By Museu Marítimo EXEA
By Leandro Vilar Oliveira
Sinus Omnium Sanctoru (1647) by Frans PostOriginal Source: Biblioteca Nacional de Portugal
All Saint’s Bay
Sinus Omnium Sanctoru, Frans Post, 1647
São Bartolomeu da Passagem Fort
The image highlights the São Bartolomeu da Passagem Fort on the island of Itaparica and in the background was the former location of the city of Salvador.
Dutch invasion
Salvador was invaded in 1624 by a fleet of the Dutch West India Company and occupied until 1625, when it was recovered by the Portuguese and Spanish.
The Torch of Navigation, 1623
"Whoever enters this bay should do so so that the castle of Santo Antonio is at N/W and S/E, coming from the sea, pass through it as close as possible to come with a fair wind and thus more easily reach the port. [...]."
Castrum Mauritij ad Ripam Fluminis S. Francisci (1647) by Frans PostOriginal Source: Biblioteca Nacional de Portugal
Bar of the Sao Francisco River
Castrum Mauritij ad Ripam Fluminis S. Francisci, Frans Post, 1647
Portuguese soldiers escape
In this painting, Frans Post depicts the bar of the São Francisco River, situated between the states of Sergipe and Alagoas. In the scene, he emphasized the escape of Portuguese soldiers after the Dutch conquest of that place.
Dutch invasion
The village of Penedo, which was a strategic point at the river bar, was conquered by the Dutch in 1637, kept under their domain until 1645, when it was temporarily lost and retaken in 1646. It was reconquered by the Portuguese the following year.
Script of Rico Brazil, 1624
"Rio S. Francisco situated at 10º 20' is relatively populated and enters the interior very far. There is no lack of supplies. A sandy reef extends a few miles along the beach, so that between these shallows and the mainland one can navigate with small boats."
Capvt. S. Augustini (1647) by Frans PostOriginal Source: Biblioteca Nacional de Portugal
Cape of St. Augustine
Capvt. S. Augustini, Frans Post, 1647
View from the south
The print depicts the cape as seen from the South, with fishermen, ships, and some constructions on the hills in the North.
Occupation between 1635 and 1645
Cabo de Santo Agostinho was occupied by the Dutch between 1635 and 1645, when it was recovered by the Portuguese, who regained control of Fort Nazareth, the main local fortification.
The Torch of Navigation, 1623
"Coming from the sea, this cape looks rather like a regular coast, but when you get to the land, two or three rocks appear not far from it and very small. On the north side there is a lot of rock, but the cape is nothing but a low pontoon advancing over the water."
Mauritiopolis (1647) by Frans PostOriginal Source: John Carter Brown Digital Library
Recife
Mauritiopolis, Frans Post, 1647
Mauritiopolis
Frans Post depicted Recife (literally means Reef in Portuguese) at that time called Mauritiopolis in honor of count Maurício de Nassau. In the background are several houses and some churches.
The port
After the conquest of Olinda, its port, called Povo or Recife, was soon conquered by the Dutch still in 1630, and in the future became part of the capital of New Holland, called Cidade Mauritiopolis. Recife was only abandoned in 1654 by the Dutch troops.
Script of Rico Brazil, 1624
"Pernambuco [Recife] is 8 degrees south of the Equinoxial. It has at the entrance two forts. The one on the left, smaller, situated at the tip of a stone reef that measures about a mile long by 10 paces wide. [...]."
Olinda (1647) by Frans PostOriginal Source: Biblioteca Nacional de Portugal
The Northeastern coast in Dutch Brazil - Session II
This is Session 2 of 3. Go to Session 3.
Text and research:
D.Sc. Leandro Vilar Oliveira
Translation:
M.Sc. George Henrique
Diagramming:
D.Sc. Ticiano Alves
Revision:
M.Sc. Raphaella Belmont de Siqueira Alves
Sources:
RUITERS, Dierick. A Tocha da Navegação para viajar as costas situadas ao sul do Trópico de Câncer como o Brasil, as Índias Ocidentais, etc. Introdução de Joaquim de Sousa Leão Filho. RIHGB, vol. 269, p. 3-84, out/dez 1969.
ROTEIRO do Rico Brasil, Rio da Prata, Magalhães e Le Maire, no qual podem-se ver a situação dessas terras e cidades, seus usos e costumes, produtos e fertilidades das mesmas, tudo ilustrado com estampas de cobre. Introdução de Joaquim de Sousa Leão Filho. RIHGB, vol. 303, p. 181-224, abr/jun 1974.
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