By USI Università della Svizzera italiana
Exhibition and texts curated by Adine Gavazzi (UNESCO Chair, University of Genoa) and Anna Picco-Schwendener (UNESCO Chair, USI)
Intangible but Visible
Intangible heritage "includes traditions or living expressions inherited from our ancestors and passed on to our descendants, such as oral traditions, performing arts, social practices, rituals, festive events, knowledge and practices concerning nature and the universe or the knowledge and skills to produce traditional crafts" (UNESCO).
The following series of images by Heinz Plenge contribute to the discovery, understanding and preservation of living traditions in Peru by making the intangible, visible and palpable.
Spiral of Fire on the Temple of Caracol (2016-08-06) by Heinz PlengeUSI Università della Svizzera italiana
Spiral of Fire on the Ceremonial Temple of Caracol
The temple shows a spiral path turning inward, like the shell of a snail ("Caracol" in Spanish). The spiral as a symbol of life and regeneration and is a recurrent element of Andean ceremonial architecture since its beginnings.
Spiral of Fire on the Temple of Caracol (2016-08-06) by Heinz PlengeUSI Università della Svizzera italiana
During the night an indigenous worker re-traced the spiral of the temple with a fire torch, as if recalling the rituals once held within the temple.
Diablitos Dance in Tucume (2013-02-11) by Heinz PlengeUSI Università della Svizzera italiana
Diablitos Dance in Tucume
The Diablitos Dance in Tucume, Lambayeque (Peru) dates back to pre-colonial times and is practiced still today. The centrally located Angel of Light represents the Christian spirit fighting demons.
Diablitos Dance in Tucume (2013-02-11) by Heinz PlengeUSI Università della Svizzera italiana
The demons are not fearful as known from the Christian tradition but have a more playful spirit. They are colourful, and are affectionally called “diablitos” (little devils).
Maestro Curandero Mosquera at the Casa de La Luna (2019-06-09) by Heinz PlengeUSI Università della Svizzera italiana
Maestro Curandero Mosquera at the Casa de La Luna
Maestro Marco Mosquera just held a healing ceremony at the Casa de la Luna in Chaparrì, using sacred plants of the Lambayeque valley, in particular the huachuma cactus (visible on the very right of the image).
Living Traditions of the Muchik People (2010-06-19) by Heinz PlengeUSI Università della Svizzera italiana
Living Traditions of the Muchik People
Two women of the Muchik community in the northern part of Peru appear in their traditional environment. Their friendly and self-confident attitude in offering food reveals the powerful role of women in the Muchik culture and their sense of relationship.
Various elements of tangible and intangible pre-colonial heritage are visible: For example the traditional hairstyle of the woman, ...
... the presentation of a traditional fish dish (Caballa Rellena a la brasa), and the “caballitos de totora”, ancient reed boats crafted and used by Muchik fishermen for more than three thousand years.
Lizard Hunter among Muchik Children (2010-03-28) by Heinz PlengeUSI Università della Svizzera italiana
Lizard Hunter among Muchik Children
A Muchik lizard hunter in Peru's La Leche Valley holds four morrops (endemic lizards) that are admired by the children of the village. The Muchik considered lizards as divine characters helping the deceased enter the underworld of the dead.
Lizard Hunter among Muchik Children (2010-03-28) by Heinz PlengeUSI Università della Svizzera italiana
Muchik artists were and are inspired by the colour, the scales and the geometric pattern of these reptiles to create the unique turquoise cuts used in Moche jewellery.
Uncontacted Indigenous Hunter in the Amazon (1992) by Heinz PlengeUSI Università della Svizzera italiana
Uncontacted Indigenous Hunter in the Amazon
Heinz Plenge has been the only one so far to take such a detailed portrait of an uncontacted, indigenous hunter living in the Manu national park (UNESCO World Heritage Site) in Peru. To guarantee their survival these people voluntarily live in total isolation, and avoid getting in contact with modern ways of living.
The gesture of the hunter combines the tension of the arch, the muscles and the focus on the target.
Awajun Indigenous Community (2014-10-25) by Heinz PlengeUSI Università della Svizzera italiana
Awajun Indigenous Community
The Awajun indigenous community lives in the Alto Mayo region of Peru. This and the following image nicely illustrate how men always wear headdresses while women do not.
Awajun Family (2010-05-18) by Heinz PlengeUSI Università della Svizzera italiana
The women, called “Nuwas”, play an important role within the community, being responsible of the seeds, working in the forest, and creating the orchards and their different products.
Petroglyphs of Cumpanamá (2016-09-12) by Heinz PlengeUSI Università della Svizzera italiana
Petroglyphs of Cumpanamá
The Cumpanamá stone with ancient petroglyphs is located inside the Regional Conservation Area of Cordillera Escalera (Peru) and inhabited by the Shawi people. Over the millennia the Amazon cultures left powerful symbolic messages on sacred stones.
Four Quechua Women in Lamas (Peru) (2014-10-20) by Heinz PlengeUSI Università della Svizzera italiana
Four Chachapoya Women in Chazuta (Peru)
The Chachapoyas, are a civilisation of the higher Amazon of northern Peru. The four women are wearing colourful traditional braids and skirts and on their heads proudly exhibit ceramics they have produced.
Four Quechua Women in Lamas (Peru) (2014-10-20) by Heinz PlengeUSI Università della Svizzera italiana
Their ability to decorate the pots with ancient symbols connects their cultural identity with the ancestral Chachapoya heritage.
Teens in Search of their Identity (2014-10-21) by Heinz PlengeUSI Università della Svizzera italiana
Teens in Search of their Identity
During the Baile de las Carachupas (armadillo) traditional celebration of the indigenous community of Lamas (Peru), teen boys dress up as crocodiles using leaves to hide their body and gender.
Teens in Search of their Identity (2014-10-21) by Heinz PlengeUSI Università della Svizzera italiana
This camouflage allows the teens to go through a gender exploration process and to better understand who they are and what their role is.
Maestro Curandero Collecting Medical Plants (2014-09-22) by Heinz PlengeUSI Università della Svizzera italiana
Maestro Curandero Collecting Medical Plants
A Maestro Curandero (traditional healer) is walking along the Cajamarca sacred lagoon of the highlands of Peru to collect plants for his natural remedies. In proximity of the waters, medical plants grow in a way only recognised by indigenous experts.
Maestro Curandero Collecting Medical Plants (2014-09-22) by Heinz PlengeUSI Università della Svizzera italiana
The transmission of medical knowledge is part of the intangible heritage of the Cajamarca region.
This story is the result of a collaboration between the UNESCO Chair of the Università della Svizzera italiana, the UNESCO Chair of the Università degli Studi di Genova and the author of the images. The photos have been provided by the Heinz Plenge Archive. All photos have been taken by Heinz Plenge and are available under the Creative Commons License CC BY-SA 4.0 (https://creativecommons.org/licenses/by-sa/4.0/).
You are all set!
Your first Culture Weekly will arrive this week.