A Range of Kilim Carpets

A look at the range of contemporary and unique kilim floor coverings, made by Mohammad Abdul Kalam in Mirzapur-Bhadoi

Dastkari Haat Samiti

Dastkari Haat Samiti

Product Range (2017) by Abdul KalamDastkari Haat Samiti

The Kilim art of Mohammad  Abdul Kalam

Abdul Kalam, a skilled and spirited weaver of carpets and floor coverings in Mirzapur, Uttar Pradesh, constantly works on new ideas and designs to make his durries, or flat weaves, more attractive and of higher quality than those are commonly available. 

Weaving community (2017)Dastkari Haat Samiti

In this pursuit, he had added an old flat weave technique, Kilim (a flat weave technique of carpet-making, originating from central and west Asia), to his vocabulary of work, thereby creating an interesting fusion.

An old technique becomes a new skill in his repertoire, and his new interpretations revitalises an old technique.

Product Range by Abdul KalamDastkari Haat Samiti

Abdul Kamal's range of designs

This is a large-sized floor kilim with colourful geometric designs. 

Product Range (2017) by Abdul KalamDastkari Haat Samiti

Seen here is a tribal inspired durry (small carpet) by Abdul Kalam.

Product Range (2017) by Abdul KalamDastkari Haat Samiti

This carpet illustrates a typical scene from the life of tribal men and women walking through the forest with their animals.

Product Range (2017) by Abdul KalamDastkari Haat Samiti

Details such as the ears and the jaws help us identify the kind of animals they might have.

Product Range (2017) by Abdul KalamDastkari Haat Samiti

Introduction of finer nuances, such as this infant being carried by its mother in a cloth sling, sets Kalam's work apart from his peers.

Product Range (2017) by Abdul KalamDastkari Haat Samiti

Bird inspired motif, in all its splendour, on a carpet by Abdul Kalam.

Product Range (2017) by Abdul KalamDastkari Haat Samiti

Only natural fibres are used in making kilim durry. Common materials used are wool, cotton and silk.

Product Range (2017) by Abdul KalamDastkari Haat Samiti

The design of a kilim durry is made by interweaving the coloured weft and warp threads.

These birds of different species have been developed using this technique.

Product Range (2017) by Abdul KalamDastkari Haat Samiti

The more the number of colours, the more strands there are to knot. The strands are then sheared off, thereby giving the effect of a flat weave.

Product Range (2017) by Abdul KalamDastkari Haat Samiti

More details of the birds on one of Abdul Kalam's masterpieces.

Product Range (2017) by Abdul KalamDastkari Haat Samiti

Each bird is given a distinctly different character and function.

Product Range by Abdul KalamDastkari Haat Samiti

One of the more traditional designs from an old kilim has been replicated here by Abdul Kalam.

Product Range (2017) by Abdul KalamDastkari Haat Samiti

The geometrical patterns make the weaves stronger.

Product Range (2017) by Abdul KalamDastkari Haat Samiti

The motifs seen here are the traditional ones. The stylised female figure at the centre is a symbol of motherhood and fertility.

It is flanked by the wolf’s mouth and foot which expresses the tribal weaver’s desire for protection of his family from a flock of wolves.

Product Range (2017) by Abdul KalamDastkari Haat Samiti

The traditional motif of the evil eye is represented here.

Product Range (2017) by Abdul KalamDastkari Haat Samiti

In this piece, Abdul Kalam integrates traditional designs with modern colours to appeal to contemporary tastes.

Product Range (2017) by Abdul KalamDastkari Haat Samiti

The traditional motifs of the evil eye are seen on this durry.

Product Range by Abdul KalamDastkari Haat Samiti

Use of brighter colours over a lighter base makes this Kilim carpet visually appealing.

Product Range by Abdul KalamDastkari Haat Samiti

Another example of Adbul Kalam's reinvention of the traditional Kilim technique.

Product Range by Abdul KalamDastkari Haat Samiti

This durry captures traditional toddy-collectors in action.

Product Range by Abdul KalamDastkari Haat Samiti

By representing details of the process of toddy-collection, Abdul Kalam uses his carpets the way an artists uses his canvas.

Product Range by Abdul KalamDastkari Haat Samiti

Detailed elements, like the rope around the feet of the toddy collector, is also woven to perfect the entire imagery of this inspired Kilim masterpiece.

Product Range by Abdul KalamDastkari Haat Samiti

Geometric designs are usually the most popular when an old Kilim is replicated.

The colours are changed in the contemporary versions.

Product Range by Abdul KalamDastkari Haat Samiti

Detail of a large floor kilim with geometrical motifs.

Product Range (2017) by Abdul KalamDastkari Haat Samiti

Madhubani inspired elephant on a carpet by Abdul Kalam.

Product Range (2017) by Abdul KalamDastkari Haat Samiti

Forest inspired motif on a carpet by Abdul Kalam.

Product Range (2017) by Abdul KalamDastkari Haat Samiti

Interesting details have been added to make the creation more nuanced.

Product Range (2017) by Abdul KalamDastkari Haat Samiti

This finely woven tiger in his jungle is yet another example of why Abdul Kalam's carpets are considered works of art.

Contemporary influence on Kilim products (2017) by Abdul KalamDastkari Haat Samiti

Over the years, Abdul Kalam has experimented with reproducing iconic film posters. This piece was for a challenging order placed by an international buyer.

Contemporary influence on Kilim products (2017) by Abdul KalamDastkari Haat Samiti

Abdul Kalam's Bollywood-inspired durry.

Product innovation (2017) by Abdul KalamDastkari Haat Samiti

New creations

To expand his product portfolio, Abdul Kalam also uses his weave to upholster furniture - a recent creative innovation. 

Product innovation (2017) by Abdul KalamDastkari Haat Samiti

Kilim used in furniture and upholstery.

Mirzapur's Carpet weaving (2018)Dastkari Haat Samiti

See more of how Kilim weaving in Mirzapur is done.

Kilim and Carpets : Weaving process (2017)Dastkari Haat Samiti

Read more about Kilim Floor Coverings here:

- Process
- The Community

Dyeing Process
Credits: Story

Text: Jaya Jaitly
Photography: Ankit Kumar
Artisans: Abdul Kalam and fellow weavers
Ground Facilitator: Ankit Kumar
Curation: Aradhana Nagpal

Cinematic Video:
- Director: Jyoti Neggi
- Production: Studio Gola

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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