the collection of: Pérez Celis - Museo Virtual
From the collection of: Pérez Celis - Museo Virtual
From the collection of: Pérez Celis - Museo Virtual
From the collection of: Pérez Celis - Museo Virtual
Exhibition in the National Library, 1994, From the collection of: Pérez Celis - Museo Virtual
Arte al Día Internacional, From the collection of: Pérez Celis - Museo Virtual
From the collection of: Pérez Celis - Museo Virtual
De Ronda Miami Herald, Armando Alvarez Bravo, 1994, From the collection of: Pérez Celis - Museo Virtual
Noticias Review, Marina Denoy, 1994, From the collection of: Pérez Celis - Museo Virtual
Al dios de la lluvia, Pérez Celis, 1994, From the collection of: Pérez Celis - Museo Virtual
La Nación Newspaper, Rafael Squirru, 1994, From the collection of: Pérez Celis - Museo Virtual
Gente Review, 1994, From the collection of: Pérez Celis - Museo Virtual
Pérez Celis: La vida en colores, 1993, From the collection of: Pérez Celis - Museo Virtual
Gente Review, 1994, From the collection of: Pérez Celis - Museo Virtual
Ámbito Financiero Newspaper, Orlando Barone, 1994, From the collection of: Pérez Celis - Museo Virtual
Cable Vision Review, 1994, From the collection of: Pérez Celis - Museo Virtual
Cesar Magrini, From the collection of: Pérez Celis - Museo Virtual
Cesar Magrini, From the collection of: Pérez Celis - Museo Virtual
Maria D'Adamo, From the collection of: Pérez Celis - Museo Virtual
National Library Mariano Moreno
Buenos Aires, Argentina.
Razones para salir Review, Enrique L. Gariglio, 1994, From the collection of: Pérez Celis - Museo Virtual
Networking, Pérez Celis, 1996, From the collection of: Pérez Celis - Museo Virtual
La Prensa Newspaper, Marta Garcia Falco, 1994, From the collection of: Pérez Celis - Museo Virtual
Los cuatros elementos, Pérez Celis, 1995, From the collection of: Pérez Celis - Museo Virtual
Universitas, Pérez Celis, 1995, From the collection of: Pérez Celis - Museo Virtual
From the collection of: Pérez Celis - Museo Virtual
Mural, University of Morón
Universitas. Concrete, bronze, polychrome iron. 50 x 14 x 0.90 meter / 164 x 42 x 2 feet. Buenos Aires, Argentina. 1995.
Working at the Morón University Mural, Pérez Celis, 1994, From the collection of: Pérez Celis - Museo Virtual
El Nuevo Herald Newspaper, Armando Alvarez Bravo, 1995, From the collection of: Pérez Celis - Museo Virtual
1995 Libro Rafel Squirru Tapa, 1995, From the collection of: Pérez Celis - Museo Virtual
1995 Libro Rafel Squirru Contra tapa178, 1995, From the collection of: Pérez Celis - Museo Virtual
El talismán y su memoria (J.L.Borges), Pérez Celis, 1995, From the collection of: Pérez Celis - Museo Virtual
Pérez Celis with the Mural XII Pan American Games, Pérez Celis, 1995, From the collection of: Pérez Celis - Museo Virtual

Mar del Plata, Argentina.

Mural, Polideportivo Islas Malvinas Mar del Plata, Argentina
Mural XII Pan-American Games. 2.1 x 7 mt / 82 x 275 in. Mixed media on canvas. Buenos Aires, Argentina. 1995.
From the collection of: Pérez Celis - Museo Virtual
Energía transformadora, Pérez Celis, 1995, From the collection of: Pérez Celis - Museo Virtual
Comments on Argentinean Trade, Bonnie Tucker, 1995, From the collection of: Pérez Celis - Museo Virtual
From the collection of: Pérez Celis - Museo Virtual
El Libro, Pérez Celis, 1994/1995, From the collection of: Pérez Celis - Museo Virtual
From the collection of: Pérez Celis - Museo Virtual
Architecure with Art Catalogue, 1995, From the collection of: Pérez Celis - Museo Virtual
From the collection of: Pérez Celis - Museo Virtual
From the collection of: Pérez Celis - Museo Virtual
From the collection of: Pérez Celis - Museo Virtual
S.O.S. Salvar la tierra, 1992, From the collection of: Pérez Celis - Museo Virtual
Neuqén Newspaper, 1995, From the collection of: Pérez Celis - Museo Virtual
Oltre il tempo, 1995, From the collection of: Pérez Celis - Museo Virtual
Alcorta Review, 1996, From the collection of: Pérez Celis - Museo Virtual
Alcorta Review, From the collection of: Pérez Celis - Museo Virtual
Alcorta Review, From the collection of: Pérez Celis - Museo Virtual
Travesía, Pérez Celis, 1996, From the collection of: Pérez Celis - Museo Virtual
Ventana para Matisse, Pérez Celis, 1996, From the collection of: Pérez Celis - Museo Virtual
Collection Museum Amalia Lacroze de Fortabat
Ventana para Matisse. Mixed media on canvas. 107 x 132 cm / 42 x 52 in. Miami, USA . 1996.
Nocturno pampeano, Pérez Celis, 1996, From the collection of: Pérez Celis - Museo Virtual
A genious called Pérez Celis, 1997, From the collection of: Pérez Celis - Museo Virtual
From the collection of: Pérez Celis - Museo Virtual
From the collection of: Pérez Celis - Museo Virtual
From the collection of: Pérez Celis - Museo Virtual
El Iniciado II, Pérez Celis, 1997, From the collection of: Pérez Celis - Museo Virtual
The soccer field of Boca an art work, 1997, From the collection of: Pérez Celis - Museo Virtual
La Nación Newspaper, Luis Casabal, 1996, From the collection of: Pérez Celis - Museo Virtual
Los Ídolos, Pérez Celis, 1997, From the collection of: Pérez Celis - Museo Virtual
Mural, Athletic Club Boca Juniors
Los Ídolos. Venetian mosaic and bronze on cement. 400 x 1800 cm / 13 x 58 feet and 8 in. Buenos Aires, Argentina. 1997.
Mito y Destino, Pérez Celis, 1997, From the collection of: Pérez Celis - Museo Virtual
Mural, Athletic Club Boca Juniors
Myth and Destiny. 4 x 18 mts /13 x 58 feet. Venetian mosaic, bronze and concrete. Buenos Aires, Argentina 1997..
Boca Superstar, Pérez Celis, 1997, From the collection of: Pérez Celis - Museo Virtual
Germinal II, Pérez Celis, 1997, From the collection of: Pérez Celis - Museo Virtual
Esplendor, Pérez Celis, 1997, From the collection of: Pérez Celis - Museo Virtual
Místico, Pérez Celis, 1997, From the collection of: Pérez Celis - Museo Virtual
La oración, Pérez Celis, 1997, From the collection of: Pérez Celis - Museo Virtual
Camino del conocimiento, Pérez Celis, 1997, From the collection of: Pérez Celis - Museo Virtual
University of Belgrano, Buenos Aires
Path to Knowledge. Polychrome wood. 500 x 300 cm / 16 x 10 feet. Buenos Aires, Argentina. 1997.
Galicia en el mundo Review, 1997, From the collection of: Pérez Celis - Museo Virtual
Carlos Penelas - Pérez Celis, From the collection of: Pérez Celis - Museo Virtual
MAG & A Publicaciones, 1994, From the collection of: Pérez Celis - Museo Virtual
Fundación Pérez Celis
Credits: Story

Fundación Pérez Celis
Designers: Iván Villani and Luz Arias

Request files at: fundacionperezcelis@gmail.com

Credits: All media
The story featured may in some cases have been created by an independent third party and may not represent the views of the institutions whose collections include the featured works or of Google Arts & Culture.
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