The Lines of the Sea and the Land | 1970–1982
A journey through light and form in Piero Guccione's iconic series, capturing the essence of the Hyblaean landscape
The breath of infinite spaces
The cycle “Lines of the Sea and the Land” began in 1970. In contrast to the Roman phase of the "Gardens and Reflections on the Volkswagen", the sea and the Hyblaean landscape became an opportunity for vast open spaces and shifting blue surfaces shaped by the daily cycle of light.
Between luminous vibrations and geometries
The sea, in particular, is rendered through a painting marked by a dense materiality, recalling informal and abstracting solutions structured geometrically, inspired by the lines of marine currents and by golden glimmers that draw upon pointillist memories.
The lines of sea and land (1970) by Piero GuccioneOriginal Source: Private Collection
I adopted the title of the cycle "The Lines of the Sea and the Land"
The Shadow and the Lines of the Earth III (1975) by Piero GuccioneOriginal Source: Paolo Brodbeck Collection
on the basis of those beautiful Lieder by Gustav Mahler known as "The Song of the Earth".
Shadow on the sea (1973/1974) by Piero GuccioneOriginal Source: Grafiche Antigua Collection
In some way, I too wanted to create an evocation
The shadow and the lines of the sea (1974/1975) by Piero GuccioneOriginal Source: Private Collection
that would be not only lyrical, but also physical.
Reflection on the sea (1979/1982) by Piero GuccioneOriginal Source: Emiliano e Ottavia Cerasi Collection
I wanted to restore weight to things
Reflection on the Sea (1979/1982) by Piero GuccioneOriginal Source: Private Collection
and, at the same time, to sing the wonder of those spaces. - Piero Guccione
Three Movements of the Sea dedicated to Franz Schubert (1977/1980) by Piero GuccioneOriginal Source: Private Collection
Photo credit: Luigi Nifosì, Archivio Piero Guccione
© 2025 by SIAE for the artworks of Piero Guccione
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