Van Castle by UrartiansThe Directorate General of Cultural Assets and Museums of Türkiye
The Urartians were one of the most fascinating Near Eastern civilizations of the first half of the first millennium BC. They were known for their highly developed architecture and organized government.
Urartian Votive PlateThe Directorate General of Cultural Assets and Museums of Türkiye
The Kingdom of Urartu was ruled by a centralized government that was closely tied to religion. The king had a large group of administrators and a private army that was directly under his command. The capital city of Tushpa was home to both the government and the army.
The earliest known reference to the kingdom of Urartu is a rock inscription found at Tushpa, in the modern-day city of Van, Türkiye. The inscription states that the land of Urartu was ruled by a king named Sarduri.
Meher Gate by UrartiansThe Directorate General of Cultural Assets and Museums of Türkiye
Religion
The inscription on the Gate of Meher is undoubtedly the most important inscription providing detailed information about the Urartian state religion. The inscription is in Urartian language and is carved into the main rock. It has three moldings.
Meher Gate by UrartiansThe Directorate General of Cultural Assets and Museums of Türkiye
The inscription lists the Urartu pantheon. The list contains the names of 79 gods and goddesses and the number of sacrifices that should be offered to them. The three most important gods are the chief deity Haldi, the storm god Teišeba, and the god of the sun Šiuini.
Anzaf Shield by UrartiansThe Directorate General of Cultural Assets and Museums of Türkiye
As it is understood from the Urartian depictions, bulls, lions, winged lions, sphinxes and the tree of life are important sacred motifs (Shield from the Anzaf castle, Van Museum).
Animation of serving drinks in a libation cup (Urartu Period)The Directorate General of Cultural Assets and Museums of Türkiye
A series of ceremonies were held in the name of Haldi. These ceremonies were directed by the priests; ordinary people were probably not included. Sacrifices were presented, offerings were made and seeds were scattered to increase fertility.
Urartian Sword and shield, temple gift for libationThe Directorate General of Cultural Assets and Museums of Türkiye
The gifts presented to the god Haldi were hung on the temple walls. Among these gifts were weapons such as decorated shields, helmets, quivers, spears and arrow tips.
Language
Although there is still no clear information about which language family Urartian belongs to, the common view is that there is a connection with Hurrian. It is believed that the languages share a common origin and developed into two separate languages (Urartu Stele, Van Museum).
Urartian InscriptionThe Directorate General of Cultural Assets and Museums of Türkiye
The inscriptions devoted to the kings of Urartu describe their military expeditions and victories, the public works they built, and other activities. Inscriptions are carved on hard stones such as limestone, andesite and basalt.
Urartian Bronze DiscsThe Directorate General of Cultural Assets and Museums of Türkiye
These inscriptions can be found on steles, rock surfaces, temples and rock tombs such as the one in Van Castle. In addition, there are inscriptions on many bronze artifacts, especially on the objects used as offerings to gods.
Urartian StoneworksThe Directorate General of Cultural Assets and Museums of Türkiye
Stonework
Urartians built magnificent castles. They shaped stone and made it aesthetically pleasing with reliefs built using scraping, carving and pouring techniques. All excavated examples of stonework reveal the monumentality of Urartian art.
Urartian JewelryThe Directorate General of Cultural Assets and Museums of Türkiye
There are high examples of Urartu art in prominent museums of Türkiye.
Urartian JewelryThe Directorate General of Cultural Assets and Museums of Türkiye
One of the most important areas of Urartu art was metal processing. Jewelry was used to signify social status and was widely used by the Urartian elites.
Urartian Bronze BeltThe Directorate General of Cultural Assets and Museums of Türkiye
In Urartian society, people from all walks of life used two types of belts that were tied to the shoulder and the waist over the mantle.
The Urartians believed that these belts provided symbolic protection, and they were also presented to the gods as offerings and placed at burial sites (Urartian bronze belt, Van Museum)
Urartian Belt PieceThe Directorate General of Cultural Assets and Museums of Türkiye
The belts are decorated with mythological and religious scenes, geometric and herbal motifs, chariots, mounted warriors, pedestrians, hunting scenes, animals, ceremonial scenes and paintings of castles (Urartian belt piece, Istanbul Archaeological Museums).
Urartian SealsThe Directorate General of Cultural Assets and Museums of Türkiye
The Urartian seals were made of materials such as stone, gold, silver, bronze, iron, terracotta and bone. In addition to cuneiform writings and hieroglyphs, they often depicted animals, hunting scenes, and religious and mythological scenes (Urartian seals, Van Museum).
After the Urartians became a centralized kingdom, they mastered the production of pottery. Characteristic examples of Urartian pottery were usually primed dark red and burnished (Urartian pitcher, Van Museum).
Urartian chalice and libation vesselThe Directorate General of Cultural Assets and Museums of Türkiye
The ceramics had a dark red color, brought out due to the high heat during firing and the iron minerals in the dough (Urartian libation vessel and chalice, Van Museum).
During excavations of Urartian settlements, samples of wooden furniture, numerous metal and ivory ornament pieces used in decoration, and hair pins were recovered (Urartian ivory winged genie, Museum of Anatolian Civilizations).
Urartian Ivory Lion StatuesThe Directorate General of Cultural Assets and Museums of Türkiye
There are traces of gold on these ivory artifacts. It is believed that these ivory artifacts were processed and covered with gold leaves. They were decorated with motifs such as winged genies, mythological creatures, animals, and the tree of life.
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