Open House to Saint John of Braga

Procession of Saint John´s feast

Embroidered costume (21th Century) by Tatiane OliveiraVirtual Museum of Lusophony

The photographic exhibition “Open House to Saint John of Braga” aims to present the cultural traditions of the great feast of Saint John of Braga

The sweets (21th Century) by Tatiane OliveiraVirtual Museum of Lusophony

This is an exhibition that leads us to observe movements, flavours, textures, and smells. The photographed clip covers two of the main parades that are part of the programme, the Ethnographic Procession and the Procession of Rusgas

The sweets (21th Century) by Tatiane OliveiraVirtual Museum of Lusophony

The sweets

Singing and dancing (21th Century) by Tatiane OliveiraVirtual Museum of Lusophony

The Ethnographic Procession

The ethnographic groups emerged with the purpose of valuing local traditions and customs throughout Minho, through presentations in exhibitions and folk festivals 

Snacks (21th Century) by Tatiane OliveiraVirtual Museum of Lusophony

These groups began having a fundamental role in the festivities of Saint John, where they showed dances, songs, costumes, and customs. The Saint John festivities served as a stage for Minho folklore

The village (21th Century) by Tatiane OliveiraVirtual Museum of Lusophony

To preserve the traditions of the groups of rusgas, folkloric and ethnographic groups were formed

Ukulele musicians (21th Century) by Tatiane OliveiraVirtual Museum of Lusophony

The "folklorization" process contributes to the dissemination of cultural traditions, preserving identity expressions associated with a certain time and space (Ferreira, 2013)



The harvest (21th Century) by Tatiane OliveiraVirtual Museum of Lusophony

The harvest

From the waters (21th Century) by Tatiane OliveiraVirtual Museum of Lusophony

From the waters

Seasoning (21th Century) by Tatiane OliveiraVirtual Museum of Lusophony

Seasonings

Processions (21th Century) by Tatiane OliveiraVirtual Museum of Lusophony

The Procession of Rusgas

The Procession of Rusgas originally functioned as a gathering of the inhabitants of urban and rural areas of the municipality of Braga. On the 23rd of June, the pilgrims left their villages, singing and dancing all the way to Parque da Ponte, in the centre of Braga

Processions (21th Century) by Tatiane OliveiraVirtual Museum of Lusophony

The women were entrusted with carrying lunch boxes on their heads, containing green wine, cornbread, and chouriço (Portuguese sausage) slices, in sufficient quantities to guarantee an overnight stay and for the following day (Ferreira, 2013)

Dance in pairs (21th Century) by Tatiane OliveiraVirtual Museum of Lusophony

The definition of rusga refers to a group of musicians of popular instruments accompanied by other members who sing and dance spontaneously (Ferreira, 2013)

Band (21th Century) by Tatiane OliveiraVirtual Museum of Lusophony

The Rusga de São Vicente, one of the most emblematic folklore groups, made their debut in 1965, during the Saint John´s festivities, with the clear intention of keeping this tradition alive

Giant doll (21th Century) by Tatiane OliveiraVirtual Museum of Lusophony

In Saint John, we experience the pleasure and joy of gigantones (giant dolls), bass drums and instruments and ranchos (folk dance groups)

Giant doll (21th Century) by Tatiane OliveiraVirtual Museum of Lusophony

Gigantones

Giant dolls

Bass drum (21th Century) by Tatiane OliveiraVirtual Museum of Lusophony

Bass drum

Typical dances (21th Century) by Tatiane OliveiraVirtual Museum of Lusophony

Ranchos

Painting the sky (21th Century) by Tatiane OliveiraVirtual Museum of Lusophony

Painting the sky

Open house (21th Century) by Tatiane OliveiraVirtual Museum of Lusophony

Open House to Saint John of Braga

Credits: Story

Script and photography: Taís Morena
References: 
Ferreira, R. (2013). As festas de São João em Braga: Raízes, história e potencial turístico. Tese de mestrado. Universidade do Minho. Braga. Disponível aqui

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.

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