The Female Rückenfigur

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This user gallery has been created by an independent third party and may not represent the views of the institutions whose collections include the featured works or of Google Arts & Culture.

Curated by Melody Cheng. Works by Caspar David Friedrich (German, 1774 – 1840), Romanticism, landscape painting

Monk by the Sea, Caspar David Friedrich, 1808/1810, From the collection of: Alte Nationalgalerie, Staatliche Museen zu Berlin
Rückenfigur, a German term meaning "the turned figure", is a pictorial characteristic applied by Casper David Friedrich.
Pilgrim in a Rocky Valley, Carl Gustav Carus, after 1828/1830, From the collection of: Alte Nationalgalerie, Staatliche Museen zu Berlin
Joseph Leo Koerner examines the effects of using the turned figure as a mediator between viewers and his vision and a compositional device.
Moonrise over the Sea, Caspar David Friedrich, 1822, From the collection of: Alte Nationalgalerie, Staatliche Museen zu Berlin
The lone male figure in Friedrich’s paintings has attracted attention of many scholars. By contrast, the female Rückenfigur seems to be neglected.
Woman at a Window, Caspar David Friedrich, 1822, From the collection of: Alte Nationalgalerie, Staatliche Museen zu Berlin
The lone woman is often positioned in a domestic setting. Leaning on the sill, the woman looks comfortable to stay indoors to view the irregular trees and clouds. She is by no means an eager wanderer.
Credits: All media
This user gallery has been created by an independent third party and may not represent the views of the institutions whose collections include the featured works or of Google Arts & Culture.
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