Take a Tour of the RIGA BOURSE

The museum’s building is an architectural monument of national importance and houses the largest foreign art collection in Latvia.

IMG_3157The Art Museum RIGA BOURSE

The building was built between 1852 and 1855 for the purpose of the Riga Stock Exchange. It was designed by the architect Harald Julius von Bosse (1812–1894) in the style of a Venetian Renaissance palazzo symbolising wealth and abundance.

Now the building's historical interiors interact with the museum collections, creating a united ensemble.

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The European Art Gallery is located in the most luxurious rooms of the building on the 4th floor.

Once the balls were held here, music was played from the balcony, abundant banquets were made, and life was celebrated.

Although the functions of the rooms have changed completely, the idea of splendour and enjoying life remains in this historicism-style interior.

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The gallery has been deliberately given a 19th-century feeling because it was the time of the formation of the building’s interior and the time of passionate collecting.

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The painting display has been arranged by chronologically systematising the best quality 16th–19th-century works by national schools and genres – Dutch, Flemish, German, Italian, Austrian and other artists.

River Landscape, Salomon van Ruysdael (1600/1603, Naarden–1670, Haarlem), 1642, From the collection of: The Art Museum RIGA BOURSE
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The Prodigal Son, Christoph van der Lamen (ca 1606/1615, Brussels–1651, Antwerp), 1620–1650s, From the collection of: The Art Museum RIGA BOURSE
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Man with a Carnation, Unknown artist, Frankfurt School, Early 16th century, From the collection of: The Art Museum RIGA BOURSE
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Musical Society, Niccolo Renieri (ca 1590, Maubeuge–1667, Venice), 17th century, From the collection of: The Art Museum RIGA BOURSE
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Portrait of Charlotte Aglae d'Orleans, Pierre Gobert (1662, Fontainebleau–1744, Paris), ca 1716–1718, From the collection of: The Art Museum RIGA BOURSE
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The Death of Siegmund, Hans Makart (1840, Salzburg–1884, Vienna), 1883, From the collection of: The Art Museum RIGA BOURSE
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The gallery next to the painting display showcases 18th–20th-century European porcelain - German, Austrian, English, Danish, French porcelain and ceramic, and Swedish glass design examples.

Epergne, Ernst August Leuteritz (1818–1893), 1886, From the collection of: The Art Museum RIGA BOURSE
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Bonds of Hymenaios (Spiritual Love), Christian Gottfried Juchtzer (1752–1812), ca 1850, From the collection of: The Art Museum RIGA BOURSE
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Allegory of Europe from the series “The Four Continents”, Meissen Porcelain Manufactory, ca 1850, From the collection of: The Art Museum RIGA BOURSE
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Tea caddy with cover, Meissen Porcelain Manufactory, First half of the 18th century, From the collection of: The Art Museum RIGA BOURSE
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The collection of the first porcelain manufactory in Europe – Meissen – is especially noteworthy.

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The former safe room has been transformed into the Silverware Chamber and is a display of items from the museum’s precious metals collection, covering the period from the late 17th century until the early 20th century.

Faberge Carafes, Peter Carl Faberge (1846, Saint Petersburg–1920, Lausanne), Late 19th century - Early 20th century, From the collection of: The Art Museum RIGA BOURSE
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Document Chest with the Schwartz Family Coat of Arms, Erik Bakstad (1880 (?) –1904), 1894, From the collection of: The Art Museum RIGA BOURSE
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Goblet with Lid, Jacob Peltz (craftsman 1562–1590), 1560s–1580s, From the collection of: The Art Museum RIGA BOURSE
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Candelabrum Showing the Family Tree of the Barons von Fircks, Unknown, 1876, From the collection of: The Art Museum RIGA BOURSE
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Conical Cup with the von Nolcken Coat of Arms, Johann Friedrich Lamoureux (1728–1797), Late 18th century, From the collection of: The Art Museum RIGA BOURSE
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A Pair of Candlesticks, Johann Sigmund Christeine (c. 1776–1831), 1805, From the collection of: The Art Museum RIGA BOURSE
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The small exhibition provides an insight into what sacred, decorative or daily use silverware once belonged to the people of Latvia, churches, and public and military organizations.

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The Asian Art Gallery is situated on the 3rd floor of the museum and introduces visitors to the sizeable Asian Art Collection.

Figure of Guanyin, Dehua area kiln, Late 19th century, Qing dynasty, From the collection of: The Art Museum RIGA BOURSE
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Satsuma vases Satsuma vases, Tomoyama (also read as Hōzan) (朋山), Meiji Period (1868–1912), From the collection of: The Art Museum RIGA BOURSE
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Madurai Veeran and His Two Lovers Pommi and Vellaiyamma, Unknown artist, Tanjore school, Late 19th – Early 20th century, From the collection of: The Art Museum RIGA BOURSE
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Buddha, Unknown, Late 18th century – Early 19th century, From the collection of: The Art Museum RIGA BOURSE
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Ganesha, Unknown, Late 19th century, From the collection of: The Art Museum RIGA BOURSE
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Plate, Jingdezhen ceramic kiln, decorated in Guangdong province, ca 1879–1880, Qing dynasty, From the collection of: The Art Museum RIGA BOURSE
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The traditional art of China, Japan, India, and Southeast Asia from the 17th to the 21st century is exhibited in separate rooms of the gallery.

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The display reflects on various aspects of aesthetics, religion, philosophy, and everyday life in Asia, and, at the same time, shows diverse techniques, forms, materials and storylines distinctive to each culture.

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The Ancient Egypt Chamber is located in one of the safes of the former Riga Stock Exchange.

The doors decorated in neo-Gothic style have retained their original form allowing us to visualise the time when it was an important and well-guarded room.

Statue of Meryra (ca 1400–1352 BC) by UnknownThe Art Museum RIGA BOURSE

Next to the entrance of the Chamber, a significant work of the collection is displayed – the granite sculpture of Meryra, a high-ranking official of the 18th Dynasty of the New Kingdom.

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Pre-Dynasty period Badari-Naqada ceramics and ritual palettes, made between 4400–3200 BC are the oldest objects in the museum collection.

However, the Dynasty period is represented with alabaster vessels, scarabs, amulets, shabti, and bronze statuettes of deities and animals.

Decorated jar depicting a boat, Unknown, ca 3800–3300 B.C., From the collection of: The Art Museum RIGA BOURSE
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Palette with double bird motif, Unknown, ca 3500–3200 B.C., From the collection of: The Art Museum RIGA BOURSE
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Black-topped jar, Unknown, ca 4400–3300 B.C., From the collection of: The Art Museum RIGA BOURSE
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Offering dish, Unknown, ca 3100–2700 B.C., From the collection of: The Art Museum RIGA BOURSE
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Shabti of Sethos I Shabti of Sethos I, From the collection of: The Art Museum RIGA BOURSE
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Scarab with the name of Ramesses II Scarab with the name of Ramesses II, From the collection of: The Art Museum RIGA BOURSE
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The Ancient Greek and Roman Art Chamber introduces the visitors to Ancient Greek pottery, Ancient Greek and Roman coins as well as marble sculptures from the collection.

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The Ancient pottery collection shows items of Ancient Greeks and its southern colonies – Puglia and Gnathia, Etruscan and ancient Italian tribes in Messapia and Daunia from the 15th–2nd century BC, allowing to trace the developmental periods and diversity of form and decoration.

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Ancient numismatics collection includes coins from Ancient Greece, Hellenistic kingdoms as well as the Roman Republic and the Roman Empire, dating from the 6th century BC to the 4th century AD.

Denarius of Caligula Denarius of Caligula, Unknown, 40 AD, From the collection of: The Art Museum RIGA BOURSE
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Denarius of Augustus Octavianus Denarius of Augustus Octavianus, Unknown, 2 BC – 4 AD, From the collection of: The Art Museum RIGA BOURSE
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Torso of Eros, Unknown, 2nd century AD, From the collection of: The Art Museum RIGA BOURSE
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Coins of the Roman Empire make up the largest part of the collection. They cover almost the entire period of the Empire, representing most of its rulers from Augustus to Valentinian II. The ancient sculpture is represented by three marble sculptures – Roman copies (1st–2nd century AD) from Greek originals.

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The exhibition of works by the outstanding artist and thinker Nicholas Roerich (1874–1947) is also located on the 3rd floor of the museum. The tranquillity of this room helps viewers delve into the Himalayan peaks created by the master with an amazingly clean tempera palette.

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Nicholas Roerich’s family roots are connected to Latvia, and since the 1930s Riga has a collection of his bestowed paintings, which the artist himself sent from India to the Latvian Roerich Society Museum (1930–1940).

On the Heights (Tummo), Nicholas Roerich (Николай Константинович Рерих, 1874‒1947), 1936, From the collection of: The Art Museum RIGA BOURSE
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Kuluta, Nicholas Roerich (Николай Рерих, 1874–1947), 1936, From the collection of: The Art Museum RIGA BOURSE
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Bhagavan, Nicholas Roerich (Николай Константинович Рерих, 1874‒1947), 1931, From the collection of: The Art Museum RIGA BOURSE
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Mercy, Nicholas Roerich (Николай Константинович Рерих, 1874‒1947), 1936, From the collection of: The Art Museum RIGA BOURSE
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Om Mani Padme Hum, Nicholas Roerich (Николай Константинович Рерих, 1874‒1947), 1932, From the collection of: The Art Museum RIGA BOURSE
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The core of this display consists of the most iconic works of Nikolas Roerich's painting collection – The Path, On the Heights, Compassion, Kuluta, St. Sergius Chapel, Brahmaputra, as well as studies of Himalayan mountains.

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The Art Museum RIGA BOURSE – a meeting point of cultures.

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The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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