BIENNALE ARCHITETTURA 2016 - National Participation of Mexico

Unfoldings and Assemblages

Assembling frameworks for collaboration, 2016, From the collection of: Mexico - Biennale Architettura 2016
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Peasant's manual, Ministry of Public Education, Victor José Moya, Ramón Galaviz, 1936, From the collection of: Mexico - Biennale Architettura 2016
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Mexican pavilion in the Venice Biennale (2016) by Photo by Jesús AlvaradoMexico - Biennale Architettura 2016

Unit 1: The Sum of the Parts

This introductory section meditates on buildings as assemblages of materials and social relations. The demountable arenas of the Yucatán are manifestations of an existing social order. The demountable Cultural Pavilion for Migrants is a strategy to bring together dissimilar people under similar circumstances as a community. In both cases, communities unfold alongside modular construction processes.

Endemic installations in the Yucatán Peninsula, José Carlos Lavalle, Luis Alejandro Peniche, Jorge Alberto Bolio, Mauricio Gallegos, Eduardo Adolfo Calvo, Carlos Patrón, Yucatán Communities, From the collection of: Mexico - Biennale Architettura 2016
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Cultural pavilion for migrants, Tuux, Migrants, CONACULTA, Photo by Luis García, 2014, From the collection of: Mexico - Biennale Architettura 2016
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Mexico's pavilion in the Venice Biennale (2016) by Photo by Onnis LuqueMexico - Biennale Architettura 2016

Unit 2: Lessons from and for vernacular architecture

The work of many architects in Mexico is founded on the study of vernacular buildings. This section explores first, what we might learn from traditional design, construction, and participation strategies, and second, the contributions architects make in the recovery and transformation of long-established practices, and in their introduction to new contexts. Some vernacular forms of knowledge are registered in manuals; others elude systematization.

Restoration of San Antonio Tierras Blancas, Valeria Prieto, Universidad Michoacana students and professors, State and federal governments, San Antonio Tierras Blancas residents, Video by Fernando González Panzi, From the collection of: Mexico - Biennale Architettura 2016
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Parish house in Huajuapan, Oaxaca, Arquitectos Artesanos, Juan José Santibáñez, Photo by Sol Santibáñez, 1996, From the collection of: Mexico - Biennale Architettura 2016
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Mujeres de arcilla, Arquitectos Artesanos, Women of San Miguel Amatitlán, From the collection of: Mexico - Biennale Architettura 2016
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San Pedro Apostol sports center, RootStudio, San Pedro Apóstol residents, Volunteers, From the collection of: Mexico - Biennale Architettura 2016
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Haystacks house in Ciudad Juárez, Laboratorio de arquitectura básica Mx, Juan Casillas, Guillermo Galindo Reyes, Chopeke Collective, Raramuri families in Ciudad Juárez, 2014, From the collection of: Mexico - Biennale Architettura 2016
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Reinforced adobe houses, Cooperación comunitaria A.C., Residents of Guerrero's highlands, 2015, From the collection of: Mexico - Biennale Architettura 2016
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Bamboo constructions in Tepetzintan, Comunal: Taller de arquitectura, Tepetzintan residents, 2013, From the collection of: Mexico - Biennale Architettura 2016
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From our hands, Jorge Rivera, Construction artisans, Francisco Rivera, Salvador Macías, Margarita Peredo, Luis Aldrete, Alejandro Guerrero, Francisco Gutiérrez, 2016, From the collection of: Mexico - Biennale Architettura 2016
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Silla Arrullo, Oscar Hagerman, Sociedad Cooperativa Artesanal Don Emiliano, Carpenters from Opopeo, Michoacán, 1970, From the collection of: Mexico - Biennale Architettura 2016
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Mexican pavilion in the Venice Biennale (2016) by Photo by Onnis LuqueMexico - Biennale Architettura 2016

Unit 3: Blueprints for cooperation

Starting in the 1960s, Mexican architects and organized communities began exploring alternatives to both state-built housing projects and shantytowns. This section features some of the systems for collaborative building, incremental growth, and community-based financing they devised. Some of these works have been reproduced in other contexts; all remain viable models for present urban and housing developments.

Palo Alto housing cooperative, Cooperative members, Centro Operacional de Vivienda y Poblamiento A.C. (COPEVI), Hábitat Participativo, Photo courtesy of Fabiola Cabrera, 1971, From the collection of: Mexico - Biennale Architettura 2016
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Palo Alto housing cooperative, Cooperative members, Centro Operacional de Vivienda y Poblamiento A.C. (COPEVI), Hábitat Participativo, 1971, From the collection of: Mexico - Biennale Architettura 2016
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Xacalli housing project, Taller de Vivienda de la UAM Xochimilco (TAVI), Housing project residents, Jorge Andrade Narváez, Margarita Martín Chávez, 1998, From the collection of: Mexico - Biennale Architettura 2016
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El Molino-Cananea housing project, Alejandro Suárez Pareyón, Centro de Vivienda y Estudios Urbanos (CENVI), Cananea neighborhood union, UNAM, Photo by Mark Alor Powell, 1986, From the collection of: Mexico - Biennale Architettura 2016
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New towns in Sinaloa, Carlos González Lobo, María Eugenia Hurtado, Sinaloa Government, Victims of El Fuerte River's flooding, 1991, From the collection of: Mexico - Biennale Architettura 2016
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Mexican pavilion in the Venice Biennale (2016) by Photo by Onnis LuqueMexico - Biennale Architettura 2016

Unit 4: All housing in Mexico is incremental

Architects, NGOs, and private companies have devised inventive ways to synthesize complex knowledge and make it available to the hundreds of thousands who self-build their houses and neighborhoods in Mexico’s urban peripheries. This section brings together manuals, toys, courses, and other strategies that give people tools to shape their environment.

Flores Magón housing project, Alejandro Zohn, Project residents, 1976, From the collection of: Mexico - Biennale Architettura 2016
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Casa O, CapaLab, Mariano Arias-Diez, Gonzalo Elizarrarás, Carlos Espino, Cabo Hurricane Fund, Photo by LA76 Photography, 2015, From the collection of: Mexico - Biennale Architettura 2016
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Casa Cubierta, Comunidad Vivex, Owners of Casa Cubierta, Photo by Alejandro Cartagena, 2015, From the collection of: Mexico - Biennale Architettura 2016
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A city for everyone, David Mora Torres, Consultorio Arquitectónico para Vivienda (CAVI), 2016, From the collection of: Mexico - Biennale Architettura 2016
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Yo Construyo self-building manual, CEMEX, Manual users, 2013, From the collection of: Mexico - Biennale Architettura 2016
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A trabajar, Cano Vera Arquitectura, Paloma Vera, Juan Carlos Cano, David Mora, Residents of Chicoloapan and Chalco, Estado de México, From the collection of: Mexico - Biennale Architettura 2016
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Armando Casas, Roberto Rodríguez, Ximena Davis, 2016, From the collection of: Mexico - Biennale Architettura 2016
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Mexican pavilion in the Venice Biennale (2016) by Photo by Onnis LuqueMexico - Biennale Architettura 2016

Unit 5: Students build

University students in Mexico are required to do community service. Members of the Department of Architecture at UNAM’s Faculty of Architecture have met this requirement by designing and constructing buildings for communities in need. This section includes some of their recent projects in rural communities, and three manuals that teach students and officials at other universities how they might build real projects.  

Centro microregional de tecnologías sustentables, Consultorio de Arquitectura Práctica, Taller Max Cetto, Taller Carlos Leduc, UNAM School of Architecture, Politecnico di Torino/ Di partimento Architettura e Design. Centro di Ricerca e Documentazione in tecnologia, Architetturae Cittá nei Paesi in via sviluppo, Archintorno, 2012, From the collection of: Mexico - Biennale Architettura 2016
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Public school in Sabino de San Ambrosio (Aula para la equidad), Consultorio de Arquitectura Práctica, Taller Max Cetto, UNAM School of Architecture, 2013, From the collection of: Mexico - Biennale Architettura 2016
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Public school in Xilitla (Aula para la equidad), Consultorio de Arquitectura Práctica, Taller Max Cetto, UNAM School of Architecture, CONAFE, 2011, From the collection of: Mexico - Biennale Architettura 2016
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Manuals for the collaboration of universities, communities and NGOs, Consultorio de Arquitectura Práctica, UNAM School of Architecture, 2016, From the collection of: Mexico - Biennale Architettura 2016
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Manuals for the collaboration of universities, communities and NGOs, Consultorio de arquitectura practíca, UNAM School of Architecture, 2016, From the collection of: Mexico - Biennale Architettura 2016
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Manuals for the collaboration of universities, communities and NGOs, Consultorio de Arquitectura Práctica, UNAM School of Architecture, 2016, From the collection of: Mexico - Biennale Architettura 2016
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Mexican pavilion in the Venice Biennale (2016) by Photo by Onnis LuqueMexico - Biennale Architettura 2016

Unit 6: Community organizing is also architecture

After the 1985 earthquake that devastated Mexico City, neighborhood associations produced documents that were simultaneously reconstruction and community organization manuals. These documents made evident the fact that architecture and social dynamics are deeply intertwined. This section includes projects and experiences that provide proof of the interdependence of these two domains.

Community organizing in Colonia Guerrero, "La Guerrero Va" Citizen's Committee, Photo courtesy of Casa y Ciudad A.C., From the collection of: Mexico - Biennale Architettura 2016
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Construction and community organization manuals, "La Guerrero Va" Citizen's Committee, From the collection of: Mexico - Biennale Architettura 2016
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Soccer field and bleechers, Taller Activo, G3 Arquitectos, Students from Tec de Monterrey, Querétaro Campus, Photo by Yoshihiro Koitani, 2012, From the collection of: Mexico - Biennale Architettura 2016
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Vistas de San Pablo community center, Taller Activo, G3 Arquitectos, Students from Tec de Monterrey, Querétaro Campus, Altos de San Pablo residents, Photo by Yoshihiro Koitani, 2014, From the collection of: Mexico - Biennale Architettura 2016
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Las Margaritas rural community center, TOA, CAYACA, BASE BioArquitectura, Colectivo Patas Verdes (Patas Verdes Collective), Comunidad Las Margaritas Community of Las Margaritas, Dellekamp Arquitectos, 2013, From the collection of: Mexico - Biennale Architettura 2016
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Community organization processes in Tampiquito, Hola Vecino, Tampiquito residents, El Narval, Photo by Samuel Catherine, From the collection of: Mexico - Biennale Architettura 2016
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Kit del vecino prendido, Hola Vecino, Cuadra Urbanismo, Users of the kit, 2016, From the collection of: Mexico - Biennale Architettura 2016
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Deportivo chavos banda, Consejo para el Desarrollo Comunitario (CODECO), Nerivela Collective, Photo by Onnis Luque, From the collection of: Mexico - Biennale Architettura 2016
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La Granja Transfronteriza, Torolab, Camino verde residents, 2010, From the collection of: Mexico - Biennale Architettura 2016
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Construction process of Mexico's pavilion (2016) by Tuux and We ExhibitMexico - Biennale Architettura 2016

Unit 7: The shape of common spaces

Manuals for the intervention of common spaces seek to build a shared language for the collaborative construction of streets, sidewalks, parks, and plazas. They recognize that common spaces are not built top-down; rather, they are a sum of small interventions over time. The common emerges, as the projects on display suggest, together with urban communities and new types of publics.

Canteras stairway, Covachita, Toc Toc Collective, Canteras residents, 2011/2014, From the collection of: Mexico - Biennale Architettura 2016
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Camina_Kit, Camina ITDP, Yazmín Viramontes, Sonia Medina, Gerardo Escalona, Luis Gómez Verónica Ortiz, 2016, From the collection of: Mexico - Biennale Architettura 2016
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Altamira stairway and open air theater, Amorphica, Altamira neighbors, 2016, From the collection of: Mexico - Biennale Architettura 2016
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Urban interventions, Com:plot Collective, 2007, From the collection of: Mexico - Biennale Architettura 2016
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Urban image manual from Guadalajara, Centro de Infotectura y Tecnología Aplicada A.C., 2009, From the collection of: Mexico - Biennale Architettura 2016
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Mexican pavilion in the Venice Biennale (2016) by Photo by Onnis LuqueMexico - Biennale Architettura 2016

Documentaries

Upside Down Home, Itzel Martínez del Cañizo (director), Ariana Trujillo, José Inerzia, Alejandro Ramírez Corona, Youths from Tijuana, 2014, From the collection of: Mexico - Biennale Architettura 2016
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No Place Like Home, Carlos Hagerman (director), Martha Sosa (producer), 2015, From the collection of: Mexico - Biennale Architettura 2016
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Hacer ciudad, Ciudad Ilusoria, Amanda de la Garza, Guillermo Amato, Hugo Royer, 2011, From the collection of: Mexico - Biennale Architettura 2016
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Location of works featured in Mexico's Pavilion, 2016, From the collection of: Mexico - Biennale Architettura 2016
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Credits: Story

Secretaría de Cultura
Instituto Nacional de Bellas Artes

Commissioner: María Margarita Segarra Lagunes

Curator: Pablo Landa

Technical committee: María Cristina García Cepeda; Xavier Guzmán; Dolores Martínez; Ernesto Alva; Francisco Serrano; Javier Sánchez; Juan José Kochen

Pavilion design: Tuux

Museography: David Osnaya, Juan Garibay

Production: Tuux and WeExhibit

Technical support: José de Jesús Alvarado, Teresita Ramírez, Luis Gil, Josué Flores, Karla Téllez, Mario Niveo, Rolando Girodengo, Juan Carlos de la Garza, Daniel Jiménez, Laura Nieto

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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