Love from a Distance

A programme of National Film and Television School animation and documentary films connected by the theme of elderly relationships, curated from our collection by Jaymini Mistry.

The Alan Dimension Still, Alan in his own world (2016) by Jac ClinchNational Film and Television School

Love from a distance is a collection of stories about elderly relationships that deal with love, separation, and grief. A look at how various forms of animation tackles these relationships in relation to traditional documentaries.

Head Over Heals Still (2011) by Chloë ThomsonNational Film and Television School

Head Over Heels (2012)

An Academy nominated animation by filmmaker,  Timothy Reckart. The story is a sad, but heartfelt stop-motion animation about a couple at odds with one another.

Head Over Heels - a still from the film, 1 of 5 (2012) by Timothy ReckartNational Film and Television School

A husband and wife live parallel lives with the husband living on the floor, while the wife lives on the ceiling. When the husband tries to rekindle their relationship, the house comes crashing down and both have to find a way to put their marriage back  together.

Head Over Heels - a still from the film, 5 of 5 (2012) by Timothy ReckartNational Film and Television School

It explores the dynamics of a relationship between two elderly people in a unique way.

Honey on Wounds - a still from the film, 2 of 4 (2014) by Iulia StoianNational Film and Television School

Honey On Wounds (2014)

During the Kosovo War, thousands of women were taken captive by Serbian soldiers, tortured and forced to watch the execution of their husbands. Widows of Kosovo are forbidden to remarry, work, or lead an independent life outside their homes.

Honey on Wounds - a still from the film, 3 of 4 (2014) by Iulia StoianNational Film and Television School

This powerful documentary shows women coming together to grieve their loss and recover from trauma. Fighting depression and poverty, councillors try to convince the women that the beginning of their healing journey starts with beekeeping.

Honey on Wounds - a still from the film, 1 of 4 (2014) by Iulia StoianNational Film and Television School

Gjyla Hyseni lost her husband to the Kosovo War and found solace in beekeeping. Hyseni has a strong bond with her bees, which is contrasted by the sacrificial slaughter of lambs on a memorial day.

The Alan Dimension Still, De Ja Vu (2016) by Jac ClinchNational Film and Television School

The Alan Dimension (2016)

Blending two forms of animation, the film follows Alan, a retired accountant who believes the define gift of precognition has been bestowed upon him. Alan becomes completely obsessed with his newfound abilities, while he increasingly frustrates his wife Wendy.

The Alan Dimension Still, A Moment of Realisation (2016) by Jac ClinchNational Film and Television School

Alan is blinded by the future, unaware of what is happening in the present. Now Alan must decide what is most important to him. 

One More Kiss - a still from the film, 1 of 4 (2012) by Chris ChristodoulouNational Film and Television School

One More Kiss (2012)

One More Kiss is a heartbreaking documentary about two rich personalities parting ways. For the past 50 years, Taki and Tina have had a turblulant marriage filled with love, hatred and accusations of infidelity. 

One More Kiss - a still from the film, 7 of 4 (2012) by Chris ChristodoulouNational Film and Television School

Tina's dementia, relentless verbal abuse, and constant attention she requires take a toll on Taki, causing him to make a difficult decision.

One More Kiss - a still from the film, 2 of 4 (2012) by Chris ChristodoulouNational Film and Television School

The documentary follows Taki as he prepares to leave for Cyprus, whilst Tina is being prepared for a nursing home. It goes into the existential reality of relationships and love. A simple yet deeply emotional look at old age, with moments of beauty, tragedy, and humour.

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The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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