Nostalgia in Tokyo 5 - Capturing Nostalgia

By University of Tokyo

University of Tokyo Humanities Center

Play equipment in Kirigaoka Shopping StreetOriginal Source: MATSUDA Akira

Nostalgia is emerging in Asian cities as a response to dizzying rates of modernisation. This story, comprising 5 parts featuring short videos, seeks to uncover what nostalgia does and how nostalgia is mobilised in Tokyo.
 
Part 5 of the story explores Capturing Nostalgia.

Old-fashioned film posters displayed in JR Ome stationOriginal Source: LEE Kah Hui

Nostalgia is simultaneously a construction of the past and a condition of the present. It is most compelling when there are remnants of the past that constantly remind one of the time when things were different. These include artefacts, surviving architecture, images, texts and other records of the past.

Red dial public phone displayed in Showa Retro Goods MuseumOriginal Source: LEE Kah Hui

The store of collective knowledge and clues to the past — often curated and exhibited in cultural institutions — then becomes the inheritance of those who succeed and are transmitted intergenerationally.

Sumie-cho in Ome CityOriginal Source: LEE Kah Hui

The final video focuses on Ōme city in west Tokyo which is well-known as a Shōwa town. Featuring photographer Miyazaki Tadashi, who is renowned for his photography of the Shōwa period, and Showa Retro Goods Museum, which posits Sumie-chō Shopping Street as a Shōwa town, the video dives into the processes behind the curation and transmission of Shōwa nostalgia.

Credits: Story

Courtesy of:
Ome City Library
Showa Retro Packaging Museum
Sumiecho Commercial Association

Movie production:
Videography OSADA Isamu
Video Editing UEGAKI Yasuko
Director YAMADA Leo

The research project "The Future of Asia" of the University of Tokyo Humanities Center
LEE Kah Hui
MATSUDA Akira

Copyright © University of Tokyo Humanities Center

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.

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