By Arts Council England
Story curated by National Glass Centre
UoS (15) (2014) by Colin DavidsonArts Council England
The University of Sunderland is at the forefront of glass and ceramics education nationally. Based at National Glass centre, students have access to word-class tutors and production facilities, with the department producing some of the best glass and ceramics artists in the UK.
UoS (12) (2014) by Colin DavidsonArts Council England
The work showcased by these undergraduates represents a vast amount of learning and development of ideas, all achieved under unprecedented circumstances. Over the past three years these students have dedicated themselves to the attainment of difficult skills with hard materials.
UoS (14) (2014) by Colin DavidsonArts Council England
Glass and ceramics are a challenge to work with, they demand dexterity, knowledge and commitment to achieve the results you will see here. They are sometimes fragile, often unexpected and never easy.
UoS (13) (2014) by Colin DavidsonArts Council England
These students have risen to the challenge and each produced a unique and individual body of work covering a hugely diverse range of subjects and ideas. The diversity of approaches, thoughts and attitudes is a quiet reflection on the times we live through.
Idolum (1) (2022) by Abbey AnsonArts Council England
Abbey Anson, Idolum, 2022
Anson’s practice often includes computer aided design and 3D printing as well as glass casting, lamp work and ceramics. The themes within the pieces relate to memories and address issues surrounding mental health and body positivity.
Unity (5) (2022) by Paula AzizArts Council England
Paula Aziz, Unity, 2022
Aziz is a wheel-based ceramicist who works with clay because of its sympathetic and versatile qualities. Flowing shapes, spherical contours and colour gradients in rock formation all inspire her in developing tonal range and texture in the clay.
Still We Rise (1) (2022) by Chris DaltonArts Council England
Chris Dalton, Still We Rise, 2022
Chris Dalton is a stained glass artist and painter based in Gateshead. After a career spanning 30 years as a Youth and Community Worker she decided to follow her dream to become an artist and explore her love of glass.
Homo Sapiens (1) (2022) by Rodrigues GoncalvesArts Council England
Rodrigues Goncalves, Homo Sapiens, 2022
Rodrigues Goncalves (b.2000) is a Portuguese-British artist currently located in the UK. Rodrigues Goncalves’ practice explores popular culture. “Homo Sapiens”(2022) takes inspiration from Leonardo da Vinci’s “Vitruvian Man”.
Poise and Decorum (1) (2022) by Jo LamoureuxArts Council England
Jo Lamoureux, Poise and Decorum, 2022
Jo is a multimedia artist and sculptor, influenced by ancient artefacts, science fiction movies and the human body. The central medium for the work is ceramics but other cast materials are often combined to create dynamic compositions.
Tea Set (1) (2022) by Kristina LashkayArts Council England
Kristina Lashkay, Tea Set, 2022
Kristina involves the practice of Cha Dao, the Way of Tea, in her daily life, which also fuels her inspiration for the shapes and shades of her ceramics. The tea sets are functional objects aimed to promote health, mindfulness and sustainability.
Symbiotic (3) (2022) by Isla McKelveyArts Council England
Isla McKelvey, Symbiotic, 2022
The work is based on creating a symbiotic relationship between natural clay, plants, and water. Using natural foraged clay, each piece is handmade, local and sustainable, combining concept with material and function with form.
Forest of Connections (2) (2022) by Heather MetcalfeArts Council England
Heather Metcalfe, Forest of Connections, 2022
Heather Metcalfe is a ceramic artist making sculptural pieces focusing on environmentalism, intersectionality and feminist ideology. Growing up and living in the Northumberland countryside, Metcalfe constantly draws influence and inspiration from nature.
How Did Fun Turn Into Fear? (1) (2022) by Hannah PeverleyArts Council England
Hannah Peverley, How Did Fun Turn Into Fear?, 2022
Hannah is a glass artist based in Sunderland, North East England. Her work is made primarily in flameworked glass with occasional use of mixed media. Hannah designs and creates her pieces with the aim of bringing joy, spreading confidence and showing bravery.
Fragmentation (1) (2022) by Eliza PotterArts Council England
Eliza Potter, Fragmentation, 2022
Potter’s work is a blend of contemporary and traditional figurative sculpture. The work represents mental fragmentation and an internal explosion of emotions, porcelain fragments of the human form.
endogeny (1) (2022) by Emma Mercedes RiisArts Council England
Emma Mercedes Riis, endogeny, 2022
Originally from the North of Denmark, Emma Mercedes Riis trained as a glassblower in Sweden, Denmark and France prior to settling in the North East of England to pursue her career as an artist.
Flowerbomb (1) (2022) by Anne ScottArts Council England
Anne Scott, Flowerbomb, 2022
Anne’s passion is for fused glass and to bring light and colour to lift spirits, especially in difficult times. Glass is an illusionist in a kiln, a chameleon of materials, it can be opaque or translucent, smooth or textured, feather-light, or strong.
Dichotomy (2) (2022) by Eve SloanArts Council England
Eve Sloan, Dichotomy, 2022
Based in the North East of England, Eve is heavily interested in nature, music, history, cosmology, politics, and the occult. After studying acting and performance she moved on to pursue her passion for art and design and discovered her love of clay.
Calm in the Chaos (2) (2022) by Emily TaylorArts Council England
Emily Taylor, Calm in the Chaos, 2022
Emily uses colour, pattern and line to showcase detailed and expressive illustrations. The work is inspired by the process of observational drawing itself and the calming, therapeutic formulation of glazes to translate these images into ceramic surfaces.
Compassion (1) (2022) by Darren WhelanArts Council England
Darren Whelan, Compassion, 2022
Whelan’s work explores an interest in history that has had an enormous impact on his life. The work is inspired by pilots’ stories during WW2 of little-known compassion and humanity; about rare human courage and the honour not to shoot.
UoS (11) (2014) by Colin DavidsonArts Council England
Home to some of the most-acclaimed glass and ceramics artists of the past four decades, including the likes of Angela Thwaites, Laura Johnston and James Maskrey, the University of Sunderland continues to be at the forefront of contemporary glass and ceramics art in the UK.
This story was curated by National Glass Centre as part of Arts Council England's Northern Stories collection.
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