Ama Ata Aidoo (1942 - 2023)

Ama Ata Aidoo was a Ghanaian author, poet, playwright, politician, and academic. She was a pioneer in African literature, exploring the complex experiences of women in post-colonial Africa and challenging traditional gender roles. Her work is deeply rooted in African culture and history, and she often used traditional folklore and mythology to explore contemporary themes. Aidoo's most famous works include the novels Our Sister Killjoy and Changes, as well as several collections of poetry and short stories. She is a recipient of numerous awards and honors, and her work continues to inspire and challenge readers around the world.

Writing is my personal medium of self-expression. I first discovered my passion for writing through poetry, a concise form that allows me to articulate my thoughts and emotions effectively. The challenge of crafting poetry captivates me, and I find immense satisfaction in using language to convey my inner world.

My identity as an African has profoundly influenced my writing. The complex relationship between Africa and the Diaspora, particularly the lingering effects of slavery, has been a recurring theme in my work. The wounds of slavery run deep, and the process of healing is painfully slow. However, we have no choice but to confront these issues and move forward.

Honestly, during the time I was writing, I was not fully aware of the pioneering nature of my work. Writing then was not essentially different from writing now. The primary distinction is that I was younger, and this particular question places me in a rather challenging position, making me appear a bit more naive and also a bit more courageous. Because, frankly, I can't envision myself today having the audacity to write a play like The Dilemma of a Ghost.

Over time, I have become acutely aware of the profound influence my work can exert on society. This heightened awareness has led me to craft stories with greater intentionality, ensuring that they authentically reflect the experiences of African women. I am deeply convinced that my words can serve as a potent force for raising awareness, advocating for change, and empowering women. Moreover, I believe it is essential to amplify the voices of those who have been silenced and marginalized, and my writing steadfastly reflects this commitment. I am unwavering in my dedication to utilizing my writing to create a positive impact on the world.

At my core, I identify as a writer. Given the choice, I would dedicate myself solely to writing. However, I have had to teach to support myself, my daughter, and others who have depended on me. While I do not dislike teaching, it can be all-consuming. When I am teaching, I immerse myself in the role, enjoying the interaction with students and the process of imparting knowledge. This dedication to teaching often leaves me with limited time to write. Frankly, I believe this is the primary reason for my reduced literary output. Teaching has been a significant part of my life, and it has undoubtedly impacted my writing time.

The exact beginnings of my headscarf-wearing tradition elude me. I can only recall that it began sometime during my university years or perhaps during my early tenure as a junior research fellow at the Institute of African Studies in Legon. It simply became an integral part of my attire.

Even before I adopted the headscarf, I had a penchant for purchasing and tailoring adire, a traditional Yoruba fabric. Some individuals would inquire about my consistent choice of Yoruba attire. This was before the headscarves entered the picture, so I'm not sure where the association with Yoruba womanhood stems from.