By Colonial Museum
Gregorio Vásquez de Arce y Ceballos (attributed)
The Virgin, the Child and Saint Francis of Assisi by Gregorio Vásquez de Arce y CeballosColonial Museum
Paintings of holy founders of religious orders were numerous in the pictorial production of colonial America. Their presence in the evangelization process was fundamental since the dogma of the Catholic Church was taught to them.
The representations of the life of Saint Francis of Assisi (1181/1182-1226) and his different life scenes are among the most abundant in the iconography of Colonial America.
The Virgin, the Child and Saint Francis of Assisi by Gregorio Vásquez de Arce y CeballosColonial Museum
As a young man, Francis renounced the economic and social privileges to which he was entitled by family inheritance, preferring to lead a life of austerity dedicated to prayer.
Inspired by his determination, many followed his example. Some became his disciples and later joined the Franciscan Order, which was approved by Pope Innocent II in 1209.
The Virgin, the Child and Saint Francis of Assisi by Gregorio Vásquez de Arce y CeballosColonial Museum
The saint of Assisi is recognizable by the stigmata on his hands and feet while he wears a brown habit with a cord at his waist, from which three knots hang, typical of the Franciscan order he founded, and which represent the vows of poverty, obedience, and chastity.
The Italian saint embraces the Child with a sweet gesture, covering him with a white sheet. Jesus, look at him. In his hand, the Child holds an orb, an element that symbolizes the power of Christ over humanity.
The Virgin, the Child and Saint Francis of Assisi by Gregorio Vásquez de Arce y CeballosColonial Museum
The Virgin, sitting on a cluster of clouds and in front of a golden light, observes them. She wears a red habit with a blue mantle, colors with which she is usually represented.
On the left side and below the Virgin stands the church of Our Lady of the Angels, also called Portiuncula. It is an important place for the Franciscan tradition.
The Virgin, the Child and Saint Francis of Assisi by Gregorio Vásquez de Arce y CeballosColonial Museum
Being one of the churches that Saint Francis repaired, it was donated by the abbot Saint Benedict of Mount Subasio on the condition that it would be the mother church of the Franciscans. In addition to the above, in that building, the Italian saint had several visions.
With images like these, then, the aim was to disseminate a model of behavior that the Church considered should govern the lives of the subjects of New Granada society.
Vision of Saint Francis of Assisi in the Portiuncula
Gregorio Vásquez de Arce y Ceballos (attributed)
Oil on stone
17 x 18 cm
Beginning of the 17th century
Créditos
MUSEOS COLONIAL Y SANTA CLARA
Dirección / Museum Director
María Constanza Toquica Clavijo
Curaduría / Curation
Anamaría Torres Rodríguez
María Isabel Téllez Colmenares
Administración de colecciones / Collection Management
Paula Ximena Guzmán López
Editorial / Editorial
Tanit Barragán Montilla
Divulgación y prensa / Communications Jhonatan Chinchilla Pérez
You are all set!
Your first Culture Weekly will arrive this week.