The period 1920–1990 was fundamental for the establishment, growth, and success of what has become Fiera Milano. That importance is marked by the extraordinary range of posters the fair produced
Manifesto ufficiale della Fiera Campionaria di Milano del 1955 (1955) by Publifoto - Dinelli, CarloFondazione Fiera Milano
They reflect not only the evolution of advertising, manifested in forms and colours tied to developments in painting, poster art, advertising design, and graphic design, but also developments in the economic, political, and social history of Italy and the city of Milan, which has been home to the fairgrounds since the very first Milan Fair opened on April 12th, 1920.
Mirror of the Italian dream and collective memory
The fair was a mirror of the Italian dream and collective memory, tied to its home city by what soon became a perpetual bond.
Manifesto ufficiale della Fiera Campionaria di Milano del 1958 - prima versione (1958) by Bianconi, FulvioFondazione Fiera Milano
The fair itself emerged and grew around Milan’s urban and economic model, shaped by industry, business, and the services sector.
Manifesto ufficiale della Fiera Campionaria di Milano del 1956 (1956) by Dinelli, CarloFondazione Fiera Milano
Its expansion was driven by continuous progress and in turn it came to serve the nation’s entire industry system in a recognisably Italian way, bringing with it technological innovation and creativity, fresh input for architectural and industrial design, infrastructure and an ever more advanced tertiary sector, new cultural dimensions and social dynamics, and new prospects for trade.
Manifesto ufficiale della Fiera Campionaria di Milano per le edizioni 1926, 1927 e 1928 (12/04/1926 - 25/04/1928) by Mazza, AldoFondazione Fiera Milano
Riproduzione manifesto ufficiale della Fiera Campionaria di Milano del 1929 (febbraio 1929) by Todeschini, PieroFondazione Fiera Milano
In 1929, the Fair Board engaged for the design of its official poster Piero Todeschini, a Lombard painter from a family of artists, specialised in the production of advertising posters.
Manifesto ufficiale della Fiera Campionaria di Milano del 1931 Manifesto ufficiale della Fiera Campionaria di Milano del 1931 (12/04/1931 - 25/04/1931) by Nizzoli, MarcelloFondazione Fiera Milano
Terzo Salone internazionale Aeronautico (02 ottobre 1939) by Parrini, Manlio - Parrini, ManlioFondazione Fiera Milano
The Italian homo faber
As a showcase of national industry, the fair reflected the history of the nation, from the development and growth of the economic and urban fabric to transformations sweeping society.
Mostra internazionale di Fonderia (ante 12 settembre1931) by Morbiducci, PublioFondazione Fiera Milano
A maker society that has always been distinctively “Italian” in its way—unique in the diversity of its manufacturing know-how, but also in the regularity with which it delivers its unmistakeable Made in Italy style.
Manifesto ufficiale della Fiera Campionaria di Milano del 1949 (1949) by Mancioli, CorradoFondazione Fiera Milano
The Italian dream is seen vividly in these posters, which convey all the bright hope of individual and national betterment. And they remind us of the arduous task facing institutions today of rebuilding that confidence we once had in the world of work and in our creative drive, something young people today still have, but are unable to channel.
Manifesto ufficiale della Fiera Campionaria di Milano del 1932 (12/04/1932 - 27/04/1932) by Mondaini, GiacintoFondazione Fiera Milano
Manifesto ufficiale della Fiera Campionaria di Milano del 1932 - seconda versione (12/04/1932 - 27/04/1932) by Abkhasi, Giorgio - Nanni, NinoFondazione Fiera Milano
Work was the central theme of the posters designed in the 1930s.
Here we see how it was interpreted by Giorgio Abkhasi and Nino Nanni.
Curiosity: in 1932, Fiat unveiled at the Milan fairgrounds the “508 Balilla”, the compact car destined to embody the dreams of freedom and mobility of Italians.
Striscione pubblicitario della Fiera Campionaria di Milano del 1961 Striscione pubblicitario della Fiera Campionaria di Milano del 1961 (12/04/1961 - 27/04/1961) by PublifotoFondazione Fiera Milano
In reality, for the people crowding the fairgrounds in those times, the main form of transport was the train. Signalling their arrival in Milan was the new Central Station designed by Ulisse Stacchini.
Striscione pubblicitario della Fiera Campionaria di Milano del 1957 all'ingresso della stazione ferroviaria Milano Centrale (ante 27/04/1957) by Non identificatoFondazione Fiera Milano
100 posters
This historic collection of posters produced by the fair between 1920 and 1990 is an iconographic legacy that the Fondazione Fiera Milano wishes to share with the vaster public...
Manifesto ufficiale della Fiera Campionaria di Milano del 1977 (1977) by CBC StudioFondazione Fiera Milano
...in the common pursuit of culture and as a celebration of the foundation’s historical continuity with the old Fair Board—the Ente Autonomo Fiera Internazionale di Milano, whose growth over the years accompanied and anticipated the changes and transformations of the city of Milan and Italy as a whole. In the hope that the story of Fiera Milano today, will continue to consolidate its importance for society.
Manifesto ufficiale della Fiera Campionaria di Milano del 1962 (1962) by Bonini, EzioFondazione Fiera Milano
Manifesto ufficiale della Fiera Campionaria di Milano del 1971 (1971) by CBC StudioFondazione Fiera Milano
Manifesto ufficiale della Fiera Campionaria di Milano del 1970 (1970) by CBC StudioFondazione Fiera Milano
Manifesto ufficiale della Fiera Campionaria di Milano del 1965 (1965) by CBC StudioFondazione Fiera Milano
Manifesto Milano la "Grande Fiera" del 1976 (1976) by CBC StudioFondazione Fiera Milano
This virtual path has been created in collaboration with Promemoria Group.
www.promemoriagroup.com
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Fondazione Fiera Milano Historical Archive:
archiviostorico.fondazionefiera.it