Paula Rego

Learn about the artist's universe through a text accompanied by a selection of works from the exhibition “All I want – Portuguese women artists from 1900 to 2020”

By Calouste Gulbenkian Foundation

Text by Lígia Afonso / Plano Nacional das Artes

The girdle (1995) by Paula RegoOriginal Source: Private Collection on loan to Fundação de Serralves – Museu de Arte Contemporânea, Porto

Drawing has provided the constant underpinning for Paula Rego’s work, from the naive figuration during her years of training at the Slade School of Art to her political collages about a country under dictatorship, from narrative pieces in acrylic to large-format pastel works, and from studies in pencil and watercolour to etchings and aquatint images.

The girdle (1995) by Paula RegoOriginal Source: Private Collection on loan to Fundação de Serralves – Museu de Arte Contemporânea, Porto

The girdle, 1995
Pastel on paper mounted on aluminium
160 x 120 cm
Private Collection on loan to Fundação de Serralves – Museu de Arte Contemporânea, Porto, inv. NO 0032

Angel (1998) by Paula RegoOriginal Source: Collection Ostrich Arts Ltd

Angel, 1998
Pastel on paper mounted on aluminium
180 x 130 cm
Collection Ostrich Arts Ltd

Mother (1997) by Paula RegoCalouste Gulbenkian Foundation

The constant thread running through the artist’s work is the imaginary reinvention of the literature of authors such as Charlotte Brontë, Eça de Queiroz, Franz Kafka, Hans Christian Andersen and Martin McDonagh. Rego seeks to “integrate eternal stories into our contemporary mythology and subjective experience through painting”. Rego creates an utterly original figurative language based on those stories, be they traditional tales, fairy tales, novels or plays.

Mother (1997) by Paula RegoCalouste Gulbenkian Foundation

Mother, 1997
Pastel on paper mounted on aluminium
195 x 145 x 6 cm
Fundação Calouste Gulbenkian – Centro de Arte Moderna, inv. 98P605

Vanitas (2006) by Paula RegoCalouste Gulbenkian Foundation

Vanitas, 2006
Pastel on paper mounted on aluminium
110 x 130 cm; 130 x 120 cm; 110 x 130 cm
Fundação Calouste Gulbenkian – Centro de Arte Moderna, inv. 06P1372

The Princess and the Pea (1978) by Paula RegoOriginal Source: Collection Manuel de Brito

The models for the main characters in Rego’s pictorial tales are people from the artist’s own inner circle or childish and grotesque three-dimensional “dolls” that she makes and incorporates into symbolic and fantastical scenes.

Untitled no.5, from the series “Abortion" (1998) by Paula RegoOriginal Source: Private Collection

Painted from direct observation, the models portray individual feelings and trauma, but also collective and female ones, especially in the “Abortion” series, a political manifesto addressing Portugal’s first referendum on the voluntary termination of pregnancy. Rego’s vivid paintings offer a haunting portrait of contemporary society and, at the same time, human nature itself.

Untitled no.5, from the series “Abortion" (1998) by Paula RegoOriginal Source: Private Collection

Untitled no.5, from the series “Abortion", 1998
Pastel on paper mounted on aluminium
110 x 100 cm
Private Collection

Border Patrol: Self-Portrait with Lila, reflection and Ana (2004) by Paula RegoOriginal Source: Private Collection

Border Patrol: Self-Portrait with Lila, reflection and Ana, 2004
Pastel on paper mounted on aluminium
100 x 80 cm
Collection Paulo Teixeira Augusto

The Princess and the Pea (1978) by Paula RegoOriginal Source: Collection Manuel de Brito

The Princess and the Pea, 1978
Fabric, wool, plastic, metal and kapok
78 x 45 x 23 cm
Collection Manuel de Brito

Credits: Story

Selection of works presented at the exhibition All I want: Portuguese women artists from 1900 to 2020, in its first moment at Calouste Gulbenkian Museum, Lisbon, within the scope of the cultural program that takes place in parallel to the Portuguese Presidency of the Council of the European Union 2021.

Exhibition organized by the Portuguese Ministry of Culture, Directorate-General for Cultural Heritage (DGPC) and the Calouste Gulbenkian Foundation, in co-production with the Center of Contemporary Creation Olivier Debré, Tours, and with the collaboration of the Plano Nacional das Artes (Portugal).

Curators:
Helena de Freitas and Bruno Marchand


Text by Lígia Afonso / Plano Nacional das Artes
Selection of online resources Maria de Brito Matias


Learn more about Paula Rego's works presented in the context of this exhibition:
All I want: The Theatre of the Body

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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All I Want
Over 240 artworks by more than 40 women: Explore the new exhibition celebrating Portuguese women artists from 1900 to 2020
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