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Frida Kahlo's Home from the Outside (1950) by Guillermo ZamoraColección Blaisten
The land in Coyoacán where the Frida Kahlo Museum now stands was bought by her father, Guillermo Kahlo. The house dates from 1904 and was built in a style typical of the period, with rooms surrounding a central courtyard.
Frida's studio (1950) by Guillermo ZamoraColección Blaisten
The study was added by Juan O'Gorman later, in 1946, and was in keeping with his functionalist style of architecture.
As well as being Frida's creative space, Diego used the studio to store some of his pre-Hispanic art.
Frida Kahlo's Dining Room (1950) by Guillermo ZamoraColección Blaisten
The dining room, with its selection of handicrafts from all over the country, reflects Frida and Diego's love of Mexico. It includes pottery from Puebla, Jalisco, and Michoacán.
This work of art was in Frida's dining room. It was photographed by Zamora and depicts the beginning of the struggle for workers' rights.
Frida Kahlo's Dining Room (1950) by Guillermo ZamoraColección Blaisten
Frida Kahlo exvoto (1950) by Guillermo ZamoraColección Blaisten
Frida had a collection of more than 400 votive offerings, which were originally kept on the landing of the staircase leading to the study.
Frida Kahlo loved the Mexican tradition of painting offerings of gratitude to saints, the Virgin Mary, or Christ, in thanks for deliverance from an accident or misfortune.
Frida Kahlo in a colective exhibition (1942) by No identificadoColección Blaisten
Frida Kahlo with her symbolic painting, "The Wounded Table," its whereabouts are now unknown.
Garden of Frida´s home (1950) by Guillermo ZamoraColección Blaisten
This section of the courtyard was also designed by Juan O'Gorman. Diego asked him to use volcanic rock, which he had used in the construction of the Anahuacalli Museum. Snail shells and plant pots were also used for decoration.
Frida Kahlo's Home Patio (1950) by Guillermo ZamoraColección Blaisten
The Judas figures that can be seen throughout the house are the work of Carmen Caballero Sevilla. She spent many years creating and selling these papier-mâché figures, traditionally associated with "Semana Santa" or Holy Week, in the Abelardo Rodríguez Market in Mexico City.
Frida Kahlo's studio (1950) by Guillermo ZamoraColección Blaisten
This is one of Guillermo Zamora's photographs of Frida's collection of Judas figures.
Frida's studio (1950) by Guillermo ZamoraColección Blaisten
Frida Kahlo's Home Patio (1950) by Guillermo ZamoraColección Blaisten
Frida Kahlo's Home Patio (1950) by Guillermo ZamoraColección Blaisten
Diego and Frida filled the courtyard of the Blue House with plants and flowers native to Mexico. Nature was extremely important to Frida: beyond merely being part of the decor, plants were her inspiration.
Frida Kahlo and group in Tepepan (1946/1946) by Berenice KolkoColección Blaisten
Bernice Kolko was a close friend of Frida's and her main photographer. Frida is shown here with a group of her closest friends.
Diego and Frida at the studio garden (1950) by Guillermo ZamoraColección Blaisten
Frida and Diego lived in the Blue House from 1929, when they were first married, until Frida died at home in 1954.
Frida Kahlo's Room (1950) by Guillermo ZamoraColección Blaisten
Frida's ashes are still in her bedroom, in a clay urn on the dresser.
Textos: Renata Blaisten
Selección de obra: Renata Blaisten
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