Petro Konashevych Sahaidachnyi

Skillful military commander, a victorious Cossack leader, and a patron of the Kyiv Orthodox Metropolitanate and education.

In Ukrainian history, Petro Konashevych Sahaidachnyi is well-known as a skillful military commander, a victorious Cossack leader, and a patron of the Kyiv Orthodox Metropolitanate and education. He was born circa 1582 in the family of the Orthodox nobleman Konon from Sambir. He received his education from 1592 to 1598 at the Ostroh school.

Loading 3D model

The National University "Ostroh Academy" by SkeironSkeiron

National University "Ostroh Academy"

In the early 1600s, the nobleman Petro Kononovych chose the path of chivalry and joined the Zaporozhian Host. In June 1616, he was elected as the Hetman, and with short breaks, he remained in this position until the end of his life (April 20, 1622).

Portrait of Hetman Petro Konashevych-Sahaidachnyi (1840 - 1860) by Havrylo VaskoNational Museum of the History of Ukraine

Hetman's Portrait

The hetman is well recognized by the portrait created in the mid-19th century based on his image, placed in the engraving within a printed Kyiv eulogy of 1622, "Verses on the mourning funeral of the glorious knight Petro Konashevych Sahaidachnyi."

According to one version, the portrait was created by the renowned copyist Hryhoriy Vasko (1820-1866) upon the order of the authoritative Ukrainian patron Vasyl Tarnovsky.  

Pistole (1600 - 1800) by UnknownNational Museum of the History of Ukraine

Cossak's pistole

During the tenure of Sahaidachnyi as Hetman, the Cossacks besieged Moscow (in the autumn of 1618) and successfully carried out maritime raids into the domains of the Turkish Sultan.

However, his most notable accomplishment was the participation of the Cossack army in the defense of the Chotyn fortress in August-September of 1621, which resulted in the retreat of the more than one-hundred-thousand-strong army of Sultan Osman II from the lands of the Polish-Lithuanian Commonwealth.  In exchange, the Hetman hoped for the King's support of Cossack's demands, particularly an increase in pay and the registry.

MusketNational Museum of the History of Ukraine

Cossak's musket

from NMHU collection clearly represent weaponry belonging to saviors of the Europe of that era.

Unlike the European one, the Cossack musket is a rifle with a flint-percussion lock, adapted for long trips, with less weight and length. The flight range of a bullet from such a musket reached 250 meters, and such a bullet was capable of piercing the strongest armor.

Map. Kingdom of Poland (1683 - 1712) by Pierre DuvalNational Museum of the History of Ukraine

The Polish-Lithuanian Commonwealth emerged in 1569 as a union between the Kingdom of Poland and the Grand Duchy of Lithuania, led by an elected monarch and a parliament, but with separate military forces, finances, and judiciary systems.

Ukraine was a part of this state, and the Ukrainian nobility eventually matured the idea of the Commonwealth as a republic of three, rather than two nations, with a third partner - the Ruthenian Principality (attempts to implement this idea were made by Cossack politicians with the conclusion of the Treaty of Hadiach in 1658).

Mug depicting the battle against the Ottomans (1665 - 1703) by Peter ShenermarkNational Museum of the History of Ukraine

The Cossacks led by Sahaidachnyi in 1621 stood as a bulwark against Ottoman conquest not only in the Polish-Lithuanian Commonwealth but throughout all of the Christian Europe. The resistance against the Ottomans throughout the 17th century was a top theme for European jewelers.

The Treasury of the NMHU keeps a mug with a lid from Königsberg, the work of the famous master Peter Schönermark (1665-1703), with an image of the battle against the Ottomans on the body. This subject eloquently demonstrates European ideas about the other world, which is opposed to the Christian one.

Animated film. Adventures of the Cossacks during the time of Hetman Petro Sahaidachnyi (2021)National Museum of the History of Ukraine

In the autumn of 1620, following the insistence of the Hetman, the Jerusalem Patriarch Theophanes dared to appoint Yov Boretskyi as the Metropolitan of Kyiv, along with several bishops.  The Polish king did not recognize Yov Boretskyi. But thanks to Sahaidachnyi's intercession, the bishop could not be afraid of arrest. His residence was St. Michael's Golden-Domed Monastery, which actually became the center of the Orthodox Metropolis until the death of Yov Boretskyi in 1631.

Descended from a minor noble family, Yov Boretskyi is known as a teacher of Latin and Greek at the Ostroh Academy. In 1615–1618 he was the first head of the Kyiv fraternal school as a predecessor of the Kyiv-Mohyla Academy. The Metropolitanship of Yov Boretskyi (1620–1631) was spent in attempts to achieve recognition of the Orthodox hierarchy and was also marked by the first attempts to find a compromise with the Uniate Church.

Photoengraving. View of the Kyievo-Mykhailivskyi Monastery (1868) by UnknownNational Museum of the History of Ukraine

The restoration of the Kyiv Orthodox Metropolis became a significant event in the life of Sahaidachnyi.

The contemporaries were grateful to Sahaidachnyi for his educational foundations. 
Upon becoming a hetman, he joined the ranks of the Kyiv Brotherhood and School - heralds of the famous Kyiv-Mohyla Academy - with the entire Zaporozhian Host in 1616.
Therefore, it is not by chance that the hetman was buried on the territory of the Kyiv Brotherhood Monastery.

Cross as a contribution of Hetman Petro Konashevych-Sahaidachnyi Cross as a contribution of Hetman Petro Konashevych-SahaidachnyiNational Museum of the History of Ukraine

Shortly before his death, he made a valuable contribution here - a silver-gilt cross, "to the church of the Holy Epiphany of the Lord in the brotherhood house for the remission of his sins," as inscribed on one of the parts of the item.

Credits: Story

Research and text: Yaroslav Zatyliuk, Maksym Yaremenko
Project Сurator: Nataliia Panchenko
Technical implementation: Oleg Mitiukhin, Oksana Mitiukhina, Liudmila Klymuk
Text editors: Valentyna Yanchuk, Yevgeniia Lebid-Hrebeniuk
Translation: Dmytro Mitiukhin
Selection of exhibits: Yaroslav Zatyliuk 
Photographer: Oleg Mitiukhin, Dmytro Klochko

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
Explore more

Interested in Visual arts?

Get updates with your personalized Culture Weekly

You are all set!

Your first Culture Weekly will arrive this week.

Home
Discover
Play
Nearby
Favorites