The photographs of José María Eguren

Distant, mysterious and suggestive images

[Photography by José María Eguren] (Between 1918 and 1935) by José María EgurenNational Library of Peru

More than a poet

José María Eguren was a person with great artistic creativity: he was an oil painter, watercolorist, draftsman and photographer. His art was discreetly disseminated and he was outside the commercial circuits, leaving it only for a circle of friends and followers.

The intimate nature

His artistic work was characterized by intimacy; it was as if his poems were brought to life, transformed into fantastical images and vibrant landscapes.

[Photograph of the Barranco Bridge] (Between 1918 and 1960) by José María EgurenNational Library of Peru

Get to know the photographer

To explore his photographic endeavors, we will delve into his album Miniaturas, a treasure housed in the collection of the National Library of Peru.

[Photograph of a doll and taxidermy], José María Eguren, Between 1918 and 1959, From the collection of: National Library of Peru
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[The Count], José María Eguren, 1920 - 1930, From the collection of: National Library of Peru
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This bird of prey that we observed appears to be the same in both images.
Could it have been a live or stuffed bird? Will it have been the photo or the watercolour first?

[La Herradura beach] (Between 1910 and 1920) by José María EgurenNational Library of Peru

Paintings first

Perhaps, on one of his walks along the beaches of Barranquilla, that cliff caught his attention and he painted it.

[Photographic thumbnail album], page 25 (Between 1918 and 1933) by José María EgurenNational Library of Peru

Eguren as a photographer

In his photography the images become distant and imprecise. For Eguren, photography should not record reality, but rather take the eye to the limit. The smallness of his images and the circular frame accentuated the remoteness in his works.

Many of his photos look like scenes full of mystery, stimulating sensitivity and poetic feeling.

[Photographic thumbnail album cover] (Between 1918 and 1930) by José María EgurenNational Library of Peru

The miniatures

José María Eguren's Miniature Photograph Album contains 525 photographs whose average size is 2.5 x 3 cm. which, it is estimated, the poet recorded during the 1920s.

A small camera for miniature photographs

He crafted a unique camera using an inkwell, ingeniously adapting it with a small aperture for light and a tiny lens. This makeshift device allowed him to capture experimental images that were both technically and visually innovative.

[Photography by José Carlos Mariátegui] (Between 1918 and 1936) by José María EgurenNational Library of Peru

The characters portrayed

José María Eguren had a shy personality, but that didn't stop him from being a well-known figure surrounded by a circle of intellectuals of the time with whom he collaborated. Thus, he portrayed the social thinker José Carlos Mariátegui.

[Photographic thumbnail album], page 7 (Between 1918 and 1931) by José María EgurenNational Library of Peru

The images contained in Eguren's photo album

The images in Eguren's photo album stand out for the novelty of the technique used to produce them and for their suggestive symbolic charge.

[Photograph of frigate and sailboat] (Between 1918 and 1951) by José María EgurenNational Library of Peru

This album contains photographs to which Eguren added color.

He changed their position, cut them in various ways, among other interventions before and after taking them.

[Photographic thumbnail album], page 48 (Between 1918 and 1934) by José María EgurenNational Library of Peru

Anna Chiappe

She was his wife, promoter of Mariátegui's production.

[Photography by Martín Adán] (Between 1918 and 1937) by José María EgurenNational Library of Peru

The poet Martín Adán

Among other literary figures, politicians, etc.
Some of those portrayed are facing forward and looking upwards, while others are in profile.

[Photograph of the Convent of the Shoeless] (Between 1918 and 1952) by José María EgurenNational Library of Peru

The urban landscape. The suspended city.

In this album the city is presented as an imagined space, frozen in time.

[Photograph of the Ermita of Barranco church] (Between 1918 and 1953) by José María EgurenNational Library of Peru

A view on architecture 

He presents a desolate architecture without inhabitants

[Photograph of the Park of the Reserve] (Between 1918 and 1949) by José María EgurenNational Library of Peru

The ghosts of the city

The city stops before the lens of Eguren, the poet-artist or the artist-poet.

[Boulder] (Between 1910 and 1920) by José María EgurenNational Library of Peru

The sea of Barranco

Let's imagine Eguren walking along the beaches of Barranco, painting or photographing marine scenes.

[Photograph of a marine scene] (Between 1918 and 1955) by José María EgurenNational Library of Peru

The watercolours depict ports

His watercolours and oil paintings capture the dramatic beauty of ports, cliffs, and the dynamic movement of the sea. His photographs, while also featuring these scenes, expand to include ships and bathers. Interestingly, one woman appears repeatedly in several of his photographs.

[Photographic thumbnail album], page 25 (Between 1918 and 1933) by José María EgurenNational Library of Peru

If we see them in sequence, they look like frames for a movie.

[Photograph of an owl at the Lima Zoo] (Between 1918 and 1945) by José María EgurenNational Library of Peru

A series of strange characters

He also portrays domestic animals and animals from zoos, which were then found in the Exhibition Park and in Barranco.

[Photographic thumbnail album], page 7 (Between 1918 and 1931) by José María EgurenNational Library of Peru

The dolls

Another element represented are the dolls which, placed in a playful way, seem to recreate surreal and strange images

[Photographic thumbnail album], page 7 (Between 1918 and 1931) by José María EgurenNational Library of Peru

The living seems to be confused with the non-living

This creates a disturbing but fascinating effect. Sometimes, in his photography, the characters are confused between the animated and the inanimate, like the dolls that seem to come to life and have fun.

[Photograph of a deer at the Lima Zoo], José María Eguren, Between 1918 and 1944, From the collection of: National Library of Peru
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[Photograph of vicuña at the Lima Zoo], José María Eguren, Between 1918 and 1943, From the collection of: National Library of Peru
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The organic could be confused with the inorganic, in an intermediate space that is disturbing like the Lima Zoo.

[Photographic thumbnail album], page 16 (Between 1918 and 1932) by José María EgurenNational Library of Peru

Tenderness of the photography

Restlessness, tenderness and even comedy coexist, among other feelings provoked by the appearance of the sitter.

[Photographic thumbnail album], page 7 (Between 1918 and 1931) by José María EgurenNational Library of Peru

Photographs, movements and stories 

Each page of the album features two horizontal rows of photographs, each containing five photographs.

The storyboard

A row could be a sequence. These do not tell a “story” in the conventional sense, but rather resemble a storyboard.

In these storyboards there is movement from zooming in and out, suggesting multiple ways of seeing and understanding it.

[Photographic thumbnail album], page 16 (Between 1918 and 1932) by José María EgurenNational Library of Peru

Reading through the photography

What stories would Eguren have wanted to tell us through his photographs?

Credits: Story

Pimentel, S. (2021). Eguren photographer: the infinite mystery. In J.M. Eguren, Miniatures: an album by José María Eguren (pp. 9-23). Lima: National Library of Peru.
Wuffarden, L. (2021). José María Eguren. Modern painter. In watercolors. An Album by José María Eguren (pp. 10-13). Lima: National Library of Peru.
National Library of Peru. (s.f.). The art of the poet José María Eguren. Peru Memory. Tours through the heritage of the National Library of Peru. https://memoriaperu.bnp.gob.pe/#/micrositio8/artePoeta

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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