The beginning of colonization with "The arrival of Silva Paes"
Discover in the details of the work the representation thought up in the 50s, about the foundation of the State of Rio Grande do Sul, through the painting by Aldo Locatelli
Silva Paes's arrival (1953) by Aldo LocatelliPiratini Palace
The Lusitanian feats!
Representing the foundational milestone of Rio Grande, Silva Paes' arrival represents the historiographic vision of the period it portrays. The supremacy of the Lusitanian matrix to the detriment of the Platina.
In a pioneer pose, with one leg in front of the other, Silva Paes was portrayed as the founder of Portuguese territory outside Europe. The one who came to expand the domains of the Portuguese crown.
And the color wizard put away his palette
The soldiers around him were portrayed in effusive welcome. In this particular work, the artist, known for his excellence in the use of color, chose to work with the chiaroscuro technique to create the sense of mobility that the mural conveys.
Were they Lusitanian gods?
On the left side, below, the figure of the indigenous man. Seated, observing the scene. Almost "placed" in the painting. He doesn't participate. He is larger than the others and his shadow projects itself outside the mural.
The figure of the indigenous person, alienated from the other characters that make up the mural, reflects the way in which the Platina culture, which perceived the indigenous influence in the formation of Rio Grande, was seen by the Lusitanian matrix.
Piratini Palace - Center for Conservation and Memory of the Piratini Palace
Texts: William Caetano
Photography: Fernando Bueno - Piratini Palace Collection
Editing: Mateus Gomes; Willian Caetano
Technical reference: OLIVEIRA, Luciana da Costa. O Rio Grande do Sul de Aldo Locatelli : arte, historiografia e memória regional nos murais do Palácio Piratini. 2011. 270 f. Dissertação (Mestrado em História) - Pontifícia Universidade Católica do Rio Grande do Sul, Porto Alegre, 2011.
Directed by: Mateus Gomes
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