Norbert Ghisoland

« The treasure found by 45000 glass plates of Norbert Ghisoland »

Norbert GHISOLAND was born on 17th March 1878 in La Bouverie, a village situated in a coal mining area of South West Belgium, called Le Borinage. 

Norbert’s father is himself a coal miner. He strives hard to assure his children a better fate than his own. He would like his elder son to become a photographer and therefore works hard to acquire the requested equipment. 

Unfortunately that son dies accidentally. Norbert, the younger son, who was initially to become a joiner, inherits the whole photography material. 

After three years of apprenticeship spent at Gallardé’s, a well-established photographer in Mons, the chief town of the province, Norbert himself finally becomes a photographer by trade.

Famille Ghisoland, 1902/1939, From the collection of: Mundaneum
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Ghisoland Family

Fiancailles, 1902/1939, From the collection of: Mundaneum
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In 1902 he settles down with his family in a house in Frameries, at only a stone’s throw from his birthplace. That is where he then opens a shop and a studio and soon starts using his large darkroom camera, working by natural light under a glass roof.

Duex filles déguisées, 1902/1939, From the collection of: Mundaneum
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Under his careful and tender eye a whole crowd of people file past the lens of Norbert’s camera, either as individuals or in groups ... 

Deux sœurs, 1902/1939, From the collection of: Mundaneum
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... There are ten thousands of them: middle-class people, coal miners, military and clerical people, sportsmen, people of all age categories, and sometimes even dogs ...

Famille d'acordéonistes, 1902/1939, From the collection of: Mundaneum
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Femme (portrait), 1902/1939, From the collection of: Mundaneum
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Norbert decides himself on the postures, be it for full-size portraits ... 

Homme (portrait), 1902/1939, From the collection of: Mundaneum
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... or simple ID-card photos

Enfant avec un ballon, 1902/1939, From the collection of: Mundaneum
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Getting all his models to pose either in a décor done in trompe-l’oeil or before a white backdrop and never failing to capture them with a most graceful touch.

Deux amis, 1902/1939, From the collection of: Mundaneum
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Norbert shows in his work a lot of tenderness and emotion towards all his models. 

Arlequin et Colombine, 1902/1939, From the collection of: Mundaneum
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These ones either sit or stand with their hands folded or with one hand simply resting on the shoulder of a friend or relative posing next to them, all models looking astonishingly serious. 

Trois femmes en tenue de travail, 1902/1939, From the collection of: Mundaneum
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There is no trace of smile on their faces. Indeed they all come from Le Pays Noir, the local black colliery area 

Deux sœurs, 1902/1939, From the collection of: Mundaneum
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Throughout his 37 years of hard labour the artist from Frameries produces over 90,000 photographs on glass plates..

Frère et sœur, 1902/1939, From the collection of: Mundaneum
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Homme et son fils déguisés, 1902/1939, From the collection of: Mundaneum
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Jeune homme (portrait), 1902/1939, From the collection of: Mundaneum
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Bande d'adolescents, 1902/1939, From the collection of: Mundaneum
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Pierrots, 1902/1939, From the collection of: Mundaneum
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Enfant sur cheval à bascule, 1902/1939, From the collection of: Mundaneum
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Couple d'enfants déguisés, 1902/1939, From the collection of: Mundaneum
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Groupe de Gilles, 1902/1939, From the collection of: Mundaneum
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Fillette posant avec son petit frère (ou sœur) bébé, 1902/1939, From the collection of: Mundaneum
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Deux frères, 1902/1939, From the collection of: Mundaneum
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fillette déguisée en papillon, 1902/1939, From the collection of: Mundaneum
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Deux petits enfants, 1902/1939, From the collection of: Mundaneum
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Jeune homme (portrait), 1902/1939, From the collection of: Mundaneum
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Petite fille et sa poupée, 1902/1939, From the collection of: Mundaneum
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Enfant à la bougie, 1902/1939, From the collection of: Mundaneum
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Enfants de la famille, 1902/1939, From the collection of: Mundaneum
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Tormented by the convulsive turmoils of pre-war times and deeply worried at the thought of his son being called up in the army Norbert GHISOLAND passes away on 2nd November 1939 at the age of 61, leaving behind a both unique and poignant testimony about his contemporary fellow people of the coal mining era.

In 1945, after returning home from the war, Norbert’s son, Edmond Ghisoland, reopens the studio. 



And since the death of Edmond, in 1969, Marc, Norbert Ghisoland grandson continues working in that same studio

Norbert Ghisoland, From the collection of: Mundaneum
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Interview of Marc Ghuisoland, grandson of Norbert

Credits: Story

Conception—Marc Ghuisoland, Président de la Fondation Norbert Ghisoland

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions (listed below) who have supplied the content.
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