Nostalgia in Tokyo 3 - Living Spaces

By University of Tokyo

University of Tokyo Humanities Center

Play equipment in Kirigaoka Shopping StreetOriginal Source: MATSUDA Akira

 
Nostalgia is emerging in Asian cities as a response to dizzying rates of modernisation. This story, comprising 5 parts featuring short videos, seeks to uncover what nostalgia does and how nostalgia is mobilised in Tokyo.
 
Part 3 of the story explores Living Spaces.

Kirigaoka Shopping StreetOriginal Source: LEE Kah Hui

Following the ‘lost two decades’ triggered by the bursting of the country’s economic bubble and worldwide financial crisis, social changes accelerated by globalisation resulted in apprehension and pessimism towards the present in Japan. 

Shrine in Higashi MukojimaOriginal Source: MATSUDA Akira

Subsequently, nostalgia-driven efforts to reimagine the Japanese identity by drawing on the past became gradually apparent.

Old-fashioned cafe in ShibamataOriginal Source: MATSUDA Akira

Evident since the well-received movie Always: Sunset on Third Street, the Shōwa period became strongly associated with the terms ‘nostalgia’ and ‘retro’, and gained a consistent presence in Japanese mass media. 

Toyama Heights housing complexOriginal Source: LEE Kah Hui

The post-war period of rapid economic growth has become recognised as the ‘good old days’ accompanied by collective reminiscence and idealisation by the people.     

Satake Shopping StreetOriginal Source: MATSUDA Akira

Shōtengai (shopping streets)

Many of the present-day shōtengai, or shopping streets lined with local shop vendors and restaurants, were built during the post-war period in the Shōwa era. Besides their commercial functions, shōtengai are known to play a significant role in the local community such as welfare, security, and an avenue for local traditions and character to shine.

Satake Shopping StreetOriginal Source: MATSUDA Akira

While some shōtengai are in decline with shutters gradually lowered as the days go by, others are increasingly marketed as the destination to take a trip down the nostalgia lane and experience the Shōwa times once again.

Yuyake Dandan ('sunset staircase') in YanakaOriginal Source: LEE Kah Hui

The next video features Yanaka Ginza, a shōtengai organically formed in 1944 which is well received by both the local community and visitors, and Daiba 1-chome Shōtengai, a shōtengai recreated in a shopping mall.

Kirigaoka housing complexOriginal Source: MATSUDA Akira

Danchi housing

With the introduction of danchi housing to cope with the urban sprawl and post-war housing crisis, urban landscapes of Japan also underwent drastic changes. In the 1960s and 1970s, wooden detached or row houses were phased out by massive self-sufficient housing complexes of high-rise buildings serviced with schools, shops, and community centres.

Entrance of a building in Toyama Heights housing complexOriginal Source: LEE Kah Hui

Initially, danchi housing was the materialisation of middle-class aspirations for a harmonious and modernised way of life. Decades later, subsidised danchi housing is seen as outdated, dilapidated, and undesirable.

Building 25 in Toyama Heights housing complexOriginal Source: LEE Kah Hui

In contrast, the counter-phenomenon of ‘danchi mania’ actively seeks and adores these urban spaces from a different time — giving rise to the social phenomena of ‘danchi nostalgia’.

Toyama Heights housing complexOriginal Source: LEE Kah Hui

The following video features two danchi housing complexes in Tokyo — Toyama Heights Apartments and Kirigaoka Apartments — each navigating issues of decline, demographic changes, insider-outsider dynamics, and redevelopment efforts decades after their construction.

Continue to Part 4

Credits: Story

Courtesy of:
Kirigaoka Commercial Cooperative / Kirigaoka Central Shopping Street
Shinjuku Historical Museum
Yanaka Ginza Shopping Street Promotion Association

Movie production:
Videography OSADA Isamu
Video Editing UEGAKI Yasuko
Director YAMADA Leo

The research project "The Future of Asia" of the University of Tokyo Humanities Center
LEE Kah Hui
MATSUDA Akira
    
Copyright © University of Tokyo Humanities Center

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.

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