Se muer[en] (They are dying), about 1825 - 1828, From the collection of: The J. Paul Getty Museum
Bullfight, Suerte de Varas, Francisco José de Goya y Lucientes (Francisco de Goya), 1824, From the collection of: The J. Paul Getty Museum
(Front, stitched), From the collection of: The J. Paul Getty Museum
The Sleep of Reason Produces Monsters, Francisco de Goya y Lucientes, 1799, From the collection of: Museum of Fine Arts, Budapest
The Wife of Ceán Bermúdez, Francisco de Goya y Lucientes, ca. 1785, From the collection of: Museum of Fine Arts, Budapest
Saint Joseph's Dream (El Sueño de San José), Francisco de Goya y Lucientes, c. 1772, From the collection of: Museo de Zaragoza
Venus and Adonis (Venus y Adonis), Francisco de Goya y Lucientes, 1771, From the collection of: Museo de Zaragoza
Portrait of King Charles IV (Retrato del Rey Carlos IV), Francisco de Goya y Lucientes, 1789, From the collection of: Museo de Zaragoza
Portrait of Francisco Javier Goya (Retrato de Francisco Javier Goya), Francisco de Goya y Lucientes, 1805, From the collection of: Museo de Zaragoza
Boy on a Ram, Francisco José de Goya y Lucientes (Spanish, 1746–1828), 1786/87, From the collection of: The Art Institute of Chicago
The School Scene (La Letra con Sangre Entra), Francisco de Goya y Lucientes, 1780 - 1785, From the collection of: Museo de Zaragoza
Two Majas Embracing (recto); Maja Parading before Three others (verso), Francisco José de Goya y Lucientes, ca. 1796 - 1797, From the collection of: Princeton University Art Museum
Allegory of Love, Cupid and Psyche [?], Francisco de Goya, 1798 - 1805, From the collection of: Museu Nacional d'Art de Catalunya - MNAC, Barcelona
The Repentant St. Peter, Francisco José de Goya, circa 1820-1824, From the collection of: The Phillips Collection
Portrait of the Matador Pedro Romero, Francisco de Goya, c. 1795–98, From the collection of: Kimbell Art Museum
Bartolomé Sureda y Miserol, Francisco Goya, c. 1803/1804, From the collection of: National Gallery of Art, Washington DC
Portrait of King Ferdinand VII (Retrato del Rey Fernando VII), Francisco de Goya y Lucientes, 1815, From the collection of: Museo de Zaragoza
Self-Portrait with Dr. Arrieta, Francisco de Goya, 1820, From the collection of: Minneapolis Institute of Art
The Death of Saint Francis Xavier (La Muerte de San Francisco Javier), Francisco de Goya y Lucientes, 1771 - 1774, From the collection of: Museo de Zaragoza
The Forge, Francisco de Goya y Lucientes, Around 1815-1820, From the collection of: The Frick Collection
Portrait of Félix Colón de Larriátegui, Francisco José de Goya y Lucientes, 1794, From the collection of: Indianapolis Museum of Art at Newfields
Bullfight in a Divided Ring, Francisco de Goya y Lucientes, 1825, From the collection of: Museo de Huesca
Still Life with Golden Bream, Francisco de Goya, 1808 - 1812, From the collection of: The Museum of Fine Arts, Houston
A Picador Caught by a Bull, Francisco de Goya y Lucientes, 1825, From the collection of: Museo de Huesca
Portrait of Luis María de Borbón y Vallabriga (Retrato de Luis Maria de Borbon y Vallabriga), Francisco de Goya y Lucientes, 1783, From the collection of: Museo de Zaragoza
The sleep of reason produces monsters (No. 43), from Los Caprichos, Francisco José de Goya y Lucientes, 1799, From the collection of: The Nelson-Atkins Museum of Art
Monk Talking to an Old Woman, Francisco José de Goya y Lucientes, 1824/1825, From the collection of: Princeton University Art Museum
Hannibal Crossing the Alps (Anibal Cruzando los Alpes), Francisco de Goya y Lucientes, 1771, From the collection of: Museo de Zaragoza
Saint Gregory the Great, Pope, Francisco de Goya, 1796 - 1799, From the collection of: Museo Nacional del Romanticismo
Portrait of Gumersinda Goicoechea y Galarza (Retrato de Gumersinda Goicoechea y Galarza), Francisco de Goya y Lucientes, 1805, From the collection of: Museo de Zaragoza
The Famous American, Mariano Ceballos, Goya y Lucientes, Francisco de, 1825, From the collection of: Museo Lázaro Galdiano
The Famous American, Mariano Ceballos, Francisco de Goya y Lucientes, 1825, From the collection of: Museo de Huesca
Spanish Entertainment, Francisco de Goya y Lucientes, 1825, From the collection of: Museo de Huesca
Woman Carried off by a Horse, Goya y Lucientes, Francisco de, 1815 - 1819, From the collection of: Museo Lázaro Galdiano
Isabel de Borbon, Queen of Spain, on Horseback, Goya y Lucientes, Francisco de, 1778, From the collection of: Museo Lázaro Galdiano
Poor Folly, Goya y Lucientes, Francisco de, 1815 - 1819, From the collection of: Museo Lázaro Galdiano
Precise Folly, Goya y Lucientes, Francisco de, 1815 - 1819, From the collection of: Museo Lázaro Galdiano
Well-Know Folly, Goya y Lucientes, Francisco de, 1815 - 1819, From the collection of: Museo Lázaro Galdiano
Feminine Folly, Goya y Lucientes, Francisco de, 1815 - 1819, From the collection of: Museo Lázaro Galdiano
Flying Folly, Goya y Lucientes, Francisco de, 1815 - 1819, From the collection of: Museo Lázaro Galdiano
Disorderly Folly, Goya y Lucientes, Francisco de, 1815 - 1819, From the collection of: Museo Lázaro Galdiano
Ridiculous Folly, Goya y Lucientes, Francisco de, 1815 - 1819, From the collection of: Museo Lázaro Galdiano
Cruel Folly, Goya y Lucientes, Francisco de, 1815 - 1819, From the collection of: Museo Lázaro Galdiano
A Way of Flying, Goya y Lucientes, Francisco de, 1815 - 1819, From the collection of: Museo Lázaro Galdiano
Bullfing in a Divided Ring, Goya y Lucientes, Francisco de, 1825, From the collection of: Museo Lázaro Galdiano
Fearful Folly, Goya y Lucientes, Francisco de, 1815 - 1819, From the collection of: Museo Lázaro Galdiano
Fool`s Folly, Goya y Lucientes, Francisco de, 1815 - 1819, From the collection of: Museo Lázaro Galdiano
Animal Folly, Goya y Lucientes, Francisco de, 1815 - 1819, From the collection of: Museo Lázaro Galdiano
The Dwarf, Sebastián de Morra, at the Court of Felipe IV, Goya y Lucientes, Francisco de, 1778, From the collection of: Museo Lázaro Galdiano
Mariano Ceballos, called "el Indio", kills the bull from horseback, Goya y Lucientes, Francisco de, 1816, From the collection of: Museo Lázaro Galdiano
The custody of a criminal does not require torture, Goya y Lucientes, Francisco de, ca. 1859, From the collection of: Museo Lázaro Galdiano
Woman Reading to two Children, Goya y Lucientes, Francisco de, 1819 - 1822, From the collection of: Museo Lázaro Galdiano
Where There's a Will There's a Way (A way of Flying), Francisco José de Goya y Lucientes, circa 1815 - 1824, From the collection of: Museum Boijmans Van Beuningen
Antonio Veián y Monteagudo, Francisco de Goya y Lucientes, 1782, From the collection of: Museo de Huesca
Ways of Flying, Goya y Lucientes, Francisco de, 1816, From the collection of: Museo Lázaro Galdiano
Escena de Inquisición, Francisco de Goya, 1808/1812, From the collection of: Real Academia de Bellas Artes de San Fernando
Portrait of Martín Zapater, Francisco de Goya, 1797, From the collection of: Museo de Bellas Artes de Bilbao
Self-Portrait, Goya y Lucientes, Francisco de, 1799, From the collection of: Museo Lázaro Galdiano
The Blind Singer, Goya y Lucientes, Francisco de, 1824 - 1828, From the collection of: Museo Lázaro Galdiano
Manner of Flying, plate 13 in "Proverbs", Francisco Goya (De Goya y Lucientes), 1865–66, From the collection of: Cooper Hewitt, Smithsonian Design Museum
The Renowned American Mariano Cebellos, Francisco de Goya, 1825, From the collection of: Minneapolis Institute of Art
Cheap Covered Coach, Goya, Francisco de, 1824-1828, From the collection of: Museo Cerralbo
Godoy como general, Francisco de Goya, 1801, From the collection of: Real Academia de Bellas Artes de San Fernando
Manuel Quijano, Francisco de Goya, 1815, From the collection of: Museu Nacional d'Art de Catalunya - MNAC, Barcelona
La Tirana, Francisco de Goya, 1792, From the collection of: Real Academia de Bellas Artes de San Fernando
She Prays for Her (Ruega por ella), 1796, From the collection of: Dallas Museum of Art
Those Specks of Dust (Aquellos Polbos), 1799, From the collection of: Dallas Museum of Art
Retrato de Juan de Villanueva, Francisco de Goya, 1805, From the collection of: Real Academia de Bellas Artes de San Fernando
Corrida de toros en un pueblo, Francisco de Goya, 1808/1812, From the collection of: Real Academia de Bellas Artes de San Fernando
Retrato ecuestre de Fernando VII, Francisco de Goya, 1808, From the collection of: Real Academia de Bellas Artes de San Fernando
Retrato de Leandro Fernández Moratín, Francisco de Goya, 1799, From the collection of: Real Academia de Bellas Artes de San Fernando
Beware of the Advice, Francisco José de Goya, circa 1806-1812, From the collection of: The Phillips Collection
They Play Another with the Cape... from L, Francisco José de Goya, 1816, From the collection of: The Phillips Collection
La casa de locos, Francisco de Goya, 1808/1812, From the collection of: Real Academia de Bellas Artes de San Fernando
Los disciplinantes, Francisco de Goya, 1808/1812, From the collection of: Real Academia de Bellas Artes de San Fernando
Portrait of the Poet Moratín, Francisco de Goya, 1824, From the collection of: Museo de Bellas Artes de Bilbao
Who Would Have Thought It! (Quien lo creyera!), 1794–1796, From the collection of: Dallas Museum of Art
Charles Quint Lançant Un Taureau, Francisco José de Goya, undated, From the collection of: The Phillips Collection
A Moor Caught by the Bull... from La Tauromaquia, Francisco José de Goya, 1816, From the collection of: The Phillips Collection
Retrato de José Munárriz, Francisco de Goya, 1815, From the collection of: Real Academia de Bellas Artes de San Fernando
Disparate Alegre (Merry Folly), Francisco José de Goya y Lucientes (Spanish, b.1746, d.1828), Circa 1816 - Circa 1817, From the collection of: Cincinnati Art Museum
Incendio de un hospital, Francisco José de GOYA Y LUCIENTES, 1808 - 1812, From the collection of: Museo Nacional de Bellas Artes de Argentina
The Blind Worker, c. 1815-1820, Francisco de Goya, c.1815-1820, From the collection of: Albertina Museum
Aparición de San Isidoro al Rey Fernando el Santo ante los muros de Sevilla, Francisco José de GOYA Y LUCIENTES, 1798/1800, From the collection of: Museo Nacional de Bellas Artes de Argentina
Muy accordes (They’re very much in harmony), Francisco Goya, ca. 1816-20, From the collection of: The Morgan Library & Museum
Señora Sabasa Garcia (c. 1806) by Francisco José de Goya y Lucientes (1746-1828), Warner-Artex, 1962, From the collection of: Cooper Hewitt, Smithsonian Design Museum
This is too much! (Fuerte cosa es!) from the series The Disasters of War (Los Desastres de la Guerra), Francisco de Goya, 1810-20 - 1863, From the collection of: The Museum of Fine Arts, Houston
Vain laments (Clamores en vano) from the series The Disasters of War (Los Desastres de la Guerra), Francisco de Goya, 1810-20 - 1863, From the collection of: The Museum of Fine Arts, Houston
Letter to Martín Zapater, Goya y Lucientes, Francisco de, 1783, From the collection of: Museo Lázaro Galdiano
They've already got a seat plate 26 from the series 'Los Caprichos' (The Caprices), Francisco GOYA, 1797-98, From the collection of: Art Gallery of South Australia
Seated Giant, Francisco Goya y Lucientes, 1818, From the collection of: Museum of Fine Arts, Boston
Autorretrato ante el caballete, Francisco de Goya, 1785, From the collection of: Real Academia de Bellas Artes de San Fernando
Not [in this case] either (Tampoco) from the series The Disasters of War (Los Desastres de la Guerra), Francisco de Goya, 1810-20 - 1863, From the collection of: The Museum of Fine Arts, Houston
The women give courage (Las mugeres dan valor) from the series The Disasters of War (Los Desastres de la Guerra), Francisco de Goya, 1810-20 - 1863, From the collection of: The Museum of Fine Arts, Houston
Las rinde el sueño [Sleep Overcomes Them], plate 34 from Los Caprichos, Francisco José de Goya y Lucientes, 1797/1799, From the collection of: Blanton Museum of Art
Night Scene from the Inquisition, Francisco Goya, Antagelig 1810, From the collection of: The National Museum of Art, Architecture and Design, Norway
Hasta la muerte (Until Death), Plate 55 from the series Los Caprichos (The Caprices), Francisco de Goya, published 1799, first edition, From the collection of: The Museum of Fine Arts, Houston
The same (Será lo mismo) from the series Disasters of War (Desastres de la Guerra), Francisco de Goya, 1810-20 - 1863, From the collection of: The Museum of Fine Arts, Houston
The Clever 'Student of Falces' Infuriates the Bull by Moving about Wrapped in his Cloak, Plate 14, Francisco de Goya, 1814 - 1816, From the collection of: The Museum of Fine Arts, Houston
The Threshing Floor, Goya y Lucientes, Francisco de, 1786 - 1787, From the collection of: Museo Lázaro Galdiano
¿Si sabra más el discípulo? (Might the pupil know more?), Plate 37 from Los Caprichos, Francisco de Goya, first published 1799, From the collection of: The Museum of Fine Arts, Houston
I saw it (Yo lo vi) from the series The Disasters of War (Los Desastres de la Guerra), Francisco de Goya, 1810-20 - 1863, From the collection of: The Museum of Fine Arts, Houston
A Maja with Two Toreros, Follower of Francisco de Goya, 1779 - 1780, From the collection of: The Museum of Fine Arts, Houston
Simpleton plate 4 from the series 'Los Disparates' (The Follies), Francisco GOYA, 1816-23, From the collection of: Art Gallery of South Australia
The Cid Campeador Attacking a Bull with His Lance, Francisco de Goya, 1814 - 1816, From the collection of: The Museum of Fine Arts, Houston
El Entierro de la Sardina, Francisco de Goya, 1808/1812, From the collection of: Real Academia de Bellas Artes de San Fernando
Portrait of the Countess of Chinchon, Goya Goya y Lucientes, Around 1800, From the collection of: Uffizi Gallery
Credits: All media
This user gallery has been created by an independent third party and may not represent the views of the institutions whose collections include the featured works or of Google Arts & Culture.
The J. Paul Getty Museum
Real Academia de Bellas Artes de San Fernando
Museo de Zaragoza
Cooper Hewitt, Smithsonian Design Museum
The Art Institute of Chicago
The Frick Collection
The Phillips Collection
Indianapolis Museum of Art at Newfields
Museu Nacional d'Art de Catalunya - MNAC, Barcelona
Museum of Fine Arts, Budapest
Museo Nacional del Romanticismo
Kimbell Art Museum
Princeton University Art Museum
The Morgan Library & Museum
Uffizi Gallery
Museo de Huesca
The Museum of Fine Arts, Houston
Cincinnati Art Museum
Museum Boijmans Van Beuningen
Museo Cerralbo
Museo Nacional de Bellas Artes de Argentina
Albertina Museum
Museo Lázaro Galdiano
Dallas Museum of Art
The Nelson-Atkins Museum of Art
Art Gallery of South Australia
National Gallery of Art, Washington DC
The National Museum of Art, Architecture and Design, Norway
Museum of Fine Arts, Boston
Minneapolis Institute of Art
Blanton Museum of Art
Museo de Bellas Artes de Bilbao