The Northeastern coast in Dutch Brazil - Session I

From some of Frans Post's works, we illustrate this exhibition in which we approach the impressions of the Dutch about the northeastern coast.

By Museu Marítimo EXEA

By Leandro Vilar Oliveira

Fluvius Grandi (1647) by Frans PostOriginal Source: Biblioteca Nacional de Portugal

The exhibition

From some of Frans Post's works, we illustrate this exhibition in which we approach the impressions of the Dutch about the northeastern coast. However, we do not limit ourselves only to Post's paintings, we also decided to use maritime reports about the coast.

Ostium Fluminis Paraybae (1647) by Frans PostOriginal Source: Biblioteca Nacional de Portugal

Introduction

For 24 years the West-Indian Company (West-Indische Compaigne - WIC) occupied and dominated part of what is now the northeastern region of Brazil.

Fluvius Grandi (1647) by Frans PostOriginal Source: Biblioteca Nacional de Portugal

At the height of its occupation, during the government of João Maurício de Nassau (1638-1644), the domains of Dutch Brazil were extended from Sergipe to Maranhão.

Mauritiopolis (1647) by Frans PostOriginal Source: John Carter Brown Digital Library

Due to this long domination, the Dutch left some marks in the Portuguese American colony, and one of these marks were iconographic records.

Mauritiopolis (1647) by Frans PostOriginal Source: John Carter Brown Digital Library

Under the patronage of Maurice of Nassau, artists and scholars came to Brazil to study nature, economy, culture, and society. One of these artists was Dutch Frans Janszoon Post (1612-1680), born in Leyden, little is known about his history and why he decided to become a painter.

Sinus Omnium Sanctoru (1647) by Frans PostOriginal Source: Biblioteca Nacional de Portugal

However, at the age of 25, with the invitation of Maurice of Nassau, Post travelled to Brazil in 1638, specializing in painting and drawing landscapes, from Bahia to Maranhão. In 1644 he returned to the Netherlands, and began working on his sketches.

Olinda (1647) by Frans PostOriginal Source: Biblioteca Nacional de Portugal

Post's collection of paintings, drawings and engravings is one of the great legacies of Dutch Brazil.

Maragnon (1647) by Frans PostOriginal Source: Biblioteca Nacional de Portugal

In this exhibition, we do not limit ourselves only to Post's paintings, we also decided to use maritime reports about the coast, for this we chose the report The Torch of Navigation (Toortse der Zee-vert), written by Captain Dierick Ruiters and published in 1623...

Mauritiopolis (1647) by Frans PostOriginal Source: John Carter Brown Digital Library

... and the report Roteiro do Rico Brasil (Reysboeck van het Rycke Brasilien), an anonymous author, published in 1624.

Capvt. S. Augustini (1647) by Frans PostOriginal Source: Biblioteca Nacional de Portugal

Before the conquest of part of northeastern Brazil, the Dutch had already been visiting the colony in search of information, as well as doing business. Both reports reflect the Dutch interests in Brazil, which at that time was the largest producer of sugar in the West.

Siara (1647) by Frans PostOriginal Source: Biblioteca Nacional de Portugal

The Northeastern coast in Dutch Brazil - Session II

This is Session 1 of 3. Go to Session 2.

Credits: Story

Text and research:  
D.Sc. Leandro Vilar Oliveira

Translation:
M.Sc. George Henrique

Diagramming:
D.Sc. Ticiano Alves

Revision
M.Sc. Raphaella Belmont de Siqueira Alves

Sources:
RUITERS, Dierick. A Tocha da Navegação para viajar as costas situadas ao sul do Trópico de Câncer como o Brasil, as Índias Ocidentais, etc. Introdução de Joaquim de Sousa Leão Filho. RIHGB, vol. 269, p. 3-84, out/dez 1969.
ROTEIRO do Rico Brasil, Rio da Prata, Magalhães e Le Maire, no qual podem-se ver a situação dessas terras e cidades, seus usos e costumes, produtos e fertilidades das mesmas, tudo ilustrado com estampas de cobre. Introdução de Joaquim de Sousa Leão Filho. RIHGB, vol. 303, p. 181-224, abr/jun 1974.

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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