Acquisitions of the collection of the National Museum of Fine Arts after 1940

Part II

Inside the studio (1944) by Milton DacostaMuseu Nacional de Belas Artes

This exhibit presents some of the acquisitions from after the creation of the National Museum of Fine Arts in Brazil.

Eliseu Visconti com o Presidente Getúlio Vargas by Autor desconhecidoMuseu Nacional de Belas Artes

The emergence of a new museum

 The Museu Nacional de Belas Artes was established on January 13, 1937, through Law No. 378, signed by President Getúlio Vargas.

 Since its creation, the MNBA has occupied the building built between 1906-1908, on Avenida Rio Branco, Rio de Janeiro. The aforementioned building has been adapted with the purpose of guaranteeing technically adequate conditions for the conservation and exhibition needs of the collection.

Coffee (1935) by Candido PortinariMuseu Nacional de Belas Artes

 In 1941, the MNBA acquired the painting Café by Cândido Portinari.

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Seeking to open up to non-European art, the Museu Nacional de Belas Artes diversified its collection from the 1960s onwards, with the acquisition of the collections of African Art and Popular Art and, later, Indigenous Art.

Máscara ritual, Grupo Cultural Benin, From the collection of: Museu Nacional de Belas Artes
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Noivado a Cavalo, Mestre Vitalino, 1963, From the collection of: Museu Nacional de Belas Artes
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Máscara, palha de buriti, madeira, tinta de urucum e de jenipapo, From the collection of: Museu Nacional de Belas Artes
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Collection of Popular Art

Collection of African Art

LicocóMuseu Nacional de Belas Artes

Figura masculina sentada by Grupo Cultural KarajáMuseu Nacional de Belas Artes

Favela (1958) by Rossini PerezMuseu Nacional de Belas Artes

At the beginning of the 1980s, Carlos Martins and his team created the Engraving Cabinet of the Museus Nacional de Belas Artes with the aim of updating, organizing, treating, reprinting, studying and exhibiting the museum's engraving collection.

Favela (1958) by Rossini PerezMuseu Nacional de Belas Artes

Currently, the Engraving Collection is made up of more than eight thousand and seven hundred items, featuring important Brazilian artists.

Noturno, Oswaldo Goeldi, 1950, From the collection of: Museu Nacional de Belas Artes
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Mangue, Lasar Segall, 1927, From the collection of: Museu Nacional de Belas Artes
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[Pedra da] Gávea" [Rio de Janeiro, RJ], Carlos Oswald, 1925, From the collection of: Museu Nacional de Belas Artes
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Sesta, Carlos Scliar, 1955, From the collection of: Museu Nacional de Belas Artes
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Festa, Lívio Abramo, 1956, From the collection of: Museu Nacional de Belas Artes
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Soldador, Djanira, 1967, From the collection of: Museu Nacional de Belas Artes
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Composição abstrata, Maria Leontina, 1965, From the collection of: Museu Nacional de Belas Artes
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Composição abstrata, Fayga Ostrower, 1958, From the collection of: Museu Nacional de Belas Artes
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Composição abstrata, do álbum "Anna Letycia: Cinco estampas", Ana Letícia, 1967, From the collection of: Museu Nacional de Belas Artes
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And foreigners, such as:

Homem usando uma boina alta, Rembrandt, 1630, From the collection of: Museu Nacional de Belas Artes
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Sansão matando o leão, cerca de 1497-1498, Albrecht Dürer, From the collection of: Museu Nacional de Belas Artes
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Estudo do vitral Juda, Marc Chagall, 1900/1985, From the collection of: Museu Nacional de Belas Artes
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Composição abstrata, Joan Miró, 1900/1983, From the collection of: Museu Nacional de Belas Artes
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Currently, the museum has around one hundred thousand items in its collection, including sculptures, paintings, engravings, photographs, drawings, furniture, bibliographic and historical archives, covering various cultures, from different eras, in multiple forms of artistic expression.

Trajetória I, Anna Maria Maiolino, 1976/1980, From the collection of: Museu Nacional de Belas Artes
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Trânsito, do álbum "Arte & Transporte" (1970) by Ana LetíciaMuseu Nacional de Belas Artes

FLOR I (1993/1994) by Ana MiguelMuseu Nacional de Belas Artes

Vermelho, Glauco Rodrigues, From the collection of: Museu Nacional de Belas Artes
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Vibrações Lineares AZ[ul], V[er]M[elho], PR[eto], Dionísio Del Santo, 1976, From the collection of: Museu Nacional de Belas Artes
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Black marble (1954) by Zélia SalgadoMuseu Nacional de Belas Artes

Sem título (1983) by Pedro VasquezMuseu Nacional de Belas Artes

Conversa de esquina, Oswaldo Goeldi, 1930, From the collection of: Museu Nacional de Belas Artes
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A confabulação, Vítor Arruda, 1998, From the collection of: Museu Nacional de Belas Artes
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Composição, [do álbum] "Sete lendas africanas da Bahia" (1984) by Carybé, Hector Júlio Páride Bernabó, ditoMuseu Nacional de Belas Artes

Composição abstrata (1974) by Emanoel AraujoMuseu Nacional de Belas Artes

Objetos reunidos escutando o bule azul (1983) by Carlos ScliarMuseu Nacional de Belas Artes

Figura feminina pulando a janela: Ilustração (1923/1929) by Roberto RodriguesMuseu Nacional de Belas Artes

Rioma (2017) by Suzana QueirogaMuseu Nacional de Belas Artes

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First mass in Brazil by Candido PortinariMuseu Nacional de Belas Artes

Purchased by the Brazilian Institute of Museums and donated to the MNBA in 2013, "The first mass in Brazil" by Candido Portinari was designed to form part of Oscar Niemeyer's architectural project for the new headquarters of a bank in Rio de Janeiro.

Unlike the "First Mass in Brazil", by Vitor Meireles, a romantic work conditioned to a supposed historical reality, this work by Portinari explores the sacred rite, eliminating the earth and establishing plans and volumes with its markedly hierarchical characters,

composed of foreign travelers and their different positions in the stratification of military and religious functions.

View of the exhibition Pinturas de Portinari na Capela Mayrink (2013)Museu Nacional de Belas Artes

Another relevant acquisition this same year, the four works created by Portinari for the Mayrink Chapel, located in Floresta da Tijuca, in Rio de Janeiro.

Saint John of the Cross, Candido Portinari, 1944, From the collection of: Museu Nacional de Belas Artes
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Our Lady of Carme, Candido Portinari, 1944, From the collection of: Museu Nacional de Belas Artes
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Saint Simon Stock, Candido Portinari, 1944, From the collection of: Museu Nacional de Belas Artes
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They reveal an artist in full cultural identity, which does not rival the symbolic universe of national baroque religiosity. The images gain a density as if they were statues, not paintings. They seem to project out of the screen.

Purgatory (1944) by Candido PortinariMuseu Nacional de Belas Artes

Study for the "Guerra" panel (1955) by Candido PortinariMuseu Nacional de Belas Artes

Composing the Portinari collection in the MNBA collection, we have paintings, engravings, matrices and drawings, such as the studies for the War and Peace panels.

Cana-de-açúcar (1955) by Candido PortinariMuseu Nacional de Belas Artes

In them we can see the artist's imagination, with sympathy for simple and hard-working people, childish images.
Para conhecer mais sobre as obras de Portinari que integram o acervo do museu, acesse:

Portinari - coleção Museu Nacional de Belas Artes

Zumbido Zoantrópico (1982) by Jorge GuinleMuseu Nacional de Belas Artes

In addition to purchases and donations, the MNBA also receives some of the seizures made by the Federal Revenue Service, of works brought illegally to Brazil, whose buyers were not identified. Some of them are:

Sem Título by François Xavier LalaneMuseu Nacional de Belas Artes

Ruína de Charque Ipanema by Adriana VarejãoMuseu Nacional de Belas Artes

Sem título (2002/2014) by Os GêmeosMuseu Nacional de Belas Artes

Shortcut by Iván NavarroMuseu Nacional de Belas Artes



The museum has many more stories than those told here, but some of them have been erased, silenced or forgotten. Rescuing these stories is an urgent task for the museum and for a society that wants to be more fair and inclusive.

Credits: Story

Museu Nacional de Belas Artes: stories of the museum and its collection
       Parte II

Concepção, pesquisa e realização:

Rafael Rodrigues Felix
Rossano Antenuzzi
Simone Bibian

Idealizada especialmente para o Google Arts & Culture, 2023.

Referências:

BARAÇAL, Anaildo Bernardo. "Fez-se uma galeria com excelentes pinturas": do Museu Nacinal ao de Belas Artes. Rio de Janeiro: Museu Nacional de Belas Artes, 2019.

COLI, Jorge. Como estudar a arte brasileira do século XIX? São Paulo: Editora SENAC, 2005. 

PEREIRA, Sonia Gomes. Arte brasileira no século XIX. Belo Horizonte: C/ Arte, 2008. SIMIONI, Ana Paula Cavalcanti. Profissão Artista: pintoras e escultoras acadêmicas brasileiras. São Paulo: Ed. da USP/Fapesp, 2019. 

TELES DA SILVA, Ana; MAIA CRUZ, Danielle. Patrimônio artístico e cultural do Museu Nacional de Belas Artes: reflexões sobre as representações do negro no acervo expográfico. Iluminuras, Porto Alegre.


Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.

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