5 Moments of Chopin's Life As If They Were Flowers

Discover flowers that accompanied Chopin in the key moments of his life.

By The Fryderyk Chopin Institute

Paweł Siechowicz (Chopin Institute)

Chopin's Farewell to Konstancja GładkowskaThe Fryderyk Chopin Institute

The first infatuation and the first public concerts

During the first public concerts that Chopin gave in Warsaw, he was accompanied by other artists, including the soprano Konstancja Gładkowska. 

Secret love

At the beginning of his professional career Chopin was secretly infatuated with Gładkowska. We can only imagine what he felt, when right after performing his Piano concerto in E minor he was watching and listening to her performance. 

Roses in the hair

In a letter to his friend and confidant Tytus Woyciechowski, Chopin described that moment:

Then he [Carlo Soliva] directed Miss Gładkowska’s aria, who was most beautifully dressed in white, with roses on her head; it all suited her nicely. She sang the cavatina from La donna del Lago, together with the recitative, better than she has ever sung anything before, except for the aria in Agnes.  

Rose 'Fairy Lady'The Fryderyk Chopin Institute

Rose 'Fairy Lady'

We don't know what kind of roses ornamented Gładkowska's hair on that day. Rose 'Fairy Lady' grows in the park surrounding Chopin's birthplace in Żelazowa Wola. To be sure, Gładkowska was a 'fairy lady' of the young composer's dreams. 

Portrait of Henriette SontagThe Fryderyk Chopin Institute

First aesthetic enchantment

Chopin was fascinated with opera singers. Henriette Sontag was his first true aesthetic enchantment as testified by his letters. Trying to find the right words to describe her voice he compared it to the scent of flowers. 

She seems to breathe into the stalls some sort of fragrance of the freshest flowers, and she caresses, delightfully, strokes the audience, but rarely does she move them to tears. 

Lily of the valleyThe Fryderyk Chopin Institute

Lily of the valley

The unique, characteristic scent of the lily of the valley is strongly connected to the fresh feeling of a Polish spring. We can suppose that making the comparison Chopin might had in mind the scent of these delicate flowers. 

Postcard depicting a garden in Valldemossa (20. Century) by Icaria foto-cineThe Fryderyk Chopin Institute

Beauty and horror

In 1838 Fryderyk Chopin and George Sand went on a journey to Mallorca. Chopin was amazed by the breathtaking beauty of the island. At the same time he experienced a major strike of the lung tuberculosis that resulted in a period of suffering and a fear of death. 

I am in Palma, among the palms, cedars, cactuses, olive trees, orange trees, lemon trees, aloes, fig trees, pomegranates, etc. Everything the Jardin des Plantes has in its hothouses. 

Yellow daylilyThe Fryderyk Chopin Institute

Yellow daylily

Chopin remarked about the lemons and oranges. The fragrance of oranges can be found at his Birthplace in Żelazowa Wola at the flowerbed of yellow deylilies that smell like oranges. 

Fryderyk Chopin in the salon of prince Antoni Radziwiłł (1888) by Rudolf SchusterThe Fryderyk Chopin Institute

The Great Concert

Chopin reluctantly performed in public. He preferred playing for smaller audiences in the salons. When he agreed to perform in 1848 in the concert hall led by Camille Pleyel, the tickets were immediately sold. 

Wanting to encourage Chopin to play in public, Pleyel promised that he will decorate the stage with flowers so that the pianist could feel more like at home. Chopin could also practice on the same piano that was to be used during the concert. 

Chopin did appreciate the efforts of the music entrepreneur: The hall is conveniently arranged; it can seat 300 people. Pleyel always jokes at my stupidity, and in order to encourage me to give a concert he will be decorating the steps with flowers. It will be like at home, and my eyes will encounter almost only familiar faces. 

Phlox paniculataThe Fryderyk Chopin Institute

Phlox paniculata

What flowers could be used to decorate the concert hall in Paris in February? Phlox is a very decorative flower that is commonly used at this time of the year nowadays and was already known to the florists of the 19th century. 

Chopin on His Deathbed Chopin on His Deathbed (19th Century) by Teofil KwiatkowskiThe Fryderyk Chopin Institute

The specter of death

Coming back to Paris from his British tour, Chopin was feeling exhausted and feared that the end of his life is near. He asked his friend Wojciech Grzymała to prepare his apartment for his return. Among other things, he wanted to feel the scent of violets in his salon. 

Have a bouquet of violets bought on Friday, so that it smells sweet in the drawing-room – let me have a bit of poetry still at home when I return – passing from the living room to the bedroom – where I will certainly lie down for a long time. 

Viola odorataThe Fryderyk Chopin Institute

Viola odorata

You can discover the fragrance of Chopin's favorite flowers at his Birthplace in Żelazowa Wola. Violas bloom in April and May. This is also the time when Sunday Chopin recitals begin and music lovers gather around the house where Chopin was born. 

Dried flowers from Chopin's deathbedThe Fryderyk Chopin Institute

Flowers at the deathbed

Chopin's deathbed was decorated with flowers. Solange Dudevant, the daughter of George Sand kept some of them so that they can carry the memory of the great composer and her close friend. 

Rose 'Chopin'The Fryderyk Chopin Institute

Rose 'Chopin'

Some time after his death Chopin became a flower himself. The rose named with his name was grown by a Polish grower Stanisław Żyła. Since that time it adores the rose gardens all around the world.

Credits: Story

The story was created with the help of the book by Natalia Marcinkowska-Chojnacka and Anna Tarnawska: Kwiaty parku w Żelazowej Woli [The Flowers of the Park in Żelazowa Wola], Warszawa 2020. 

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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