Malarstwo, drzeworyt, ukiyo-e.
Thirty-Six Views of Mount Fuji: The Great Wave Off the Coast of Kanagawa, Katsushika Hokusai, Edo period, 19th century, From the collection of: Tokyo National Museum
A MILD BREEZE ON A FINE DAY, from the Thirty-six Views of Mt. Fuji, Katsushika Hokusai, ca. 1831, Edo period, From the collection of: MOA Museum of Art
Shower Below the Summit (Sanka hakuu), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei), Katsushika Hokusai (Japanese, 1760–1849), About 1830-32, From the collection of: The Art Institute of Chicago
Kumoi-Zakura (Kumoi Cherry Trees), Hiroshi Yoshida, 1920, From the collection of: The Toledo Museum of Art
Pine Trees, Hasegawa Touhaku, Azuchi-Momoyama period, 16th century, From the collection of: Tokyo National Museum
RED AND WHITE PLUM BLOSSOMS (National Treasure), Ogata Korin, Edo period, 18th c. - Edo period, 18th c., From the collection of: MOA Museum of Art
Six-Panel Painted Screen (Uji Bridge), Unknown, 1800/1899, From the collection of: Philbrook Museum of Art
Tale of Genji, Unknown, Momoyama period, late 16th-early 17th century, From the collection of: Osaka City Museum of Fine Arts
Oirase Ravine (Autumn), Okuda Gensō, 1983, From the collection of: Yamatane Museum of Art
Autumn Leaves, Yokoyama Taikan, 1931, From the collection of: Adachi Museum of Art
Divine Spirit (Mt. Fuji), Yokoyama Taikan, 1952, From the collection of: Yamatane Museum of Art
Mt. Penglai (Mountain of Immortals), Yokoyama Taikan, 1948, From the collection of: Adachi Museum of Art
Shono from the Fifty-three Stations on Tokaido Highway, Hoeido version, Utagawa Hiroshige (the first), 1797/1858, From the collection of: Suntory Museum of Art
Trees, Artist: Master of I-nen Seal, mid 17th century, From the collection of: Smithsonian's National Museum of Asian Art
Good Omen, Yamamoto Shunkyo, 1931, From the collection of: Adachi Museum of Art
A Breath of Spring, Artist: Zou Fulei, Inscription: Inscription by Qianlong Emperor, Calligrapher: Frontispiece by Yang Yu, Colophon: Colophon by Yang Weizhen, Colophon: Colophon by Gu Yan, Colophon: Colophon by Guo Baochang, 1360, From the collection of: Smithsonian's National Museum of Asian Art
Reworking the classics, Koon Wai-bong, 2008, From the collection of: Hong Kong Museum of Art
Inverse, Tian Chi, 2001, From the collection of: Hong Kong Museum of Art
Sunset, Chao Shao-an, 1962, From the collection of: Hong Kong Heritage Museum
Plum in the misty night, Chao Shao-an, 1967, From the collection of: Hong Kong Heritage Museum
White peacock, Chao Shao-an, 1969, From the collection of: Hong Kong Heritage Museum
River Li in misty rain, Chao Shao-an, 1943, From the collection of: Hong Kong Heritage Museum
Malayan sunset, Chao Shao-an, 1950/1960, From the collection of: Hong Kong Heritage Museum
Breaking off a Plum Branch, Suzuki Harunobu, 1767/1768, From the collection of: Yamatane Museum of Art
Green Maple and Waterfall, Maruyama Okyo, Edo period (dated 1787), From the collection of: Suntory Museum of Art
Sunset, Sakakibara Shiho, 1913, From the collection of: Adachi Museum of Art
Monochromatic Plum Blossoms, Sakakibara Shiho, 1966, From the collection of: Adachi Museum of Art
Lotus and Ducks, Artist: Bada Shanren (Zhu Da), Colophon: Colophon by Wu Changshuo ???, ca. 1696, From the collection of: Smithsonian's National Museum of Asian Art
One Hundred and Eight Heroes from the Chinese Tale, The Water Margin: Zhang Shun, alias White Stripe in the Waves, Utagawa Kuniyoshi, Edo period, 19th century, From the collection of: Tokyo National Museum
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