Accademia di Belle Arti di Bologna
Accademia di Belle Arti di Bologna
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Introduction
Crossing the threshold of the Academy of Fine Arts in Bologna, the entrance corridor presents a look that represents the history and artistic tradition of this institution. In fact, the space preserves an important and majestic corpus of sculptural works set up around 1860, in order to give a fascinating and emblematic perspective view. In the initial part of the corridor, in particular, the numerous bas-reliefs set in the walls grouped in geometric shapes are striking. These are plaster casts of the fifteenth-century panels of the three portals of the Basilica of San Petronio in Bologna which were executed between 1810 and 1820. The originals date back to the '300 and' 400 d.C. including the group of the Porta Magna made by Jacopo della Quercia, the well-known Sienese sculptor.
Plaster cast of the panels of the Porta Maggiore of the Basilica of S. Petronio in BolognaAccademia di Belle Arti di Bologna
As with all-round sculptures, these casts served also as models for students who practiced drawing, still maintaining this educational function. Recently, they have also been used as a fundamental reference for the restoration of the original panels of the door of the Basilica of Piazza Maggiore.
Plaster cast of the panels of the Porta Maggiore of the Basilica of S. Petronio in BolognaAccademia di Belle Arti di Bologna
A plaque on the left wall of the corridor bears witness to the additional decorative value of these panels, placed at the entrance of the Academy to amaze the visitor and show the beauty of art: "Who admires the plaster molds, marveling at the strength and the intelligence of art, preserves the evidence of the existence of the Petroniana Basilica, through the entrance walls instead of through the books".
Plaster cast of the panels of the Porta Maggiore of the Basilica of S. Petronio in BolognaAccademia di Belle Arti di Bologna
A curious anecdote is told about these bas-reliefs. Mr. Pietro Onofri, a man working as a janitor at the Academy, collaborated in the cast of three of the panels, taking the nickname of "il Formetta".
The structure and groups of panels
In the two side walls of the corridor, the different sections of the entire doors are clearly visible although placed in random order. Among all the tiles, those made by Jacopo Della Quercia for the Porta Magna, are recognizable by the subjects represented.
Plaster cast of the panels of the Porta Maggiore of the Basilica of S. Petronio in BolognaAccademia di Belle Arti di Bologna
The jambs of the portal are composed of ten bas-relief panels depicting the Genesis Stories, of which six are visible in the central line of the left side.
Plaster cast of the panels of the Porta Maggiore of the Basilica of S. Petronio in BolognaAccademia di Belle Arti di Bologna
Plaster cast of the panels of the Porta Maggiore of the Basilica of S. Petronio in BolognaAccademia di Belle Arti di Bologna
Plaster cast of the panels of the Porta Maggiore of the Basilica of S. Petronio in BolognaAccademia di Belle Arti di Bologna
The scenes of the New Testament, placed in the architrave of the Porta Magna, are positioned below the arched panels on the right wall.
Plaster cast of the panels of the Porta Maggiore of the Basilica of S. Petronio in BolognaAccademia di Belle Arti di Bologna
The prophets in the middle arc are instead referable to the work of Antonio Minello and Antonio da Ostiglia, except for the Mosé in the center which appears to have been made by Amico Aspertini.
The Genesis Stories
The panels represent some significant episodes of the Genesis Stories, including the Creation of Adam, the Creation of Eve, the original Sin, the Expulsion from the earthly Paradise, the Work of the progenitors, the Sacrifice of Cain and Abel, the Killing of Abel, the Exit from the Ark of Noah, the Awe of Noah and the Sacrifice of Isaac.
Plaster cast of the panels of the Porta Maggiore of the Basilica of S. Petronio in BolognaAccademia di Belle Arti di Bologna
The Creation of Eve
In the Paradise, mentioned only with a chipped rock and two saplings in the background, God creates Eve, with a blessing gesture that makes her rise from the rib of sleeping Adam.
Plaster cast of the panels of the Porta Maggiore of the Basilica of S. Petronio in BolognaAccademia di Belle Arti di Bologna
The original Sin
The scene represents the moment in which Eve captures the forbidden fruit from the tree on which the tempting Serpent is rolled. Adam assists condescendingly.
Plaster cast of the panels of the Porta Maggiore of the Basilica of S. Petronio in BolognaAccademia di Belle Arti di Bologna
The Expulsion from Paradise
The scene is inspired by the vitality of the Expulsion of Masaccio: Jacopo della Quercia copies the pose of eve from Venus Pudica, while further developing the conflict between Adam and the Angel.
Plaster cast of the panels of the Porta Maggiore of the Basilica of S. Petronio in BolognaAccademia di Belle Arti di Bologna
The work of the progenitors.
The environmental notations are very scarce, given only by the ground on which Adam works the earth with difficulty, while Eve, with her children Cain and Abel at her feet, is intent on spinning.
The Scenes of New Testament
The Scenes from the New Testament are located in the historiated architrave. In order Nativity, Adoration of the Magi, Presentation at the Temple, Massacre of the Innocents and Fugue in Egypt
Plaster cast of the panels of the Porta Maggiore of the Basilica of S. Petronio in BolognaAccademia di Belle Arti di Bologna
The other tiles
The remaining panels, made by other artists for the three portals, represent further Scenes of the Old and New Testament and single characters, including Angels bearing the symbols of passion and the eighteen Prophets.
Plaster cast of the panels of the Porta Maggiore of the Basilica of S. Petronio in BolognaAccademia di Belle Arti di Bologna
The Last Supper, located in the architrave of the right portal.
Plaster cast of the panels of the Porta Maggiore of the Basilica of S. Petronio in BolognaAccademia di Belle Arti di Bologna
The baptism of Christ carved in a panel of the right portal.
Plaster cast of the panels of the Porta Maggiore of the Basilica of S. Petronio in BolognaAccademia di Belle Arti di Bologna
Three panels of the left portal represent Jacob's Fight with the Angel, Isaac blesses Jacob, the Burial of Rachel.
Plaster cast of the panels of the Porta Maggiore of the Basilica of S. Petronio in BolognaAccademia di Belle Arti di Bologna
Angels and Prophets depicted in the three series of arches of the central portal.
Curated by
Silvia Bidoli
assistant for the Google Art & Culture project / Academy of Fine Art Bologna
Prof. Daniele Campagnoli
referent for the Google Art & Culture project / Academy of Fine Art Bologna
with the supervision of
Prof. Alfonso Panzetta
referent for the sculpture fund / Academy of Fine Art Bologna
thanks to
Debora Mila Zoboli
student of the Restoration Course
for having shared the research material of her thesis dedicated to the panels
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