Celebrating 15!

Zbigniew Raszewski Theatre Institute, Warsaw

Polish puppet theatre evolved through figures like Jurkowski and Serafinowicz, blending theory, design, and education with rich techniques and international influences.

The Devil (2025) by Przemysław PypećENICPA. European Network of Information Centres for the Performing Arts

Henryk Jurkowski’s Puppet Legacy

Henryk Jurkowski (1927–2016), a Polish historian, theatre critic, and expert in puppet theatre, served in the Ministry of Culture, taught in Wrocław and Białystok, and authored folk-inspired puppet plays such as The Old Polish Triptych and The Polish Folk Nativity Scene.

Don Juan (2025) by Przemysław PypećENICPA. European Network of Information Centres for the Performing Arts

The Don Juan Puppet

Designed by Leokadia Serafinowicz, this Don Juan puppet was featured in What Will Grow Out of This?. The production merged classic literary fragments of Faust, Don Juan, and Don Quixote with contemporary texts on parenthood. 

Don Quichot (2025) by Przemysław PypećENICPA. European Network of Information Centres for the Performing Arts

The Don Quixote Puppet

Created for the 1988 production What Will Grow Out of This?, this Don Quixote puppet by Leokadia Serafinowicz wore printed paper. The choice of material highlighted themes of theatrical artificiality and alienation.

Man, Enchanted World Theatre (2025) by Przemysław PypećENICPA. European Network of Information Centres for the Performing Arts

Man from Enchanted World Theatre

The Enchanted World Theatre, founded in 1950 by Janina Awgulowa to introduce children to theatre, was led by Emilia Betlejewska from 1990 until its closure in 2019.

Merchant (2025) by Przemysław PypećENICPA. European Network of Information Centres for the Performing Arts

Merchant from Tuba Dei and Angels, Enchanted Theatre

Tuba Dei and Angels (2016), the first Polish puppet opera for children, premiered at the Enchanted World Theatre in Toruń, featuring student performers and puppets by Urszula Łapot, with music by Magdalena Cynk and a story set in 15th-century Renaissance Toruń.

Miss Bunny (2025) by Przemysław PypećENICPA. European Network of Information Centres for the Performing Arts

Miss Bunny: A New Era for Young Audiences

Leokadia Serafinowicz (1915–2007) revolutionized Polish children’s theatre with imaginative puppetry and innovative staging. Rejecting traditional formulas, she treated young audiences with deep respect, collaborating with educators to engage children as active, valued partners.

Paladin (2025) by Przemysław PypećENICPA. European Network of Information Centres for the Performing Arts

The Sicilian Paladin

This Sicilian Paladin puppet, featuring unique animated joints, comes from the personal archive of Henryk Jurkowski.Jurkowski traveled the globe researching puppetry traditions and collecting exceptional pieces that defined the craft.

Ponny (2025) by Przemysław PypećENICPA. European Network of Information Centres for the Performing Arts

Ponny and the Marcinek Theatre

For 20 years, Leokadia Serafinowicz led the Poznań Puppet and Actor Theatre Marcinek. She shaped a bold repertoire that tackled contemporary issues through innovative design, fostering critical thinking and nurturing future audiences for modern theatre.

Princess (2025) by Przemysław PypećENICPA. European Network of Information Centres for the Performing Arts

Aladdin's Princess

Designed by Emilia Betlejewska for Aladdin's Wonderful Lamp, this Arabian Princess puppet showcases intricate engineering. A central peg allows independent movement of her head and arms, while delicate wire hoists control her hands for complex, lifelike animation.

Woman (2025) by Przemysław PypećENICPA. European Network of Information Centres for the Performing Arts

Artistry of the Rod Puppet

Leokadia Serafinowicz mastered the complex rod puppet technique. Through precise wrist and head movements, she brought each puppet’s gaze and body to life with deep psychological understanding.

This collection of annotations highlights the contributions of influential figures like Henryk Jurkowski and Leokadia Serafinowicz to the evolution of Polish puppet theatre—through critical theory, performance, innovation in design, and educational outreach—while showcasing notable productions, puppetry techniques, and international influences that shaped this unique theatrical art form.

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