URBE - Mostra de Arte Pública - City Center, SP

An analogy to the rapid and shocking flow, which never stops, as the volume of information and people that circulates through the city and often transcends the physical environment, becoming metaphorical.

The work could be perceived during the day, but it reached its maximum impact during the night, creating a spatial and virtual narrative.

The work that the Urbanscreen produced for the facade of the São Paulo City Hall considered the building as an active object.

The idea was to show how the building was inserted in the context of the city, reflecting the mutation of its population through images representing the various faces of the people that circulate around the city center.

All the positive energy and beauty lived daily by millions of people was illustrated through this projection on the facade of the iconic building designed by the architect Marcello Piacentini.

The building as a static object, fixed like a rock in the sea, rises as the same time as daily life floats around it like waves.

The purpose of the work was to unveil and show the energy, usually invisible, relating the architecture to the demographic flow of the crowd, which, by moving slowly, reorganized the facade, giving rise to an intense vibration on the identity diversity of a megalomaniac metropolis

For math, all empty sets are equal, and so it is possible to speak of a single set without elements. The zero represents the emptiness, which is the constituent of infinity. The micro and macro voids are the same.

The center of the city of São Paulo, in particular, is full of these contrasts. The work "Conexão" generated an environment conducive to this observation. Sounds from the extremes of the spectra were related to simple geometric elements, in creating a full and empty space at the same time.

The mere fact of people walking down Quitanda Street has already provided the necessary subsidy to the existence of the installation. Without the flow of people, work would be a hodgepodge of empty technology.

Work and public merged into this ephemeral and at the same time perceptible architecture.

An installation that evokes the absurd and the symbolic as a geometric entity.

Proposed an ironic and thoughtful look at religion and the current historical moment, using the principles of analog and visual technology to construct a large structure of geometric format.

The structure was constructed in such a way that during the day it reflected or caused a refraction of the natural light and, at night, illuminated, it allowed the interaction with the public, transforming it into an observatory of the region of the Anhangabaú Valley.

The graffiti of São Paulo is unique both for its complexity of organization and for its aesthetic execution. The objective of the work was to highlight the evolution of this aesthetic and its consequent contextual adaptation

The issue was not to create value judgments, but to approach and give density to the study of something so Paulistan, bringing the ordinary citizen closer to this urban manifestation.

The support chosen for the creation was the red neon, which lit the facade of the CCBB and invited the public to occupy the streets of the center, including at the night time.