The Burial of Christ

The cycle of the Passion of Christ was a widely represented theme during the colonial period. These images were fundamental tools for evangelization in America. Among the scenes represented is the burial of Christ.

After being granted permission, he bought a cloth with which, according to local custom, he would wrap the Lord's body. Once this was done, his body would be transported to the tomb of Joseph of Arimathea. 
The numerous wounds from the crucifixion are portrayed in the image.

In addition to blood on Christ's head, after removing the crown of thorns, three potencies are also noted, which symbolize the three qualities that, according to Thomistic philosophy, the soul possesses: memory, understanding, and will.

In this case, Joseph of Arimathea, usually depicted as a richly attired, bearded older man, is shown holding the feet of Christ.

The Virgin accompanies the scene. As he gazes at the face of Christ, he holds his hands in prayer. His head is surrounded by golden solar rays, evidencing his holy character.

Mary Magdalene, who places her hand on the Virgin's shoulder, keeps her company. A red cloak, possibly alluding to the Passion of Christ, covers his torso; A halo on his head shows his holiness.

On the right edge of the painting, we see the figure of Mary of Cleopas, one of the women disciples of Jesus, who accompanied him on his travels. She was present at his crucifixion and was one of the first to see the resurrected Christ.

The tomb of Joseph of Arimathea was dug into a rock near Golgotha, so this scene is represented inside a cave.