By Arts Council England
Story curated by National Glass Centre
Leading contemporary artists
Monster Chetwynd, Ryan Gander, Katie Paterson and Pascale Marthine Tayou were each commissioned to work collaboratively with highly skilled glass specialists at National Glass Centre. The new work created is the outcome of the Glass Exchange project.
Meet National Glass Centre's expert team of glass artists who have worked to realise the artist's creative vision. All the team are either current staff members or recent graduates from the centre.
The work you're about to see is the result of that collaboration.
Monster Chetwynd - The Life of St. Bede, 2022
Monster Chetwynd’s commission, The Life of St Bede, consisting of four sculptures, depicting key moments from Bede’s life and writing, was displayed at Durham Cathedral in the Galilee Chapel, in close proximity to the tomb of St. Bede from 26th March – 11th September 2022.
The Life of St.Bede (Detail 3) (2022) by Monster Chetwynd (Photographed by David Wood)Arts Council England
Monster Chetwynd
The Life of St. Bede, 2022
St. Cuthbert saluted by the otters after his night in the sea
Monster Chetwynd
The Life of St. Bede, 2022
St. Cuthbert saluted by the otters after his night in the sea (detail)
The Life of St.Bede (Detail 4) (2022) by Monster Chetwynd (Photographed by David Wood)Arts Council England
Monster Chetwynd
The Life of St. Bede, 2022
St. Bede writing Life of St. Cuthbert
Monster Chetwynd
The Life of St. Bede, 2022
St. Bede writing Life of St. Cuthbert (detail)
The Life of St.Bede (Detail 1) (2022) by Monster Chetwynd (Photographed by David Wood)Arts Council England
Monster Chetwynd
The Life of St. Bede, 2022
St. Cuthbert casting out the devil from the Prefect’s wife
Monster Chetwynd
The Life of St. Bede, 2022
St. Cuthbert casting out the devil from the Prefect’s wife (detail)
The Life of St.Bede (Detail 5) (2022) by Monster Chetwynd (Photographed by David Wood)Arts Council England
Monster Chetwynd
The Life of St. Bede, 2022
St. Bede being welcomed on his arrival, at the age of 7, to St. Peter’s Monastery, Wearmouth
Monster Chetwynd
The Life of St. Bede, 2022
St. Bede being welcomed on his arrival, at the age of 7, to St. Peter’s Monastery, Wearmouth (detail)
Ryan Gander - Ghost Shop, 2022
Ryan Gander’s Ghost Shop, shown in Sunderland’s city centre, depicted an abandoned betting shop. Created using clear glass, the installation presented a ghost or memory of the former function of the space reflecting the changes to so many of our high streets and urban centres.
Ghost Shop (Interior) (2022) by Ryan Gander (Photographed by George Darrell)Arts Council England
Ryan Gander
Ghost Shop, 2022
Ryan Gander
Ghost Shop, 2022
Ryan Gander
Ghost Shop, 2022
Ryan Gander
Ghost Shop, 2022
Ghost Shop (Detail 1) (2022) by Ryan Gander (Photographed by George Darrell)Arts Council England
“Betting shops are beckoning doors of illicit sin, like somewhere in Soho, and the shop fronts are covered so you never know what’s going on inside. There’s a certain mystery to them.” Ryan Gander
Ghost Shop (Detail 2) (2022) by Ryan Gander (Photographed by George Darrell)Arts Council England
“People validate and quantify art by the number of people counted as seeing the art, but I’m more impressed with artwork that still bothers people when they’re returning home on the bus, or still want to tell their friends about it two years later.” Ryan Gander
Ghost Shop (Detail 3) (2022) by Ryan Gander (Photographed by George Darrell)Arts Council England
Ryan Gander
Ghost Shop, 2022
Katie Paterson - Requiem, 2022
Katie Paterson has made two inter-related works. The first is Requiem, a glass urn filled with hundreds of samples of dust. This work charts the progression of time, with later samples drawing attention to the disproportionate impact of humanity on the Earth.
Katie Paterson - The Moment, 2022
The second work is a series of hourglasses titled The Moment. Dust, crushed from meteors that pre-date the sun, flows for fifteen minutes through each timepiece allowing the viewer to reflect on the vastness of time and our role within it.
Requiem (Detail 1) (2022) by Katie Paterson (Photographed by Michael Davidson)Arts Council England
Katie Paterson
Requiem, 2022
Requiem (Detail 3) (2022) by Katie Paterson (Photographed by Michael Davidson)Arts Council England
Katie Paterson
Requiem, 2022
Pascale Marthine Tayou - Colonial Ghost, 2022
Through Colonial Ghost, Pascale Marthine Tayou aims to invite the viewer to consider connections between colonization and the growth of Christianity in African countries.
Colonial Ghost (Detail 1) (2022) by Pascale Marthine Tayou (Photographed by David Wood)Arts Council England
Pascale Marthine Tayou, Colonial Ghost, 2022
Colonial Ghost (Detail 6) (2022) by Pascale Marthine Tayou (Photographed by David Wood)Arts Council England
Pascale Marthine Tayou, Colonial Ghost, 2022 (detail)
Pascale Marthine Tayou, Colonial Ghost, 2022 (detail)
Colonial Ghost (Detail 3) (2022) by Pascale Marthine Tayou (Photographed by David Wood)Arts Council England
Pascale Marthine Tayou, Colonial Ghost, 2022 (detail)
Pascale Marthine Tayou, Colonial Ghost, 2022 (detail)
Colonial Ghost (Detail 7) (2022) by Pascale Marthine Tayou (Photographed by David Wood)Arts Council England
Pascale Marthine Tayou, Colonial Ghost, 2022 (detail)
Pascale Marthine Tayou, Colonial Ghost, 2022 (detail)
Colonial Ghost (Minister) (2022) by Pascale Marthine TayouArts Council England
Colonial Ghost was also displayed at Sunderland Minister from October 2021 – January 2022.
Glass Exchange is supported using public funding by the National Lottery through Arts Council England, with additional funding from Art Fund, Henry Moore Foundation and the Coastal Communities Fund, and with thanks to the University of Sunderland and Durham Cathedral.
More about the artists and their work can be found at:
Monster Chetwynd: https://www.sadiecoles.com/artists/10-monster-chetwynd/
Ryan Gander: https://www.lissongallery.com/artists/ryan-gander
Katie Paterson: http://katiepaterson.org
Pascale Marthine Tayou: https://www.pascalemarthinetayou.com
This story was curated by National Glass Centre as part of Arts Council England's Northern Stories collection.
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